Angela shut off the beater and, with shoulders slumped, she stared at the cream, now whipped up so thick it was almost butter. “It’s not your problem, Janie.”
“If it’s yours, it’s mine.”
Her mother turned and looked at her. “Marriage is harder than you think.”
“What did Dad do?”
Angela untied her apron and tossed it on the counter. “Can you serve the shortcake for me? I’ve got a headache. I’m going upstairs to lie down.”
“Mom, let’s talk about this.”
“I’m not going to say anything else. I’m not that kind of mother. I’d never force my kids to choose sides.” Angela walked out of the kitchen and thumped upstairs to her bedroom.
Bewildered, Jane went back into the dining room. Frankie was too busy sawing into his second helping of lamb even to look up. But Mike had an anxious look on his face. Frankie might be thick as a plank, but Mike clearly understood that something was seriously wrong tonight. She looked at her father, who was emptying the bottle of Chianti into his glass.
“Dad? You want to tell me what this is all about?”
Her father took a gulp of wine. “No.”
“She’s really upset.”
“And that’s between her and me, okay?” He stood up and gave Frankie a clap on the shoulder. “C’mon. I think we can still catch the third quarter.”
“This was the most screwed-up Christmas we’ve ever had,” said Jane as they drove home. Regina had fallen asleep in her car seat, and for the first time all evening Jane and Gabriel could have a conversation without distractions. “It’s not usually this way. I mean, we have our squabbles and all, but my mom usually wrangles us all together in the end.” She glanced at her husband, whose face was unreadable in the shadowy car. “I’m sorry.”
“For what?”
“You had no idea you were marrying into a nuthouse. Now you’re probably wondering what you got yourself into.”
“Yep. I’d say it’s time to trade in the wife.”
“Well, you’re thinking that a
“Jane, don’t be ridiculous.”
“Hell, there are times when
“But I definitely don’t want to run away from
“Go ahead, rub it in. I know my family’s a bunch of loudmouths.”
“You come from a family that makes its feelings known, that’s all. They slam doors and they yell and they laugh like hyenas.”
“Oh, this is getting better and better.”
“I wish I’d grown up in a family like that.”
“Right.” She laughed.
“My parents didn’t yell, Jane, and they didn’t slam doors. They didn’t much laugh, either. No, Colonel Dean’s family was far too disciplined to ever stoop to anything as common as emotions. I don’t remember him ever saying, ‘I love you,’ to either me or to my mother. I had to learn to say it. And I’m still learning.” He looked at her. “You taught me how.”
She touched his thigh. Her cool impenetrable guy. There were still a few things left to teach him.
“So never apologize for them,” he said. “They’re the ones who made you.”
“Sometimes I wonder about that. I look at Frankie and I think, please God, let me be the baby they found on the doorstep.”
He laughed. “It was pretty tense tonight. What
“I don’t know.” She sank back against the seat. “But sooner or later, we’ll hear all about it.”
SIX
Jane slipped paper booties over her shoes, donned a surgical gown, and looped the ties behind her waist. Gazing through the glass partition into the autopsy lab, she thought:
Instead she pushed through the door, into the autopsy room.
Maura glanced over her shoulder, and her face betrayed no qualms about the procedure to follow. She was merely a professional like any other, about to do her job. Though they both dealt in death, Maura was on far more intimate terms with it, far more comfortable staring into its face.
“We were just about to start,” said Maura.
“I got hung up in traffic. The roads are a mess out there this morning.” Jane tied on her mask as she moved toward the foot of the table. She avoided looking at the remains but focused, instead, on the x-ray viewing box.
Yoshima flipped the switch and the light flickered on, glowing behind two rows of films. Skull x-rays. But these were unlike any skull films Jane had seen before. Where the cervical spine should be, she saw only a few vertebrae, and then…nothing. Just the ragged shadow of soft tissue where the neck had been severed. She pictured Yoshima positioning that head for the films. Had it rolled around like a beach ball as he’d set it on the film cassette, as he’d angled the collimator? She turned away from the light box.
And found herself staring at the table. At the remains, displayed in anatomical position. The torso was on its back, the severed parts laid out approximately where they should be. A jigsaw puzzle in flesh and bone, the pieces waiting for reassembly. Though she did not want to look at it, there it was: the head, which had tilted onto its left ear, as though the victim was turning to look sideways.
“I need to approximate this wound,” said Maura. “Can you help me hold it in position?” A pause. “Jane?”
Startled, Jane met Maura’s gaze. “What?”
“Yoshima’s going to take photos, and I need to get a look through the magnifier.” Maura grasped the cranium in her gloved hands and rotated the head, trying to match the wound edges. “Here, just hold it in this position. Pull on some gloves and come around to this end.”
Jane glanced at Frost.
Maura bent over the wound, studying it through the magnifier. “There seems to be a single sweep across the anterior. Very sharp blade. The only notching I see is quite a ways back, under the ears. Minimal bread-knife repetition.”
“A bread knife’s not exactly sharp,” said Frost, his voice sounding very far away. Jane looked up and saw that he had retreated from the table and was standing halfway to the sink, his hand covering his mask.
“By bread-knifing, I’m not referring to the blade,” said Maura. “It’s a cutting pattern. Repeated slices going deeper, in the same plane. What we see here is one very deep initial slice, cutting right through the thyroid cartilage, down to the spinal column. Then a quick disarticulation, between the second and third cervical