during my drive home through the happily homicidal evening traffic.

I was in a state of Zen readiness, prepared for any surprise.

Or so I thought.

I had just returned to my apartment, leaned back in my chair, and relaxed, when the phone rang. I let it ring. I wanted to breathe for a few minutes, and I could think of nothing that couldn't wait. Besides, I had paid almost $50 for an answering machine. Let it earn its keep.

Two rings. I closed my eyes. Breathed in. Relax, old boy. Three rings. Breathe out. The answering machine clicked and my wonderfully urbane message began to play.

“Hello, I'm not in right now, but I'll get back to you right away if you'll please leave a message, after the beep. Thank you.”

What fabulous vocal tone. What acid wit! A truly great message altogether. It sounded nearly human. I was very proud. I breathed in again, listening to the melodic BEEEEP! that followed.

“Hi, it's me.”

A female voice. Not Deborah. I felt one eyelid twitch in irritation. Why do so many people start their messages with “It's me”? Of course it is you. We all know that. But who the hell ARE you? In my case the choices were rather limited. I knew it wasn't Deborah. It didn't sound like LaGuerta, although anything was possible. So that left-Rita?

“Um, I'm sorry, I—” A long breath sighing out. “Listen, Dexter, I'm sorry. I thought you would call me and then when you didn't I just—” Another long breath out. “Anyway. I need to talk. Because I realized . . . I mean—oh hell. Could you, um, call me? If—you know.”

I didn't know. Not at all. I wasn't even sure who it was. Could that really be Rita?

Another long sigh. “I'm sorry if—” And a very long pause. Two full breaths. In deeply, out. In deeply, then blown out abruptly. “Please call me, Dexter. Just—” A long pause. Another sigh. Then she hung up.

Many times in my life I have felt like I was missing something, some essential piece of the puzzle that everybody else carried around with them without thinking about it. I don't usually mind, since most of those times it turns out to be an astonishingly stupid piece of humania like understanding the infield fly rule or not going all the way on the first date.

But at other times I feel like I am missing out on a great reservoir of warm wisdom, the lore of some sense I don't possess that humans feel so deeply they don't need to talk about it and can't even put it into words.

This was one of those times.

I knew I was supposed to understand that Rita was actually saying something very specific, that her pauses and stutters added up to a great and marvelous thing that a human male would intuitively grasp.

But I had not a single clue as to what it might be, nor how to figure it out. Should I count the breaths?

Time the pauses and convert the numbers to Bible verses to arrive at the secret code? What was she trying to tell me? And why, for that matter, was she trying to tell me anything at all?

As I understood things, when I had kissed Rita on that strange and stupid impulse, I had crossed a line we had both agreed to keep uncrossed. With that thing done there was no undoing it, no going back.

In its own way the kiss had been an act of murder. At any rate, it was comforting to think so. I had killed our careful relationship by driving my tongue through its heart and pushing it off a cliff. Boom, a dead thing. I hadn't even thought about Rita since. She was gone, shoved out of my life by an incomprehensible whim.

And now she was calling me and recording her breathing for my amusement.

Why? Did she want to chastise me? Call me names, rub my nose in my folly, force me to understand the immensity of my offense?

The whole thing began to irritate me beyond measure. I paced around my apartment. Why should I have to think about Rita at all? I had more important concerns at the moment. Rita was merely my beard, a silly kid's costume I wore on weekends to hide the fact that I was the kind of person who did the things that this other interesting fellow was now doing and I wasn't.

Was this jealousy? Of course I wasn't doing those things. I had just recently finished for the time being.

I certainly wouldn't do it again anytime soon. Too risky. I hadn't prepared anything.

And yet-I walked back into the kitchen and flicked the Barbie head. Thack. Thack thack. I seemed to be feeling something here. Playfulness? Deep and abiding concern? Professional jealousy? I couldn't say, and Barbie wasn't talking.

It was just too much. The obviously fake confession, the violation of my inner sanctum, and now Rita?

A man can take only so much. Even a phony man like me. I began to feel unsettled, dizzy, confused, hyperactive and lethargic at the same time. I walked to the window and looked out. It was dark now and far away over the water a light rose up in the sky and at the sight of it a small and evil voice rose up to meet it from somewhere deep inside.

Moon.

A whisper in my ear. Not even a sound; just the slight sense of someone speaking your name, almost heard, somewhere nearby. Very near, perhaps getting closer. No words at all, just a dry rustle of not-voice, a tone off- tone, a thought on a breath. My face felt hot and I could suddenly hear myself breathing. The voice came again, a soft sound dropped on the outer edge of my ear. I turned, even though I knew no one was there and it was not my ear but my dear friend inside, kicked into consciousness by who knows what and the moon.

Such a fat happy chatterbox moon. Oh how much it had to say. And as much as I tried to tell it that the time was wrong, that this was much too soon, there were other things to do now, important things—the moon had words for all of it and more. And so even though I stood there for a quarter of an hour and argued, there was never really any question.

I grew desperate, fighting it with all the tricks I had, and when that failed I did something that shocked me to my very core. I called Rita.

“Oh, Dexter,” she said. “I just—I was afraid. Thank you for calling. I just—”

“I know,” I said, although of course I did not know.

“Could we—I don't know what you— Can I see you later and just—I would really like to talk to you.”

“Of course,” I told her, and as we agreed to meet later at her place, I wondered what she might possibly have in mind. Violence? Tears of recrimination? Full-throated name-calling? I was on foreign turf here—I could be walking into anything.

And after I hung up, the whole thing distracted me wonderfully for almost half an hour before the soft interior voice came sliding back into my brain with its quiet insistence that tonight really ought to be special.

I felt myself pulled back to the window and there it was again, the huge happy face in the sky, the chuckling moon. I pulled the curtain and turned away, circled my apartment from room to room, touching things, telling myself I was checking once more for whatever might be missing, knowing nothing was missing, and knowing why, too. And each time around the apartment I circled closer and closer to the small desk in the living room where I kept my computer, knowing what I wanted to do and not wanting to do it, until finally, after three-quarters of an hour, the pull was too strong. I was too dizzy to stand and thought I would just slump into the chair since it was close at hand, and since I was there anyway I turned on the computer, and once it was on . . .

But it's not done, I thought, I'm not ready.

And of course, that didn't matter. Whether I was ready or not made no difference at all. It was ready.

CHAPTER 14

I WAS ALMOST CERTAIN HE WAS THE ONE, BUT ONLY almost, and I had never been only almost certain before. I felt weak, intoxicated, half sick with a combination of excitement and uncertainty and complete wrongness—but of course, the Dark Passenger was driving from the backseat now and how I felt was not terribly important anymore because he felt strong and cold and eager and ready. And I could feel him swelling inside me, surging up out of the Dexter-dark corners of my lizard brain, a rising and swelling that could only end one way and that being the case it rather had to be with this

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