I made myself walk towards the terrible eye, staring right back into that monstrous gaze, and when I was close enough I punched the eye as hard as I could. There was a scream like an insane steam whistle, and the eye was suddenly gone. Outside the rent in the wall there was only darkness, and an air so cold just a moment’s exposure left hoarfrost on my face. There were no more voices, and no more pounding on the carriage walls.
The train kept going, and we left that place behind. The new silence had a weight all its own, as though it was but a precursor for something even worse. I didn’t feel like sitting down, so I paced up and down the narrow aisle, peering out of the long rent now and again. A strange unearthly light streamed suddenly into the carriage as we entered another phase, another dimension. The light grew increasingly harsh and bright, until it burned my exposed skin where it touched, and I was forced to retreat from it. Thin shafts of the fierce light stabbed through unsuspected smaller rents in the walls and ceiling, and I was hard put to avoid them all.
From outside came sounds of a kind I couldn’t place or recognise. They reminded me most of birds made of machinery, and the sound grated on my nerves like fingernails on the blackboard of my soul. The exterior atmosphere began seeping in through the jagged steel rent, driven by the greater pressure outside. It smelled like crushed nettles, thick and choking. It burned inside my mouth and nose, and I backed away from the crack in the wall, fighting an urge to vomit. I yelled for the train to go faster and curled up in a ball on the floor.
We left that place for somewhere else, and slowly the poison in the air diminished, left behind with the awful trip-hammer songs of mechanical birds. New air built up, flat and stale, from the carriage’s reserves. I gulped it down anyway and slowly uncurled from my protective ball. My hands and face were still smarting from their brief exposure to the fierce light. I sank down onto the nearest seat, slumped and almost boneless. Too much was happening too quickly, even for me, with never a chance to rest. So tired… I think I’d have sold my soul for a good night’s sleep.
Luckily, no-one was listening.
I looked up sharply as the quality of air in the carriage suddenly improved. Light from a bright summer’s day came flooding in through the jagged rent in the wall, bringing with it new sweet air, rich in oxygen. It was hot and humid, thick with perfume, like the crushed petals of a thousand different flowers. The extra oxygen made me feel light-headed, and I grinned stupidly as I took in one deep breath after another. I got up and wandered over to the rent in the carriage wall, and that was when a hundred heavy vines with barbed thorns thrust their way into the carriage from outside. Decorated here and there with thick pulpy flowers like sucking mouths, they lashed around, thrashing and coiling with dreadful energy.
More and more of the vines forced their way in, twisting around each other, flailing back and forth in the confined space, taking up more and more of the carriage while I backed cautiously away. My feet made a scuffing sound on the grilled floor, and immediately every vine reached out in my direction. The flowered mouths screamed shrilly, a vile hungry sound. I cut at the nearest vine with the Kandarian sacrificial dagger Cathy gave me for my last birthday, and the slender blade sheared right through the vine, thorns and all. All the flowered mouths howled with rage and pain. The severed vine bled a clear oozing sap, and the stumpy end just kept coming after me. Half the carriage was full of the roiling, thrashing vines now, and more were forcing their way in, widening the steel rent in the process.
I slashed open one of the leather seats with my dagger, pulled out a handful of stuffing, and set fire to it with a basic elemental spell I normally only use for lighting friends’ cigarettes. The stuffing flared up eagerly, yellow flames leaping high in the oxygen-rich air. I tossed the blazing mass into the midst of the crashing vines, and a dozen caught alight all at once. The pulpy flower mouths screamed in unison as the fire spread quickly through the vegetable mass. All the untouched vines whipped back out the rent, leaving the others to burn and die. The flowers howled like damned souls as they burned.
Thick black smoke filled the carriage. The vines and flowers were all dead, but they’d spread the fire to the carriage seats. The train screamed through its hidden speakers as flames took hold of the carriage. I yelled back at the train to keep going, then had to break off as a harsh coughing fit from the smoke took hold of me. I backed away from the growing inferno and crouched on the floor where the air was still clearest. Thick tears ran down my face from my smarting eyes. I couldn’t see anything, but I could hear the roar of the fire drawing closer.
