back down the hall and through the parlor.
Percy is talking.
– Take you long enough. How long a man supposed ta entertain the white boy?
Digga is standing in the open doorway.
– Just as long as it take, Percy.
– They not happy with you, Pitt.
I’m sitting in the backseat squeezed between the two rhinos. Timberlands drives. Digga sits in the front passenger seat.
– Why’s that?
– Could be cuz they had ta go down like that. Had ta take a rap on the back of the skull from the one-armed man. Not the kind of thing a man likes gettin’ ’round. Course, it ain’t gettin’ ’round.
– No?
– Shit no. What gettin’ ’round is how you fooled they asses into openin’ the door and then took ’em both.
– Too bad.
– Too bad for you, they get a chance to dance on you.
I look from one rhino to the other.
– I like dancing.
Digga turns himself around and looks at my face. He points at it.
– Not done yet. Mark him up a little more.
The rhinos toss a couple quick elbows at my face. My lips split open. A knot starts to grow over my right eye. My nose breaks for about the twentieth time in my life. It’s OK. Pain is relative. You never stop feeling it, but have enough of it inflicted on you and you get kind of accustomed to it. It’ll all heal. If they don’t kill me.
– Enough.
They stop.
– See what I mean, Pitt. They just not happy with you.
My right eye is swelling, closing up. I squint at Digga.
– What about you, you happy with me?
– Me? Well, I say this, you playin’ yo role.
I spit blood onto his upholstery.
– Still happy with me?
Digga snaps his fingers at Timberlands.
– Pull over.
– Know what that is?
– A park.
The Hummer is pulled over on Morningside Avenue at 123rd.
– Look like a park, don’t it?
– Yeah.
– But it ain’t. That a outpost. That a Coalition outpost.
The park is overgrown and abused. Dirty snow from our last big storm is dotted with unclaimed dog crap.
Digga points.
– Look.
I look. He’s pointing at the paths that climb up the park, climb up a cliff face like the one that backs Jackie Robinson. But it’s different here. At The Jack, the cliff is native stone, raw and worn from when it was first cut. Here, the heights of the park are defined by a massive barrier. Huge blocks of dark stone are masoned into a wall topped by an iron fence. Two paths cut back and forth across the park, climbing to two great staircases, one at either end of the park.
– See what they got up there?
Morningside Drive runs atop the wall, lined with luxury apartment buildings and a tower of Columbia student housing.
– That was part of the treaty Luther made when we got independence. Had to leave them this turf. They
– What’s that?
– That shit. That poison they pumpin’ into our blood. That shit you say croppin’ up downtown, too. You think that a coincidence? Some dangerous-ass new drug, only drug can get a Vampyre hooked, just happenin’ to drop on Society an’ Hood turf? That sound likely to you, Pitt? Or it sound like a conspiracy?
I look behind us to the east, where the sun will soon be rising.
Digga grabs my face and turns it back toward the park.
– Don’t you be worryin’ ’bout that sun. It rise all on its own. This what you came up here for, ain’t it? This what Bird sent you to look into?
– Nobody sent me. I’m here on my own.
– Uh-huh. Up here investigatin’ this shit cuz you got a social conscience.
– I care about the little people.
– Uh-huh. A’ight. That good to know. Mean you won’t mind doing a little service for yo black bruthas and sistas. Let’s stretch our legs.
Timberlands and the rhinos stay by the Hummer while Digga leads me to a bench.
– Percy talk to you?
– He said some things.
– He one alchemical niggah.
– If you say so.
– Trust me on that, he is. So, you got a little picture ’bout the political climate up here?
– Volatile.
–
He looks at the sky.
– ’Course, soon enough they gonna stop lookin’. Everybody gonna sit out the day. Start it up again come sundown. Think I can keep them from callin’ on Predo or Bird ’til then. Give you maybe enough time ta do somethin’ ’bout your situation.
– Any ideas?
He turns his face to the heights above us.
– Go up there.
I look up at the old, well maintained buildings illuminated by ornamental street lamps and security lights.
– You go on up there where the white folk live.