Split Second

watched that King fellow stand there just looking down, like, like…'

'Like he'd just seen his life end too,' Michelle suggested.

'Just like that. How'd you know?'

'I know someone who had a similar experience. Did you by chance hear a sound before Ritter was shot, something that might have distracted Agent King?' Michelle didn't want to mention thatthat sound could have been the ding of an elevator car because she didn't want to influence Baldwin's recollection.

The old woman thought about this and then shook her head. 'No, I can't say that I did. There was lots of noise. I tell you what I did do. I ran down the hallway and hid in the supply closet. I was so scared I didn't come out for an hour.'

'But before all that you maybe cleaned the third floor?'

Baldwin looked over at her. 'Why don't you ask me what you want to ask me and save us both a lot of time?'

'Okay, did you clean Agent King's room?'

She nodded. 'They had all checked out before the event. But I got people's names down on my list. Yes, I cleaned his room before all the shooting started, and let me tell you it needed cleaning.' She looked pointedly at Michelle.

'Why, was he a real slob?'

'No, but there was just a lot of activity in that room the night before, I guess.' She raised an eyebrow as she said this.

'Activity?' asked Michelle.

'Activity.'

Michelle had been perched on the edge of her rocker. Now she sat back. 'I see.'

'Looked like a couple of wild animals had gone through that room. Even found a pair of black lace panties on top of the ceiling light fixture. Don't know how they got there, and I don't want to know.'

'Any idea who the other animal was?'

'No, but it seems to me you don't look too far away, you see my point?'

Michelle's eyes narrowed as she thought about this. 'Yes, I think I do,' she said. 'So you didn't notice anyone getting off the elevator when all this happened?'

Baldwin looked at her strangely. 'Trust me, honey, I wasn't paying attention to no elevators.'

She looked at her notes. 'So I see the hotel is closed now.'

'Shut down not all that long after Ritter was shot. Bad publicity and all. Bad for me, ain't had a steady job like that since.'

'I see they have a fence up.'

Baldwin shrugged. 'Folks who want to take a piece of the place, boys doing drugs and dragging their girlfriends in there for you know what.'

'So any plans to reopen it?'

Baldwin snorted loudly. 'Knock it down more than likely.'

'Any idea who owns it now?'

'Nope. It's just some big old empty pile of nothing. Sort of like this town.'

Michelle asked her a few more questions and then thanked her and took her leave, but not before giving Loretta Baldwin some money for helping.

'Let me know when it's going to air. I'll watch it on the TV.'

'When and if it does, you'll be the first to know,' Michelle replied.

Michelle got back in her car and drove off. She now had another stop to make.

As she pulled off, she heard the rattle of a muffler about to fall off and looked up in time to see an ancient, rust-eaten Buick slowly pull down the street past her, the driver barely visible. Her only thought about it was that the car certainly symbolized this town, in that they were both falling apart.

The Buick driver looked over at Michelle without seeming to. As soon as Michelle pulled off, the man glanced over at a smiling Loretta Baldwin counting her money and rocking in her chair. He'd captured their entire conversation using a sound amplifier recorder hidden in the antenna of his car, and he'd also taken pictures of the two women using his long-range camera lens. Their discussion had been very interesting, so very enlightening on a personal level. SoLoretta the maid had been in the supply closet on that day. Who would have thought it, after all these years? And yet he had to put that aside for now. He slowly turned the car around and followed Michelle. He felt certain she was going back to the hotel. And after hearing her conversation with Loretta Baldwin, he understood why.

17

King was at his office desk going over a file when there were footsteps outside his door. Neither his partner nor his secretary was coming in today, so he rose and, armed with a letter opener, went swiftly over to the door and opened it.

The men staring back at him looked grim. There was Todd Williams, the Wrightsburg chief of police, the same big uniformed U.S. marshal and two gents who flashed FBI credentials. King brought them all into the small conference room adjacent to his office.

The marshal leaned forward in his chair. His name was Jefferson Parks, he said, and he did not go by 'Jeff,' he told King firmly, but by 'Jefferson,' although he preferred simply 'Deputy Marshal Parks.' 'U.S. marshals are political appointees. The deputies do the real work,' he said.

He held up a pistol in a plastic evidence bag. 'This is the pistol that was taken from your home,' he said in a flat, low voice.

'If you say so.'

'It is your pistol. Chain of custody intact.'

King glanced at Williams, who nodded his head.

'Okay,' said King. 'And you want to give it back to me because…?'

'Oh, we're not giving it back,' said one of the FBI agents.

Parks continued, 'We dug the bullet that killed Jennings out ofthe wall of your partner's office. It was jacketed, so there was little projectile deformity. We also found the shell casing. The shot that killed Howard Jennings was fired from your gun. Pinprick, land, groove and even shell ejector mark. A perfect match.'

'And I'm telling you that's impossible!'

'Why?'

'Let me ask you a question. What was the time of Jennings's death?'

'Medical examiner says between 1:00 and 2:00A.M. the night before you found him in your office,' replied Parks.

'At that time I was making my patrol rounds. And that pistol was in my holster.'

One of the FBI agents perked up. 'Do we take that as a confession?'

King's look made it clear what he thought of that comment.

Parks considered this and said, 'We've been checking your movements that night. Your vehicle was seen on Main Street around the time Jennings was killed.'

'I probably was there. My rounds include the town area, so it would be logical that someone saw my truck then. But you don't have a witness that saw me at my office, because I wasn't there.'

One of the FBI agents was about to respond until Parks put a big hand on his arm.

'That's not something we have to discuss with you at the moment,' said Parks. 'But we do have a positive on the ballistics, and with your background you know that's as good as a fingerprint.'

'No, not quite as good as a print. It doesn't place me at the crime scene.'

'On the contrary, we have your gun at the scene, and we have you nearby the scene. That's pretty strong