Odd Hours

Dean R Koontz Odd Hours

The fourth book in the Odd Thomas series

This fourth Odd adventure is dedicated to Bruce, Carolyn, and Michael Rouleau.

To Michael because he makes his parents proud.

To Carolyn because she makes Bruce happy.

To Bruce because he has been so reliable all these years, and because he truly knows what it means to love a good dog.

I feel my fate in what I cannot fear.

I learn by going where I have to go.

– Theodore Roethke, “The Waking”

ONE

IT’S ONLY LIFE. WE ALL GET THROUGH IT.

Not all of us complete the journey in the same condition. Along the way, some lose their legs or eyes in accidents or altercations, while others skate through the years with nothing worse to worry about than an occasional bad-hair day.

I still possessed both legs and both eyes, and even my hair looked all right when I rose that Wednesday morning in late January. If I returned to bed sixteen hours later, having lost all of my hair but nothing else, I would consider the day a triumph. Even minus a few teeth, I’d call it a triumph.

When I raised the window shades in my bedroom, the cocooned sky was gray and swollen, windless and still, but pregnant with a promise of change.

Overnight, according to the radio, an airliner had crashed in Ohio. Hundreds perished. The sole survivor, a ten-month-old child, had been found upright and unscathed in a battered seat that stood in a field of scorched and twisted debris.

Throughout the morning, under the expectant sky, low sluggish waves exhausted themselves on the shore. The Pacific was gray and awash with inky shadows, as if sinuous sea beasts of fantastical form swam just below the surface.

During the night, I had twice awakened from a dream in which the tide flowed red and the sea throbbed with a terrible light.

As nightmares go, I’m sure you’ve had worse. The problem is that a few of my dreams have come true, and people have died.

While I prepared breakfast for my employer, the kitchen radio brought news that the jihadists who had the previous day seized an ocean liner in the Mediterranean were now beheading passengers.

Years ago I stopped watching news programs on television. I can tolerate words and the knowledge they impart, but the images undo me.

Because he was an insomniac who went to bed at dawn, Hutch ate breakfast at noon. He paid me well, and he was kind, so I cooked to his schedule without complaint.

Hutch took his meals in the dining room, where the draperies were always closed. Not one bright sliver of any windowpane remained exposed.

He often enjoyed a film while he ate, lingering over coffee until the credits rolled. That day, rather than cable news, he watched Carole Lombard and John Barrymore in Twentieth Century.

Eighty-eight years old, born in the era of silent films, when Lillian Gish and Rudolph Valentino were stars, and having later been a successful actor, Hutch thought less in words than in images, and he dwelt in fantasy.

Beside his plate stood a bottle of Purell sanitizing gel. He lavished it on his hands not only before and after eating, but also at least twice during a meal.

Like most Americans in the first decade of the new century, Hutch feared everything except what he ought to fear.

When TV-news programs ran out of stories about drunk, drug-addled, murderous, and otherwise crazed celebrities-which happened perhaps twice a year-they sometimes filled the brief gap with a sensationalistic piece on that rare flesh-eating bacteria.

Consequently, Hutch feared contracting the ravenous germ. From time to time, like a dour character in a tale by Poe, he huddled in his lamplit study, brooding about his fate, about the fragility of his flesh, about the insatiable appetite of his microscopic foe.

He especially dreaded that his nose might be eaten away.

Long ago, his face had been famous. Although time had disguised him, he still took pride in his appearance.

I had seen a few of Lawrence Hutchison’s movies from the 1940s and ’50s. I liked them. He’d been a commanding presence on screen.

Because he had not appeared on camera for five decades, Hutch was less known for his acting than for his children’s books about a swashbuckling rabbit named Nibbles. Unlike his creator, Nibbles was fearless.

Film money, book royalties, and a habit of regarding investment opportunities with paranoid suspicion had left Hutch financially secure in his old age. Nevertheless, he worried that an explosive rise in the price of oil or a total collapse in the price of oil would lead to a worldwide financial crisis that would leave him penniless.