Henry Townsend—a black man of thirty-one years with thirty-three slaves and more than fifty acres of land that sat him high above many others, white and black, in Manchester County, Virginia—sat up in bed for most of his dying days, eating a watery porridge and looking out his window at land his wife Caldonia kept telling him he would walk and ride over again. But she was young and naively vigorous and had known but one death in her life, that of her father, who had been secretly poisoned by his own wife. On the fourth day on his way to death, Henry found sitting up difficult and lay down. He spent that night trying to reassure his wife. “Nothin hurts,” he said more than once that day, a day in July 1855. “Nothin hurts.”
“Would you tell me if it did?” Caldonia said. It was near about three in the morning, two hours or so after she had dismissed for the evening Loretta, her personal maid, the one who had come with her marriage to Henry.
“I ain’t took on the habit of not tellin you the truth,” Henry said that fourth evening. “I can’t start now.” He had received some education when he was twenty and twenty-one, educated just enough to appreciate a wife like Caldonia, a colored woman born free and who had been educated all her days. Finding a wife had been near the end of a list of things he planned to do with his life. “Why don’t you go on to bed, darlin?” Henry said. “I can feel sleep comin on and you shouldn’t wait for it to get here.” He was in what the slaves who worked in the house called the “sick and gettin well room,” where he had taken himself that first sick day to give Caldonia some peace at night.
“I’m fine right here,” she said. The night had gotten cooler and he was in fresh nightclothes, having sweated through the ones they had put him in at about nine o’clock. “Should I read to you?” Caldonia said, covered in a lace shawl Henry had seen in Richmond. He had paid a white boy to go into the white man’s shop to purchase it for him, because the shop would have no black customers. “A bit of Milton? Or the Bible?” She was curled up in a large horsehair chair that had been pulled up to his bed. On either side of the bed were small tables, each just large enough for a book and a candelabrum that held three candles as thick as a woman’s wrist. The candelabrum on the right side was dark, and the one on the left had only one burning candle. There was no fire in the hearth.
“I been so weary of Milton,” Henry said. “And the Bible suits me better in the day, when there’s sun and I can see what all God gave me.” Two days before he had told his parents to go home, that he was doing better, and he had indeed felt some improvement, but on the next day, after his folks were back at their place, Henry took a turn back to bad. He and his father had not been close for more than ten years, but his father was a man strong enough to put aside disappointment in his son when he knew his flesh and blood was sick. In fact, the only time his father had come to see Henry on the plantation was when the son had been doing poorly. Some seven times in the course of ten years or so. When Henry’s mother visited alone, whether he was ill or well, she stayed in the house, two rooms down from her son and Caldonia. The day Henry sent them home, his parents had come upstairs and kissed his smiling face good-bye, his mother on the lips and his father on the forehead, the way it had been done since Henry was a boy. His parents as a couple had never slept in the home he and Moses the slave had built, choosing to stay in whatever cabin was available down in the quarters. And they would do it that way when they came to bury their only child.
“Shall I sing?” Caldonia said and reached over and touched his hand resting at the side of the bed. “Shall I sing till the birds wake up?” She had been educated by a freed black woman who herself had been educated in Washington, D.C., and Richmond. That woman, Fern Elston, had returned to her own plantation after visiting the Townsends three days ago to continue making part of her living teaching the freed black children in Manchester County whose parents could afford her. Caldonia said, “You think you’ve heard all my songs, Henry Townsend, but you haven’t. You really haven’t.” Fern Elston had married a man who was supposed to be a farmer, but he lived to gamble, and as Fern told herself in those moments when she was able to put love aside and see her husband for what he was, he seemed to be driving them the long way around to the poorhouse. Fern and her husband had twelve slaves to their names. In 1855 in Manchester County, Virginia, there were thirty-four free black families, with a mother and father and one child or more, and eight of those free families owned slaves, and all eight knew each other’s business. When the War between the States came, the number of slave-owning blacks in Manchester would be down to five, and one of those included an extremely morose man who, according to the U.S. census of 1860, legally owned his own wife and five children and three grandchildren. The census of 1860 said there were 2,670 slaves in Manchester County, but the census taker, a U.S. marshal who feared God, had argued with his wife the day he sent his report to Washington, D.C., and all his arithmetic was wrong because he had failed to carry a one.
