Restoration

up with laughter over their croquet mallets. I had, of course, joined in the general mirth. I was loved by these men for my willingness to ridicule myself. But I was not, as you can imagine, in the least comforted by their words.

I left my Studio and went to my Morning Room, where I sat down at my bureau and prepared to write the King a letter:

My Most Gracious Sovereign, I began, and the image I had, as I wrote these words, of the King as a moving, shimmering body of celestial light was overwhelming.

Your loyal Fool, Merivel, salutes you, I continued, and prays this letter finds Your Majesty in excellent health and spirits, but – God forgive me – the latter yet no so entirely excellent that you would not, as the rememberance of my antics and my untidy person comes now to your mind, believe yourself contented by some small dose of my company. Let me hasten to say that, were you, Sir, for however brief a time and in whatever role your whim or disposition might dictate, desirous of seeing me, you have only to send word and the speed of my journey to London would be scarcely less than those swift-traveling thoughts which bring me so frequently, in my presumptuous mind, to Your Majesty's side.

Honesty now forces me to relate a great sorrow that has befallen me here, in the midst of all my luxury and brocaded living, namely the death of my dog, your Minette, who was the small creature I most loved in all your Kingdom. I beg my Sovereign to believe I did all within my power towards the saving of her and to know that she was never in her in short life, no, not for one day or one hour, neglected by Her Master,

Your Servant,

R. Merivel

I read through my letter, without permitting the truth-telling inhabitant of my mind to comment upon the words written by the liar who also lodges there, preferring as I do that these two remain distant but courteous neighbours. I sealed it and gave it to Will Gates with instructions that it be sent post-haste to London.

Writing it had eased my mind sufficiently for me to call for my coach and make the short journey through the continuing downpour to the Bathursts, having first powdered my armpits, put on a yellow coat and done what I could to make my person agreeable, in case I chanced on Violet alone and was able to bury my sorrows in her velvet bosom. Alas, I was not so lucky. Bathurst 's memory, so frequently a vessel given up for lost, had that morning bobbed briefly but jauntily to the surface, during which time it recognised Violet as the very woman he had long ago bedded in a frenzy of torn love-knots and snatched garters. He was, as her servant announced my arrival, in the act of tearing a marten cat's head and a couple of badgers' pelts off the wall and laying these trophies at his wife's feet.

The following Friday, Finn did not appear for my painting lesson.

It was an exceedingly splendid autumn morning, burnished by the sun, but my mind wouldn't rid itself of the sodden and bedraggled figure, with my father's long but awkward stride, I had sent off into the rain. Had the poor man died of damp and cold? Or had my Court-wisdom shocked him into abandoning the gentry and their corrupt ways – to paint pictures of the likes of Meg Storey, perhaps, in return for a pint of ale, or a quick favour on the stillroom floor?

The day was altogether too fair to waste on worry or remorse. Finn's fate was not mine to control. I put on my floppy hat and my smock and, with Will's help, carried my easel and my painting equipment to a far corner of my south lawn, from which I had a most magnificent perspective of the park – the purple and gold beeches, the russet elms, the fiery chestnuts and the soft sweep of brown beneath them that was the line of grazing deer.

I stared at this scene. I knew that to render the foliage of a tree in all its complexity was beyond my skills as a draughtsman, let alone as a painter in oils. What I could try to capture, however, were the colours. Thus, without sketching anything in charcoal on my canvas, I began furiously to mix my pigments and to lay the paint on in bold sweeps and flourishes, colour upon colour, a scrabble of white for a cloud, wavering lines of green and yellow for the rich grass, cascades of oranges, reds and golds for the chestnuts, a deep mass of purple and brown and black for the further beeches. I worked like a furnace-feeder, like a glass-blower, puffing and straining. My temperature rose and my heartbeat quickened. I was ablaze with my painting. I knew that it was as wild, as undisciplined, as excessive as my own character, but it perfectly expressed, all unskilled as it was, my response to that autumn day, and thus, to me, had a satisfactory logic to it. Furthermore, when it was at last finished and I stepped back from it a few paces and looked at it through half closed eyes, it did resemble to some degree the scene before me. It was, perhaps, as if a child had painted it. It was crude. The colours were too bright and too many. And yet it didn't lie (not even as much, Finn, I wanted to say, as your beautifully painted Greek columns or shepherdesses' picnics). It was, in some essential way, what I had seen. I walked round to the back of the canvas and scribbled a title on it in French: Le Matin de Merivel, l'automne.

It was then, as I looked up, that I saw Finn, dressed I noticed rather gayly in Lincoln Green, striding towards me across the lawn. I was glad he hadn't starved to death, even more glad when I read from the knowing half smile on his face that he had heeded my words and brought me some little inducement to carry out the favours of which he believed me capable. For I am extremely fond of receiving presents. Possessing, as I do now, an abundance of useless knick-knacks and objets d'art, has not diminished my enthusiasm for accepting more, and the gift, say, of a fine pewter tippling jug or even the head of a marten cat from old Bathurst can cause me an entire day's good spirits.

'Finn!' I called warmly. 'You are not starving in some hovel like Poor Tom, as I imagined you to be!'

'What?' said Finn, checked in his stride.

'Oh, never mind my follies,' I laughed. 'Come and look at my painting.'

Finn approached. The sun had now moved and was falling smack across my picture, causing the colours to seem even more gaudy than they actually were. The artist stared at my work. Across his face began to spread a look of recoil, as if, upon the clean waistcoat of this Robin Hood, his Maid Marian had thrown up her pudding. I saw him struggling with words, but they seemed to choke him and he turned away.

'Well?' I said.

'It is,' said Finn, 'an excrescence.'

'Yes,' I commented, 'probably that is the right word for it.'

'In the time of Cromwell, you would…'

'What, Finn?'

'No. I do not mean that. But really, you cannot…'

'What?'

'You must not show this picture to anyone. You must, I think, burn it.'

'It offends you, I see.'

'It breaks…'

'What does it break?'

'All the laws, all the procedures and disciplines I have been at such pains to try to teach you.'

'Yes. You're undoubtedly right. It is a grievous mistake. And yet to me, you see, it's a rather memorable rendering of all that I feel about the colours of my park. Which only illustrates, does it not, that feeling, however passionate a spur it may be to the poor dabbling painter, is, without technique, an impotent and ridiculous thing, like a eunuch in love, one might fancifully suggest.'

I laughed, but Finn did not even smile. I felt light-hearted, despite his loathing of my work, and sorry for him that his spirit seemed so grave.

'Well,' I said, 'let's forget the picture. I shall put it on the fire presently. Will you take a glass of wine, Finn, to restore your lightness of heart?'

Poor Robin agreed and we returned to the house, where I ordered some cool white wine to be brought from my cellar to the Morning Room.

Finn gulped his drink like a parched traveler. His hand shook. Almost before he had sat down, he leapt to his feet again and announced to me that he had taken good heed of my advice on how to get on in what he called 'this heartless age' and had therefore spent a great deal of money and time preparing a gift for me, in the hopes that now, at last, I would speak of his talents to the King.

'Excellent, Finn!' I said. 'You're learning fast. Would that you could say the same of my painting, what?'

A little nervous smile crossed his angelic mouth. Then he darted out and returned a few seconds later,