'And when I made some calls about Grady, I found out that he is looking to move his show to America, but apparently only for one season, and his show wouldn't be anything like mine. Yet Becky's assistant seemed to think I should be concerned, and maybe I should. Hollywood executives are notorious for things like this: they'll see two spiritualism shows on the slate and won't notice any differences between them.'

'Have you talked to Grady?'

'And say what, 'Get off my turf?' I sighed. 'I know, you mean just talk to him and get the details. I intended to, but now with him making more demands, I'm nervous. I'm already flustered enough over that memo leak about Gabrielle Langdon. I know Becky meant well, but if I win, I want to win without cheating.'

I shook my head. 'Listen to me. One minute I'm telling you I want to stop all this competition, the next I'm saying I want to win. I'm so tired of the backbiting, the posturing, the lying. Especially now. I have child ghosts trapped God knows where, and instead of helping them, I'm trying to thwart a twenty-eight-year-old beer commercial producer who wants to turn this into Spiritualist Big Brother.'

'You've been tired of show biz for a while.'

'I know. I can't wait to get out. Not the stage shows, just…'

'The television work.'

We turned a corner. 'I know what you're thinking. I say I want out, but my sole reason for putting up with the crap on this set is so I can do more TV. But I only want a television slot for a few years. Once I've built up more name recognition, I can do live shows exclusively and be more available for the council. Last month, Paige invited me to join her on an investigation-after months of me practically begging-and I had to back out because it interfered with my talk show spots. If I could schedule a half-dozen sold-out live shows a year, I'd be set.'

'Your shows almost sell to capacity now, don't they?'

'Yes, but-' Jeremy tugged me back as I'd nearly stepped off a curb on a Don't Walk signal. 'I really need a TV show, just for a while, so I can say I had one. It's always been part of the plan.'

'Your mother's plan.'

He said it mildly, with no emphasis, not making a point, but I felt it all the same.

'No, her plan was for her to get me a TV show. Without her, I didn't stand a chance. Or so she thought.'

Actually, she'd thought I'd never get anywhere without her. And in a way, she'd been right. At eighteen, I'd left home, still too young and inexperienced to make it on my own. I needed a mentor. And a world-renowned spiritualist had needed a student. But I'd only been doing spiritualism for a few years, and my rival for the position had been on the circuit since he was ten. So I made my deal with the devil.

It was my boyfriend's idea. He was a sorcerer I'd met through a friend of Nan 's. He'd been older and smart enough to know that, as tempting as bargains with demons seemed, it was the kind of thing you really wanted someone else to test first… like a naive and ambitious young girlfriend.

The demon made me a deal: he'd get me the job, if I'd help him contact a soul in a hell dimension… and he'd even tell me how to do it. My only stipulation was that my rival wasn't killed. A week later, I'd been told my competition had left the business. I never found out why-never dared try. I had the job and he was still alive and that was all that mattered.

I contacted that ghost-the spirit of a serial killer. The demon questioned him about his crimes, getting graphic details that still haunt my nightmares. But what haunts me more is knowing that the demon couldn't have wanted those details for mere curiosity's sake. He must have had a supplicant that he wanted to reenact the crimes. Somewhere in the world, people had died horrific deaths, and it was my fault. That was the price I'd paid for fame.

After that, I climbed the ladder by myself-asking for no favors, indebted to no one, relying on no one. If my mother was surprised by how far I'd come, she never showed it. Almost the first thing she said to me every time we met was, 'So, Jaime, have you gotten that TV show yet?' I didn't want it so I could say, 'So there.' I just wanted to prove to myself that I could do it.

'THAT'S THE building over there,' Jeremy said. 'I hope she hasn't left for lunch yet. Her voice mail said she's in the office, but when I tried leaving a message, it didn't seem to work.' A faint smile. 'Or, as is more likely, I was doing it wrong. Probably not much point in leaving a message, as I couldn't give a number for her to call back.'

'That's right. We need to get you a cell phone. We'll do that this afternoon.'

Jeremy led me around the corner and stopped in the alcove of a three-story building. He pulled on the door. A buzzer sounded and his gaze dropped to the Please Use Intercom sign. Below the intercom was a directory of offices. He scanned the list, frown growing.

'Perhaps 'just popping by the office' isn't going to be as easy as it seemed.'

He pulled a notepad from his pocket and checked the address, then read the directory again. There was no listing for True News or anything resembling a newspaper.

'I'm not that surprised,' I said. 'Considering what they write, maintaining a low profile might be wise or they'd have a steady stream of UFO and Elvis reportings, and probably not from the sort of people you want walking into your office unannounced.'

'True. So…'

'What's her number?'

'Ah. Right.'

He gave it to me. I punched it into my cell, then handed the phone to him. He spoke for a minute, his voice too low to overhear.

'She'll be right down,' he said as he handed the phone back.

We stepped out of the doorway. No more than a minute passed before the smoked-glass door flew open and a young woman stepped out. Dressed in sneakers, a T-shirt and blue jeans, Hope Adams looked like a Bollywood princess trying to pass through L.A. incognito. Fine-boned and tiny, with delicate features and golden brown eyes, she had the kind of face that would be as lovely at eighty as it was at twenty. Yet she wore that beauty awkwardly, like a farm girl handed a Vera Wang gown, not quite sure how to put it on or whether she even wanted to. Her long black curls had been yanked back in a careless ponytail. Ink smeared one cheek like war paint.

Her gaze lighted on Jeremy and she smiled, striding over to clasp his hand. Her handshake was firm and vigorous, and a little too much of both, like a junior employee called in for a meeting with the boss, pretty sure it wasn't bad news, but unable to shake that glimmer of fear.

'Mr. Danvers, good to see you again.'

'Jeremy, please. And this is-'

'Jaime Vegas.' She took my hand in a firm grip. 'It's a pleasure. So you two wanted to talk to me about a council problem? My place is just down the block, if you'd like privacy.'

I FOLLOWED Hope up the rear stairs to her walkup apartment. On the way we'd found a store with prepaid cell phones. I showed Jeremy what he was looking for, then he insisted on handling the purchase himself while I went on ahead, so we didn't take up too much of Hope's time.

She opened to the door to a dark cave haunted by the ghosts of mildew and pungent food. Someone had tried to banish them with lemon-scented cleaner and fresh flowers, but the odors lingered. Hope strode in and started opening windows.

'Can't get rid of the smell,' she said. 'I swear it's embedded in the walls.'

She flicked on lights, but they did little to brighten the place. Two of the three windows gave lovely views of a wall so close it defied building codes. I walked into the kitchen. Five steps later, I was in the living room.

'Tiny, huh? The place is a hole, but it fit my budget, came furnished and it's close to work.'

'It's nicer than my first few apartments.'

'I had to fight with the landlord to let me paint it-doing the work myself and buying my own supplies.' She ran her fingers over the wall. 'Though, in the end, I probably didn't do him any favors. Apparently, you're supposed to wash the walls before you paint. I think that's why I can't get rid of the smell.'

I looked over at an arrangement of fresh flowers on the coffee table. There was another, smaller one on the bookshelf. 'The flowers brighten the place up.'

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