Anna Rolfe was unaware of the crowd outside. At that moment she was standing in the gallery behind the stage with Zaccaria Cordoni and Fiona Richardson. Fiona was conducting an animated conversation in German on her mobile telephone. Anna was smoking a much-deserved Gitane, trying to come down off the high of the performance. She was still holding the violin. The old Guarneri had been good to her tonight. She wanted it near her a little longer.
Gabriel was standing a few feet away, watching her carefully. Anna caught his eye briefly and smiled. She mouthed the words
“Word travels fast, my dear. You’re going to have a busy winter. Paris, Brussels, Stockholm, and Berlin. And that’s just the first week.”
“I’m not sure I’m really ready to get back on the merry-go-round again, Fiona.”
Zaccaria Cordoni laid a hand on her shoulder. “If I may be presumptuous, you are definitely ready. Your performance tonight was inspired. You played like a woman possessed.”
“Maybe I am possessed,” she said mischievously.
Fiona smiled and glanced toward Gabriel. “You want to tell us about your mysterious Frenchman-the handsome Monsieur Dumont?”
“Actually, what I’d like to do is spend a few minutes alone.”
She walked across the room and took Gabriel’s hand. Fiona and Cordoni watched them walk down the corridor to the dressing room. Fiona frowned.
“Whoever Monsieur Dumont is, I hope he doesn’t break her heart like the others. She’s like fine crystal: beautiful but easily broken. And if that bastard breaks her, I’ll kill him.”
ANNA closed the door of her dressing room and collapsed into Gabriel’s arms.
“You were amazing tonight.”
“I couldn’t have done it without you.”
“I just watched over you to make sure nothing happened. You’re the one who made magic.”
“I wish we could celebrate.”
“You’re getting on a plane out of here. And I have a job to do.”
“Was he here tonight?”
“The assassin?”
She nodded, her head pressed against his chest.
“I don’t know, Anna.”
She sat down, suddenly exhausted. On the coffee table in front of her was the case for the Guarneri. She undid the latches and lifted the lid. Inside was a single sheet of paper, folded in half, with
She looked up at Gabriel. “Did you leave this for me?”
“Leave what?”
“This note in my violin case. It wasn’t here when I left the room to go onstage.”
She reached into the case and picked it up. When she did, an object slipped out. It was a narrow length of leather, and hanging from the end of it was a piece of red coral, shaped like a hand.
GABRIEL reached into the case and removed the pendant, his heart pounding against his ribs. “What does the note say?”
“ ‘You need this more than I do. Tell Gabriel he owes me one. With compliments.’ ”
Drawing his Beretta, he opened the door to the dressing room and looked out. Zaccaria Cordoni spotted him and hurried down the corridor to see what was the matter. Gabriel slipped the Beretta back into his pocket.
“Where’s the man who was outside this door before the recital?”
“What man?”
“The security guard in the burgundy-colored jacket. Where is he now?”
“I have no idea. Why?”
“Because someone came into this room while Anna was onstage.”
“Was any harm done?”
“He left a note.” Gabriel held up the coral charm. “And this.”
“May I see that?”
Gabriel handed the necklace to Cordoni, who turned it over in his hand and smiled.
“You know what that is?”
“Yes, I think I do. It’s harmless.”
“What is it?”
“A long time ago, we Cordonis used to be Corsicans. My great- grandfather came to Italy and started the Venetian branch of the family, but I still have distant relatives living in a valley on the southern end of the island.”
“What does that have to do with the pendant?”
“It’s a talisman, a Corsican good-luck charm. Corsican men wear them. They believe it wards off the evil eye-the
“I wish it was that simple.” Gabriel slipped the talisman into his pocket next to the Beretta, then looked at Cordoni. “Where’s the man who was standing outside this door?”
THE Englishman spotted the water taxi bobbing in the Rio di San Polo beneath the shelter of a footbridge. Rossetti’s man sat behind the wheel wearing a hooded anorak. The Englishman boarded the taxi and ducked into the cabin.
Rossetti’s man opened the throttle. The boat grumbled and shuddered, then got under way. A moment later, they were cruising along the Grand Canal at speed. The Englishman rubbed a clear spot in the condensation and looked out at the passing scenery for a few moments. Then he drew the curtains.
He pulled off the black quilted jacket, then removed the burgundy blazer and rolled it into a ball. Ten minutes later, he opened the cabin window and cast the blazer upon the black water of the lagoon.
He stretched out on the bench seat, thinking of the story he would concoct for Anton Orsati. He reached up to his throat for his talisman. He felt naked without it. In the morning, when he was back on Corsica, he would visit the old
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