costumes. The next change was ... disturbing. I was a vampire, Suzie was a zombie, Tommy was a mummy. All of us were dead, but still continuing. Our pale and rotting faces had a grim, resigned look.
And then all the images faded away, leaving four mirrored surfaces showing no reflections at all. We looked at each other. Tommy actually reached out a hand to touch my arm, to make sure I was still there. Suzie tapped on the nearest mirror with a knuckle, and immediately all four walls showed a single terrible figure. It was the Suzie I'd seen from the bad future. Half her face had been destroyed, blackened and crisped around a seared-shut eye. One side of her mouth was twisted up in a permanent caustic smile. Her long straggly hair was shot with grey, and her leathers were battered and torn. She looked hard-used and horribly tired, from fighting evils I couldn't even imagine. And worst of all, her right forearm and hand were gone, replaced by that awful old weapon known as the Speaking Gun, which could destroy anything, anything at all. It had been plugged directly into what was left of her elbow.
Future Suzie stared out of all four walls, madness and fury and cold, cold determination blazing from her one remaining eye.
'Stop that,' I said, and I don't think my voice had ever been colder or angrier. 'Stop that now.'
Tommy and Suzie looked at me sharply, but the future
image snapped off, and all four mirrors were reflecting us as we were. And, God willing, always would be.
'What the hell was that?' said Tommy.
'Just a possibility,' I said, looking at Suzie. 'Nothing more.'
Suzie looked hard at me. I'd never been able to lie successfully to her.
The elevator fell and fell, descending in a direction we could only guess at. It started to get cold, and our breath steamed on the air before us. There were voices outside the elevator, drifting, inhuman voices, thankfully indistinct. I don't think any of us would have wanted to hear them clearly. But finally the elevator eased to a halt, and the door disappeared. And standing before us, in a brightly lit steel corridor, was Old Father Time himself. He seemed human enough, as long as you didn't look too closely into his eyes. He was a gaunt man in his late fifties or early sixties, dressed to the height of mid-Victorian elegance. His long black coat was of a fine but severe cut, over a dazzlingly white shirt and dark waistcoat, and apart from the gold watch chain stretched across his flat stomach, the only touch of colour in his garb was the apricot cravat at his throat. He had a fine-boned face with high cheekbones, old old eyes, and a mane of thick grey hair. He held his chin high, and looked us over with a sharp, considering gaze.
'About time you got here,' he said. 'I've been waiting for you.'
'Interesting,' I said. 'Considering even I didn't know there'd be three of us until a while ago.'
'Oh, I'm always expecting everyone, my boy,' said Time. 'Especially Kings in waiting, female bounty hunters, and dated dandies.' He sniffed loudly at Tommy. 'I really don't approve of you, you know. Time is complicated enough without people like you messing it about. No, no, don't bother to justify yourself. You're going with Taylor anyway. He's going to need you.'
'I am?' I said.
'And he'll need you, too, my dear,' Time said to Suzie. 'Your presence is approved, because it is necessary. You will redeem him.'
'She will?' I said.
'Follow me,' said Old Father Time, and he set off down the steel corridor at a brisk pace. We had to hurry to keep up.
'What do you know about what's going to happen?' I said.
'Never enough to do any good,' said Time, not looking around.
The steel corridor seemed to stretch away forever. The gleaming walls showed us blurred distortions of ourselves, but Time's image was always sharp and distinct. And only his feet made any sound on the metal floor.
'What was all that business with the changing images on the elevator walls?' Suzie said abruptly.
'Possible futures, variant timetracks,' Time said airily. 'I should never have given the elevator semi- sentience. It gets bored, and sometimes cranky. It's harmless. Mostly. And don't worry about the images; they don't mean anything. Usually.'
'Talk to me about possible futures,' I said. 'How real are they? How definite? How can you tell... the likely ones?'
'You can't,' said Time. 'They're all equally real, and therefore equally possible.' He was still striding along, not looking back. 'However... That isn't as true as it used to be. There don't seem to be as many futures as there once were. As though one particular future is becoming increasingly probable. More and more powerful, replacing all the others. As though ... events are conspiring to narrow us down to the one future. Which is fascinating, if a trifle worrying.'
'Only a trifle worrying?' said Tommy.
'Oh, these things usually sort themselves out,' Time said vaguely. 'Except for when they don't.'
We were suddenly walking through a forest of large, slowly turning metal pieces. Shapes and cogs and wheels working together as we walked through and between them. It was like moving inside the mechanism of a giant clock. A slow loud ticking came from everywhere at once, and every distinct sound had something of eternity in it. Old Father Time looked back briefly.
'Whatever you're seeing, it probably isn't really there. It's only your mind interpreting something so complex as to be beyond your comprehension. Your mind supplies you with familiar symbols to help you make sense of your surroundings.'
'I've always liked Disneyland,' said Tommy.
'So,' said Time, carefully ignoring Tommy's comment, 'you want to go back into the Past, do you? All the way back to the creation of the Nightside. An ambitious plan, if somewhat lacking in self-preservation.'
'How do you know where we want to go?' Suzie said sharply.
'Because it's my business to know things like that.'
'If you really are the living incarnation of Time itself,' I said carefully, 'do you know the truth about the Past? About everything that's happened? Do you know what's going to happen when we go back to the beginnings of the Nightside?'
'I only know what I'm allowed to know, to do my job,' said Time. He still didn't look round, but his voice sounded sad, resigned.
'Allowed?' said Tommy. 'Allowed by who?'
'Good question,' said Old Father Time. 'If you should happen to find out, do let me know. Assuming you come back from this trip, of course.'
'What?' said Suzie.
Time stopped abruptly, and we almost ran into him. He
looked us over with his cold, crafty gaze. 'Pay attention; this is important. Where you're going is much further back than most people go. And it is a very unstable moment in time, centred around a unique happening. I can send you there, but once you arrive you'll be beyond my reach. You'll be beyond anyone's reach. To put it bluntly, you'll have to find your own way back. I won't be able to help you. Knowing this, do you still wish to proceed?'
Suzie and Tommy and I looked at each other. I felt like the floor had been pulled out from under my feet. It had never occurred to me that this might be a one-way ticket.
'This changes things,' said Suzie.
'Damn right,' said Tommy. 'No offence, old thing, but this isn't what I signed on for.'
'I'm going,' I said. 'With or without you. I need to do this. I need to know the truth.'
'Well,' said Suzie, after a moment, 'if you're dumb enough to do it, I guess I'm dumb enough to go along.'
'You don't have to,' I said.
'What are friends for?' said Suzie, and I don't think I've ever felt more touched.
'And I need to see the creation of the Nightside,' Tommy said quietly. 'I need to see one true, definite, and incontrovertible thing. So I'm going along, too. But I'm warning you now, Taylor; if we all end up stranded in the Past, I will dedicate what remains of my life to constantly reminding you it was All Your Fault.'
