LONDON
7:30 PM
MALONE WATCHED PAM SLEEP. HE WAS SLOUCHED IN A CHAIR beside the hotel room’s window, George Haddad’s satchel lying in his lap. He’d been right about the disinfectant: Pam had bitten hard on the towel as he’d doused the wound. Tears had welled in her eyes, but she’d been tough. Not a sound betrayed her agony. Feeling bad for her, he’d bought her a new shirt from the lobby boutique.
He was tired, too, but his “Billet nerves,” as he called them, supplied his muscles with boundless energy. He could recall times when days had passed without eating, his body charged with adrenaline, his focus on staying alive and getting the job done. He’d thought that rush a thing of the past. Something he’d never experience again.
And here he was.
Right in the middle.
The past few hours could have been a gruesome nightmare except that, in undreamlike fashion, the events played clear in his mind. His friend George Haddad had been shot right before his eyes. People with agendas were after something. All none of his business any other time. But some of those same people had kidnapped his son and blown up his bookshop. No. This was personal.
He owed them.
And like Haddad, he intended to pay his debts.
But he needed to know more.
Haddad had been cryptic in his comments both before and after the Israelis appeared. Even worse, he’d never finished explaining what he’d noticed years ago-what exactly motivated Israel to kill him. Hoping that the leather satchel lying in his lap contained answers, he unbuckled the clasps and removed a book, three notebooks, and four maps.
The book was an eighteenth-century volume, the cover tooled leather and brittle like sun-dried skin. None of its lettering was legible, so he carefully parted the binding and read the title sheet.
A Hero’s Journey by Eusebius Hieronymus Sophronius.
He scanned the pages.
A novel written more than two hundred years ago in an unimaginative and pedantic style. He wondered about its significance and hoped the notebooks would explain.
He thumbed through each one.
The tight script was Haddad’s, written in English. He read closer.
…the clues left with me by the Guardian have proven troubling. The hero’s quest is difficult. I’m afraid I’ve been the fool. But not the first. Thomas Bainbridge was also a foolish man. In the latter part of the eighteenth century, he apparently was extended an invitation to the library and completed the hero’s quest. A condition of the invitation must surely be that the visit stay private. The Guardians have not spent two millennia protecting their cache only to have it revealed by an invitee. But Bainbridge violated that trust and wrote of his experience. In an effort to ease his treachery, he couched his tale as fiction titled not so curiously, A Hero’s Journey. The book was printed in limited copies and hardly noticed. In Bainbridge’s day, the world was teeming with fantastic tales (novels regarded with little respect), so the protagonist’s journey to some mythical library was viewed with little enthusiasm. I found a copy three years ago, which I stole from a Welsh estate. Reading it offers little insight. Bainbridge, though, could not resist one final violation of the trust the Guardians placed in him. In the years before he died he erected an arbor in the garden of his Oxfordshire mansion. Into the marble he carved the image of a painting and Roman letters. The painting, by Nicolas Poussin, was originally known as Happiness Subdued by Death but its more common name today is The Shepherds of Arcadia II.
Malone knew little of Poussin, though he was familiar with the name. Luckily, in one of the notebooks, Haddad provided some details.
Poussin was a troubled soul, much like Bainbridge. He was born in Normandy in 1594, and the first thirty years of his life were ones of trials and tribulations. He suffered a lack of patrons, unappreciative courtesans, poor health, and debt. Even working on the ceiling in the Grand Gallery at the Louvre left him uninspired. Not until Poussin left France for Italy in 1642 did a change occur. That journey, which normally would have been one of a few weeks, took Poussin nearly six months. Once in Rome, Poussin began to paint with a new style and confidence, one that did not go unnoticed, one that quickly earned him the label as the most celebrated artist in Rome. Many have speculated that somewhere along his journey Poussin was inducted into a great secret. Interestingly, when The Shepherds of Arcadia was finished, the patron who commissioned the piece, Cardinal Rospigliosi, who later became Pope Clement IX, chose not to hang the work in public, but kept it in his private apartment. Rospigliosi was an artistic man with an interest in the arcane and esoteric. He possessed an outstanding personal library, and historians eventually labeled him “the freethinking pope.”
A clue as to what Poussin may have personally experienced can be found in a letter written six years after The Shepherds of Arcadia was completed. Its drafter, a priest, the brother of Louis XIV’s finance minister, thought what he’d learned from Poussin might be of interest to the French monarchy. I found the letter a few years ago among the archives of the Cosse-Brissac family:
He and I discussed certain things, which I shall with ease be able to explain to you in detail-things which will give you, through Monsieur Poussin, advantages which even kings would have great pains to draw from him, and which, according to him, it is possible that nobody else will discover in the centuries to come. And what is more, these are things so difficult to discover that nothing now on this earth can prove of better fortune nor be their equal.
Quite a statement-and puzzling, too. But what Bainbridge erected in his garden is even more puzzling. After completing The Shepherds of Arcadia, for some inexplicable reason, Poussin painted its reverse image in what has been labeled The Shepherds of Arcadia II. This is what Thomas Bainbridge chose for his marble bas-relief. Not the original, but its counter part. Bainbridge was clever, and for two hundred years his monument, ripe with symbolism, stood in obscurity.
Malone read on, his mind lost in a maze of possibilities. Unfortunately, Haddad did not reveal much more. The remainder of the notes dealt with the Old Testament, its translations, and its narrative inconsistencies. Not a word about what Haddad may have noticed that had generated so much interest. Nor was there any message from a Guardian. No details of any hero’s quest, only a fleeting reference at the end of one of the notebooks.
In the drawing room of Bainbridge Hall is more of Bainbridge’s arrogance. Its title is particularly reflective. The Epiphany of St. Jerome. Fascinating and fitting, as great quests often begin with an epiphany.
A bit more flesh to the bones, but still a lot of unanswered questions. And he’d learned that wrestling with questions that possessed no answers was the fastest way to immobilize the brain.
“What are you reading?”
He glanced up. Pam was still lying in the bed, head on the pillow, eyes open.
“What George left.”
She slowly sat up, cleared the sleep from her eyes, and checked her watch. “How long have I been out?”
