wears the pants in
But David had not been a weakling, only quiet and thoughtful. When he told John and Rebecca Freemantle, “Whatever Abagail thinks is right, why, I reckon that’s what’s to do,” she had blessed him for it and told her mother and father she intended to go ahead.
So on December 27, 1902, already three months gone with her first, she had mounted the Grange Hall stage in the dead silence that had ensued when the master of ceremonies had announced her name. Just before her Gretchen Tilyons had been on and had done a racy French dance, showing her ankles and petticoats to the raucous whistles, cheers, and stamping feet of the men in the audience.
She stood in the thick silence, knowing how black her face and neck must look in her new white dress, and her heart was thudding terribly in her chest and she was thinking,
The hall was filled with white faces turned up to look at her. Every chair was filled and there were two rows of standees at the back of the hall. Kerosene lanterns glowed and flared. The red velvet curtains were pulled back in swoops of cloth and tied with gold ropes.
And she thought:
And so she began to sing “The Old Rugged Cross” into the moveless silence, her fingers picking melody. Then picking up a strum, the slightly stronger melody of “How I Love My Jesus,” and then stronger still, “Camp Meeting in Georgia.” Now people were swaying back and forth almost in spite of themselves. Some were grinning and tapping their knees.
She sang a medley of Civil War songs: “When Johnny Comes Marching Home,” “Marching Through Georgia,” and “Goober Peas” (more smiles at that one; many of these men, Grand Army of the Republic veterans, had eaten more than a few goober peas during their time in the service). She finished with “Tenting Tonight on the Old Campground,” and as the last chord floated away into a silence that was now thoughtful and sad, she thought:
When the last chord floated into silence, that silence held for a long, almost enchanted instant, as though the people in those seats and the others standing at the back of the hall had been taken far away, so far they could not find their way back all at once. Then the applause broke and rolled over her in a wave, long and sustained, making her blush, making her feel confused, hot and shivery all over. She saw her mother, weeping openly, and her father, and David, beaming at her.
She had tried to leave the stage then, but cries of “
Someone’s been diggin my potatoes
They’ve left em in my bin,
And now that someone’s gone
And see the trouble I’ve got in.
There were six more verses like that (some even worse) and she sang every one, and at the last line of each the roar of approval was louder. And later she thought that if she had done anything wrong that night, it was singing that song, which was exactly the kind of song they probably expected to hear a nigger sing.
She finished to another thunderous ovation and fresh cries of “
They were very quiet now, listening closely. Her family sat stock still, all together near the left aisle, like a spot of blackberry jam on a white handkerchief.
“On account of what happened back in the middle of the States War,” she went steadily on, “my family was able to come here and live with the fine neighbors that we have.”
Then she played and sang “The Star-Spangled Banner,” and everyone stood up and listened, and some of the handkerchiefs came out again, and when she had finished, they applauded fit to raise the roof.
That was the proudest day of her life.
She stirred awake a little after noon and sat up, blinking in the sunlight, an old woman of a hundred and eight. She had slept wrong on her back and it was a pure misery to her. Would be all day, if she knew anything about it.
“Welladay,” she said, and stood up carefully. She began to go down the porch steps, holding carefully to the rickety railing, wincing at the daggers of pain in her back and the prickles in her legs. Her circulation was not what it had once been… why should it be? Time after time she had warned herself about the consequences of falling asleep in that rocker. She would doze off and all the old times would come back and that was wonderful, oh yes it was, better than watching a play on the television, but there was hell to pay when she woke up. She could lecture herself all she liked, but she was like an old dog that splays itself out by a fireplace. If she sat in the sun, she went to sleep, that was all. She no longer had a say in the matter.
She reached the bottom of the steps, paused to “let her legs catch up with her,” then hawked up a goodish gob of snot and spat it into the dirt. When she felt about as usual (except for the misery in her back), she walked slowly around to the privy her grandson Victor had put behind the house in 1931. She went inside, primly shut the door and put the hook through the eye just as if there was a whole crowd of folks out there instead of a few blackbirds, and sat down. A moment later she began to make water and sighed contentedly. Here was another thing about being old no one ever thought to tell you (or was it just that you never listened?)—you stopped knowing when you had to make water. Seemed like you lost all the feeling down there in your bladder, and if you weren’t careful, first thing you knew you had to be changing your clothes. It wasn’t like her to be dirty, and so she came out here to squat six or seven times a day, and at night she kept the chamberpot beside the bed. Molly’s Jim told her once that she was like a dog that couldn’t pass a fireplug without at least lifting one leg to salute it, and that had made her laugh until tears spouted from her eyes and streamed down her cheeks. Molly’s Jim was an advertising executive in Chicago and getting along a right smart… had been, anyway. She supposed he was gone with the rest of them. Molly too. Bless their hearts, they were with Jesus now.
The last year or so, Molly and Jim were about the only ones who came out to the place to see her anymore. The rest seemed to have forgot she was alive, but she could understand that. She had lived past her time. She was like a dinosaur which had no business still wearing its flesh over its bones, a thing whose proper place was in a museum (or a graveyard). She could understand them not wanting to come see
Molly and Jim had wanted to put in a flushing toilet for her the year before last, and had been hurt when she refused. She tried to explain so they could understand, but all Molly had been able to say, over and over again was, “Mother Abagail, you are a hundred and six years old. How do you think I feel, knowing you are going out there to squat down some days when it’s only ten degrees above zero? Don’t you know that the shock of the cold could do your heart in?”
“When the Lord wants me, the Lord will take me,” Abagail said, and she was knitting, and so of course they thought that was what she was looking at and couldn’t see the way they rolled their eyes at each other.
Some things you couldn’t let go of. It seemed like that was another thing the young people didn’t know. Now, back in ‘82, when she had turned a hundred, Cathy and David had offered her a TV set and she had taken them up on that one. The TV was a marvelous machine for passing the time when you were by your onesome. But when