cold. I went up the unshoveled path without seeing the print of cloven hoofs. No smell of brimstone greeted me. No darkness visible, no moans of despair. For all I could tell the house was empty, and its inhabitants had gone to work or school. Every third person in Cambridge was a student.
In the front hall there were three mailboxes, each with a name plate. The one for the third floor apartment said simply MOLOCH. I went up the stairs without making more noise than I had to and stood outside the apartment door. No sound. I knocked. No answer. I tried the door. Locked. But it was an old door, with the frame warped. About thirty seconds with some thin plastic was all it took to open it.
The door opened onto a narrow hall that ran right and left from it. To the left I could see a kitchen, to the right the half-open door of a bathroom. Diagonally on the other wall an archway opened into a room I couldn't see. The wallpaper in the hall was faded brown fern leaves against a dirty beige background. There were large stains of a darker brown here and there, as if someone had splashed water against the walls. The floor was made of narrow hardwood painted dark brown, and there was a threadbare red runner the length of the hall. The woodwork was white and had been repainted without being adequately scraped first, so that it looked lumpy and pocked. It had not been repainted recently, and there were many nicks and gouges in it. I could see part of the tub and part of the water closet in the bathroom. The tub had claw and ball feet, and the water closet had a pull chain from the storage tank mounted up by the ceiling. The place was dead still.
I walked through the arch into what must have been the living room. It no longer was. In the bay of the three-window bow along the right-hand wall there was an altar made out of packing crates and two-by-fours which reminded me of the fruit display racks in Faneuil Hall market. It was draped with velveteen hangings in black and crimson and at its highest reach was inverted a dime store crucifix. The crucifix was made of plastic, with the Sacred Heart redly exposed in the center of the flesh-tinted chest. On each side of the crucifix were human skulls. Beside them unmatched candelabra with assorted candles, partially burned. The walls were hung with more of the black velveteen, shabby and thin in the daylight. The floor had been painted black and scattered with cushions. The room smelled strongly of incense and faintly of marijuana and faintly also of unemptied Kitty Litter.
I went back down the corridor, through the kitchen with its oilcloth-covered table and its ancient black sink, and into a bedroom. There were no beds, but five bare mattresses covered the floor. Three of them had sleeping bags rolled neatly at the wall end. In the closet were two pairs of nearly white jeans, a work shirt, something that looked like a shift, and an olive drab undershirt. I couldn't tell if the owners were male or female. The two other bedrooms were much the same. In a pantry closet off the kitchen were maybe a dozen black robes, like graduation costumes. On the shelves were a five-pound bag of brown rice, some peanut butter, a loaf of Bone Bread, and a two-pound bag of granola. In the refrigerator there was a plastic pitcher of grape Kool-Aid, seven cans of Pepsi, and three cucumbers. Maybe they had a bundle in a numbered account in Switzerland, but on the surface it didn't look like the Ceremony of Moloch was a high-return venture.
I went back out, closed the door behind me, and went to my car. The noon sun was making the snow melt and heating the inside of my car. I sat in it, two doors up from the house of Moloch, and waited for someone to come there and do something. It was cold, and the snow had begun to crust over when someone finally showed up. Eight people, in a battered Volkswagen bus that had been hand-painted green. Three of the eight were girls, and one of them was Terry. They all went into what they probably called the temple. It occurred to me that I wasn't exactly sure what to do with Terry now that I'd found her. There wasn't much point in dragging her out by the hair and taking her home locked in the trunk. She'd just take off again and after a while I'd get sick of chasing and fetching.
It was dark now, and cold. A fifteen-year-old Oldsmobile sedan pulled up behind the Volkswagen bus and unloaded five more people. They went into the three-decker. I sat some more. The thing to do was to call Marion Orchard, tell her I'd located her daughter, have her notify the cops, and let them bring her in. I had no legal authority to go in and get her. No question. That was what I had to do. I looked at my watch. 7:15.
I slipped out of my coat, got out of the car, and went to the house of the Ceremony of Moloch. This time I was very quiet going up the stairs. At the door I stood silent and listened. I could hear music that sounded as if it were being played on one string of an Armenian banjo. The smell of incense and pot was very rich. At irregular intervals there were chimes like the ones rung during a Roman Catholic Mass. The thing to do was to call Terry's mother and have the cops come pick her up. I took out my plastic shim and opened the door. Inside the hallway the heat was tangible and stifling. There was no light.