And then the whole carriage shook and shuddered as the train ground to a sudden halt. The carriage door cracked itself open, a few inches at a time, while I crawled towards it on my hands and knees. I forced the door open the last of the way with the last of my strength, and half fell out of the carriage, my lungs straining for air, my eyes blurred with tears. I could feel a hard floor underneath me, and I crawled forward, away from the smoke and fire. I heard the carriage door straining to close behind me, then the train sped off, heading for sanctuary. Its roar faded slowly away, along with its telepathic screams in my mind. Poor thing. Still, needs must when your mother drives. I lay there on the hard floor, shaking with reaction, waiting for my lungs and head to clear. Hoping I’d made it all the way to Shadows Fall.
I finally sat up and looked around me. I wasn’t on any train platform. I got to my feet, a little unsteadily. The train had dropped me off at a huge, old-fashioned Hall, with towering wood-panelled walls and a raftered ceiling uncomfortably high overhead. The Hall stretched away to my left and to my right for as far as my smarting eyes could see, and it was wide enough to hold a football game in. The sheer size and scale of the Hall should have made it seem overpowering, but somehow it wasn’t. If anything, it felt almost… cosy. Like coming home, after too long away from family and loved ones. The light was a cheerful golden glow, though there didn’t seem to be any obvious source for it. And no shadows anywhere. No windows either, or doors, and no portraits or decorations on the walls. Only a single stone fireplace, right in front of me, with a banked and quietly crackling fire, as though it had been set just for me. It seemed to me that I could hear a great wind blowing, outside. Something about that sound made me shudder, though I couldn’t say why.
I knew where it was. What it had to be. I’d done a lot of reading about Shadows Fall. Most people in the Nightside have, because Shadows Fall is the only place on this earth that’s stranger, more glamorous, and more dangerous than the Nightside. The place where legends go to die, when the world stops believing in them. Or perhaps when they stop believing in themselves… And since the world has believed in some pretty strange things in its time, and because not everything that comes to Shadows Fall is ready to lie down and die just yet, this little town in the back of beyond can be scarier than anything you’ll find in the Nightside. We all read everything we can find about Shadows Fall. If only because we have a sneaking suspicion we might end up here someday.
I was in the Gallery of Bone, in All Hallows’ Hall. The house at the heart of the world. The place where Time lives.
On the mantelpiece over the fireplace, there was a simple clock set in the stomach of a big black bakelite cat. As the clock ticked, the cat’s red tongue went in and out, and its eyes went back and forth. It looked like something you’d win at a cheap carnival. Standing on either side of the cat were stylised silver figures of a lion and a unicorn. And on either side of them, a series of small carved figures that made me think of chess pieces, though they clearly weren’t. I moved forward, for a closer look.
They were carved out of a clear, almost translucent wood, and I had no difficulty in recognising who the figures were. Razor Eddie, Dead Boy, Walker, Shotgun Suzie. I wondered if I kept looking… would I find one of me? I deliberately turned my back on the figures, and found that the centre of the floor was now taken up with a huge old-fashioned hourglass. It was easily a foot taller than I, and two feet in diameter, with sparkling clear glass supported by more of the strange translucent wood. Most of the sand had fallen through, from the upper glass to the lower, and something about that made me feel very sad.
I walked slowly round the massive hourglass, and met someone coming the other way, even though I was sure no-one else was there when I started. I stopped short, and so did she, and we regarded each other suspiciously for a while. Tall and almost painfully slender, with long cords of muscle on her bare arms, she was a teenage punk, in battered black leathers adorned with studs and chains, over a grubby white T-shirt and faded blue jeans. Her hair was a spiky black Mohawk, shaved high at the sides, and her face was almost hidden behind lashings of black and white makeup. A safety pin pierced one ear, while a rusty razor blade dangled from the other. Her eyes were fierce, her black-lipped mouth a snarl. She glared at me, two large fists resting on her hips. She had hate tattooed on both sets of knuckles.
“I’m Mad,” she announced abruptly, in a deep harsh voice.
“Of course you are,” I said, keeping my voice calm and soothing.
“It’s short for Madeleine, you divot!” She brought up her right hand, and suddenly there was a flick-blade in it, the blade snapping out with a nasty-sounding click. I think I was supposed to be impressed, but then, I knew
