The Name of the Wind

His tone was so serious I had to smile. “I earned it playing in Imre last night.”

“Music across the river pays this well?”

I held my smile and shrugged nonchalantly. “I don’t know if I’ll do this well every night. This was only my first time, after all.”

Kilvin made a sound somewhere between a snort and a huff and turned his eyes back to his work. “Elxa Dal’s pridefulness is rubbing off on you.” He drew a careful line on the glass. “Am I correct in assuming that you will no longer be spending evenings in my employ?”

Shocked, it took me a moment to catch my breath. “I—I wouldn’t—I came here to speak with you about—” about coming back to work in the shop. The thought of not working for Kilvin hadn’t crossed my mind.

“Apparently your music has more profit than working here.” Kilvin gave the coins on the table a significant look.

“But I want to work here!” I said wretchedly.

Kilvin’s face broke into a great white smile. “Good. I would not have wanted to lose you to the other side of the river. Music is a fine thing, but metal lasts.” He struck the table with two huge fingers to emphasize his point. Then he made a shooing motion with the hand that held his unfinished lamp. “Go. Do not be late for work or I will keep you polishing bottles and grinding ore for another term.”

As I left, I thought about what Kilvin had said. It was the first thing he had said to me that I did not agree with wholeheartedly Metal rusts, I thought, music lasts forever.

Time will eventually prove one of us right.

After I left the Fishery I headed straight to the Horse and Four, arguably the best inn this side of the river. The innkeeper was a bald, portly fellow named Caverin. I showed him my talent pipes and bargained for a pleasant fifteen minutes.

The end result was that in exchange for playing three evenings a span I received free room and board. The Four’s kitchens were remarkable, and my room was actually a small suite: bedroom, dressing room, and sitting room. A huge step up from my narrow bunk in the Mews.

But best of all, I would earn two silver talents every month. An almost ridiculous sum of money to someone who had been poor for as long as I had. And that was in addition to whatever gifts or tips the wealthy customers might give me.

Playing here, working in the Fishery, and with a wealthy patron on the horizon, I’d no longer be forced to live like a pauper. I’d be able to buy things I desperately needed: another suit of clothes, some decent pens and paper, new shoes....

If you have never been desperately poor, I doubt you can understand the relief I felt. For months I’d been waiting for the other shoe to drop, knowing that any small catastrophe could ruin me. But now I no longer had to live every day worrying about my next term’s tuition or the interest on Devi’s loan. I was no longer in danger of being forced out of the University.

I had a lovely dinner of venison steak with a leaf salad and a bowl of delicately spiced tomato soup. There were fresh peaches and plums and white bread with sweet cream butter. Though I didn’t even ask for it, I was served several glasses of an excellent dark Vintish wine.

Then I retired to my rooms where I slept like a dead man, lost in the vast-ness of my new feather bed.

CHAPTER SIXTY-ONE Jackass Jackass

With admissions behind me I had no responsibilities until fall term began. I spent the intervening days catching up on my sleep, working in Kilvin’s shop, and enjoying my new, luxurious accommodations at the Horse and Four.

I also spent a considerable amount of time on the road to Imre, usually under the excuse of visiting Threpe or enjoying the camaraderie of the other musicians at the Eolian. But the truth behind the stories was that I was hoping to find Denna.

But my diligence gained me nothing. She seemed to have vanished from the town completely. I asked a few people who I could trust not to make gossip of it, but none of them knew more than Deoch. I briefly entertained the thought of asking Sovoy about her, but discarded it as a bad idea.

After my sixth fruitless trip to Imre I decided to abandon my search. After my ninth I convinced myself it was a waste of valuable time. After my fourteenth trip, I came to the deep realization that I wouldn’t find her. She was well and truly gone. Again.

It was during one of my Denna-less trips to the Eolian that I received some troubling news from Count Threpe. Apparently, Ambrose, firstborn son of the wealthy and influential Baron Jakis, had been busy as a bee in the social circles of Imre. He had spread rumors, made threats, and generally turned the nobility against me. While he couldn’t keep me from gaining the respect of my fellow musicians, apparently he could keep me from gaining a wealthy patron. It was my first glimpse of the trouble Ambrose could make for a person like me.

Threpe was apologetic and morose, while I seethed with irritation. Together we proceeded to drink an unwise amount of wine and grouse about Ambrose Jakis. Eventually Threpe was called up onto the stage where he sang a scathing little ditty of his own design, satirizing one of Tarbean’s council-men. It was met with great laughter and applause.

From there it was a short step for us to begin composing a song about Ambrose. Threpe was an inveterate gossipmonger with a knack for tasteless innuendo, and I have always had a gift for a catchy tune. It took us under an hour to compose our masterwork, which we lovingly titled “Jackass, Jackass.”

On the surface, it was a ribald little tune about a donkey who wanted to be an arcanist. Our extraordinarily clever pun on Ambrose’s surname was as close as we came to mentioning him. But anyone with half a wit could tell who the shoe was meant to fit.

It was late when Threpe and I took the stage, and we weren’t the only ones worse for drink. There was thunderous laughter and applause from the majority of the audience, who called for an encore. We gave it to them again, and everyone came in singing on the chorus.

The key to the song’s success was its simplicity. You could whistle or hum it. Anyone with three fingers could play it, and if you had one ear and a bucket you could carry the tune. It was catchy, and vulgar, and mean- spirited. It spread through the University like a fire in a field.

I tugged open the outer doors of the Archives and stepped into the entry hall, my eyes adjusting to the red tint of the sympathy lamps. The air was dry and cool, rich with the smell of dust, leather, and old ink. I took a breath the way a starving man might outside a bakery.

Wilem was tending the desk. I knew he’d be working. Ambrose wasn’t anywhere in the building. “I’m just here to talk with Master Lorren,” I said quickly.

Wil relaxed. “He’s with someone right now. It might be a while—”

A tall, lean Cealdish man opened the door behind the entry desk. Unlike most Cealdish men he was clean- shaven and wore his hair long, pulled back into a tail. He wore well-mended hunter’s leathers, a faded traveling cloak, and high boots, all dusty from the road. As he shut the door behind him, his hand went unconsciously to the hilt of his sword to keep it from striking the wall or the desk.

“Tetalia tu Kiaure edan A’siath,” he said in Siaru, clapping Wilem on the shoulder as he walked out from behind the desk. “Vorelan tua tetam.”

Wil gave a rare smile, shrugging. “Lhinsatva. Tua kverein.”

The man laughed, and as he stepped around the desk I saw he wore a long knife in addition to his sword. I’d never seen anyone armed at the University. Here in the Archives, he looked as out of place as a sheep in the