From the living-room altar area came the twanging sound of the music, now quite loud, and the lesser sound of a man chanting. A flickering light fell into the hallway from the living room. Despite the heat I felt cold, and my throat was tight. The chimes sounded again. And I heard a kind of muffled whimper, like someone sobbing into a pillow. I looked carefully around the corner. Suspended by clothesline from the ceiling, in front of the altar I had seen earlier, was a full-sized cross, made of two-by-sixes. To it, in a parody of the Crucifixion, Terry Orchard was tied with more length of clothesline. She was naked, and her body had been marked with astrological and cabalistic signs in what looked to be, in the candlelight, several different colors of Magic Marker. She was gagged with a wide piece of gray tape.
Before her stood a tall, wiry man, naked too, wearing a black hood, his body covered with the same kind of Magic Marker design work. In a semicircle on the floor, in black robes, sat the rest of the people. The music was coming from a tape recorder behind the altar. In his hand the guy with the hood had a carved piece of black wood, about a foot and a half long, that looked like a nightstick. He was chanting in a monotonous singsong in a language I didn't understand and didn't recognize. And as he chanted he swayed in front of Terry in an approximation of the beat from the tape recorder. The seated audience rocked back and forth in the same tempo. Then he made a gesture with the nightstick, and I realized its function was phallic.
I took out my gun and put a bullet into the tape recorder. The explosion of the shot and the cessation of the music were simultaneous, and the silence that followed was paralyzing. I stepped into the room with my gun leveled at all of them, but especially the fruitcake with the hood. With my left hand I took a jackknife out of my pants pocket, and worked the blade open with one hand by holding it in my teeth. No one made a sound. I sidestepped around behind the cross and cut Terry loose without taking my eyes from the audience. When the ropes parted, she fell. I folded the knife shut against my leg and put it away. I reached down without looking and got her up with one hand under her arm. The guy with the hood and the funny nightstick never took his eyes off me, and the steady gaze through the Halloween pumpkin triangles cut in the hood made me very edgy. So did the fact that there was one of me and twelve of them.
My hand still hanging on to Terry's arm, I backed up out of the room, through the narrow hall, and out the still-open door. The cold air of the stairwell rushed up like the wind from an angel's wing in the doorway of Hell. 'I'm going to close this door,' I said, and my voice sounded like someone else's. 'If it opens, I'll shoot at it.'
No one said a word. No one moved. I let go of Terry's arm, closed the door, took hold of her arm again, and headed down the stairs. No one came after us. Out the front door and across to my car. We ran. In my mind I could see us from their third floor vantage, outlined sharp against the white snow in the streetlight. No one shot at us. I pushed Terry into the car first, came in behind her, and got it out of there. It was a full block before I looked at Terry. She huddled, still stark naked, still with the tape on her mouth, in the far comer of the seat. She must have been freezing. I reached into the back seat, took my coat from where I'd left it, and gave it to her. She pulled it around her.
'Maybe you ought to take the gag off,' I said.
She peeled it carefully, and spit out what looked like a wadded paper towel that had been stuffed in her mouth. She didn't say anything. I didn't say anything. The heater had warmed up and was starting to warm the car. I turned on the radio. We went down along the Charles on Memorial Drive and across the Mass Ave bridge. Boston always looks great from there. Especially at night, with the lights and the skyline against the starry sky and the sweep of the river in a graceful curve down toward the harbor. It probably didn't look too spiffy at the moment to Terry.
I turned off onto Marlborough Street and pulled up in front of my apartment. Terry waited in the car while I went around and opened the door. She was well brought up. She had to walk barefoot across the frozen pavement but showed no sign that she felt it. We went up in the elevator.
Inside my apartment she looked about curiously. As if we'd recently met at a cocktail party and I'd invited her home to see my carvings. I felt the urge to giggle hysterically, but stifled it. I went to the kitchen, got out some ice and poured two big shots of bourbon over the ice. I gave her one. Then I went to the bathroom and started to run hot water in the tub. She stayed right behind me?like a dog I used to have when it was supper-time, or when he