Henry said, “No. Best save the singin for some other time, darlin.” What he wanted was to love her, to get up from the sickbed and walk under his own power and take his wife to the bed they had been happy in all their married days. When he died, late the evening of the seventh day, Fern Elston would be with Caldonia in his death room. “I always thought you did right in marrying him,” Fern would say, in the first stages of grief for Henry, a former student. After the War between the States, Fern would tell a pamphlet writer, a white immigrant from Canada, that Henry had been the brightest of her students, someone she would have taught for free. Loretta, Caldonia’s maid, would be there as well when Henry died, but she would be silent. She merely closed her master’s eyes after a time and covered his face with a quilt, a Christmas present from three slave women who had made it in fourteen days.
Moses walked the lane of the quarters down to his cabin, the one nearest the house where his master and mistress lived. Next to Moses’s cabin, Elias sat on a damp tree stump before his own cabin, whittling a piece of pinewood that would be the body of a doll he was making for his daughter. It was the first thing he had ever given her. He had a lamp hanging from a nail beside his door but the light had been failing and he was as close to working blind as a body could get. But his daughter and his two sons, one only thirteen months old, were heaven and earth to him and somehow the knife cut into the pinewood in just the right way and began what would be the doll’s right eye.
Moses, a few feet before passing Elias, said, “You gotta meet that mule in the mornin.”
“I know,” Elias said. Moses had not stopped walking. “I ain’t hurtin a soul here,” Elias said. “Just fixin on some wood.” Now Moses stopped and said, “I ain’t carin if you fixin God’s throne. I said you gotta meet that mule in the mornin. That mule sleepin right now, so maybe you should follow after him.” Elias said nothing and he did not move. Moses said, “I ain’t but two minutes off you, fella, and you seem to wanna keep forgettin that.” Moses had found Elias a great bother in the mind from the day Henry Townsend drove up with Elias from the slave market, a one-day affair held out in the open twice a year at the eastern edge of the town of Manchester, in the spring and in the fall after harvest. The very day Elias was bought by Henry some white people had talked about building a permanent structure for the slave market—that was the year it rained every spring day the market was held, and many white people caught colds as a result. One woman died of pneumonia. But God was generous with his blessings the following fall and each day was perfect for buying and selling slaves and not a soul said anything about constructing a permanent place, so fine was the roof God himself had provided for the market.
Now Moses said to Elias, “If you ain’t waitin for me here when the sun come up, not even Massa Henry will save you.” Moses continued on to his cabin. Moses was the first slave Henry Townsend had bought: $325 and a bill of sale from William Robbins, a white man. It took Moses more than two weeks to come to understand that someone wasn’t fiddling with him and that indeed a black man, two shades darker than himself, owned him and any shadow he made. Sleeping in a cabin beside Henry in the first weeks after the sale, Moses had thought that it was already a strange world that made him a slave to a white man, but God had indeed set it twirling and twisting every which way when he put black people to owning their own kind. Was God even up there attending to business anymore?
With one foot Elias swept the shavings from his other foot and started whittling again. The right leg of the doll was giving him trouble: he wanted the figure to be running but he had not been able to get the knee to bend just right. Someone seeing it might think it was just a doll standing still, and he didn’t want that. He was afraid that if the knee did not bend soon he would have to start again with a new piece of wood. Finding a good piece would be hard. But then the right leg of his own wife, Celeste, did not bend the way it should either, so maybe in the long run it might not matter with the doll. Celeste had been limping from the first step she took into the world.
Moses went into his cabin and met the darkness and a dead hearth. Outside, the light of Elias’s lamp leaned this way and that and then it dimmed even more. Elias had never believed in a sane God and so had never questioned a world where colored people could be the owners of slaves, and if at that moment, in the near dark, he had sprouted wings, he would not have questioned that either. He would simply have gone on making the doll. Inside Elias’s cabin his crippled wife and three children slept and the hearth had enough embers to last the night,
