the receiver for Mia’s transmitter; and some of Kelly’s gear, including a subnote-book computer. Lying on the floor in front of the backseat are a carbon-fiber sniper rifle and an MP5 submachine gun like the one the Asian boy was carrying last week. Both weapons are fitted with night-vision scopes.
”What are you doing?“ I ask Logan.
”Making sure our radios are on the same channel. Sometimes it’s the simplest thing that kills you.“
The light under the Reynolds’s carport goes on.
”Here they come,“ I say.
Alicia’s white RX-8 is parked under the carport. Mia’s Accord is in the driveway. Marko’s girlfriend walks into the carport and stomps around to the driver’s door of her Mazda. She’s obviously pissed off. Mia walks out behind her, much more slowly, and opens the passenger door. She glances in our direction, but she doesn’t seem to be in distress.
”Reynolds could lose us in that Mazda,“ Logan observes.
”Kelly’s got it. Just wait.“
The RX-8 backs quickly out of the driveway, then peels up Lindberg Street, its motor whining as it heads into a large subdivision lying between us and the Highway 61 bypass.
”Where’s Kelly?“ Logan asks.
The door to my left jerks open and Kelly leaps in. ”Stay fifty meters back,“ he says. ”Don’t get in a hurry.“
Logan wants to hurry, I can tell. He keeps the Mazda’s taillights in sight, which makes sense to me.
”If you can see her, she can see you,“ Kelly says calmly, reaching over the front seat for his computer. ”Trust your gear.“
I wouldn’t trust the local police department’s gear, but this stuff belongs to Kelly.
”Have you got them?“ Logan asks, barely slowing.
I look into the backseat. Sitting sideways so I can see, Kelly pulls up a city map on his screen and studies it. ”Got ‘em. Slow down, Chief.“
Logan lets the taillights ahead wink out.
A red dot on Kelly’s screen moves along the streets of Montebello subdivision, moving toward the bypass. The dot turns onto the highway and accelerates.
”Where are they?“ Logan asks nervously.
”Bypass,“ I answer. ”Now they’re turning onto Montebello Melrose Parkway.“
”Headed downtown?“
”Looks like it. Lots of houses before they’re downtown, though. Woods, too.“
The red dot sweeps down the long curving lanes that cut through the thick forest between the bypass and downtown Natchez. It passes Melrose, an antebellum plantation purchased by the federal government and turned into a National Historical Park. This part of Natchez is thick with mansions, as many wealthy planters’ estates abutted in the vicinity.
Logan accelerates along the parkway. We pass a modern bank sited in the midst of the forest, then climb a hill and pass Melrose.
”They’re on Main Street,“ Kelly says.
”Not really,“ I tell him. ”That’s the Main Street extension. They’re not actually downtown yet.“
”They’re slowing down,“ says Kelly. ”Stopping now.“
”Where?“ asks Logan.
”Can’t tell,“ I say, thinking furiously.
”They turned into blank space on my map,“ says Kelly.
”Ardenwood, maybe?“ I suggest.
”What’s Ardenwood?“ asks Kelly.
”Sixty acres owned by a complete nut,“ says Logan. ”Son of a
”Just get us there. This makes all the sense in the world.“
”What’s Ardenwood?“ asks Kelly. ”What the fuck are we headed into?“
I close my eyes and try to summon what I know. Ardenwood was a majestic Greek Revival mansion built by one of the wealthiest planting dynasties in the pre-Civil War South. One of the few to remain in the hands of its original family, it stood pristine through the war, Reconstruction, decay, rebirth, and then the modern city of Natchez growing up around it. A decade ago, the property fell into the hands of an heir who didn’t care to live in it. An eccentric lawyer from Mobile, he preferred to let the house stand unoccupied, slowly rotting away along with its priceless contents. Last year, on a calm Sunday morning, a column of smoke began rising from the center of town. By the time the fire department arrived, a quarter of the mansion had been consumed. A crowd of hundreds gathered to watch it burn, some with tears in their eyes, others cursing the man who had let this jewel of history be destroyed for no reason. Annie and I were part of that crowd. Caitlin was out of town. All that remains now is a dangerous shell patched with plywood against the rain. That and some frightening rumors.
”A fucking nightmare,“ Logan grumbles, filling the vacuum. ”It’s an old mansion sitting on sixty acres of woods and pasture. It burned last year, and the absentee owner blamed a prowler. He’s booby-trapped the whole goddamned place since then. He’s got shotguns wired to the doors, spikes in the yard, crazy stuff. He’s even got night-vision equipment up there. He said he’s going to take care of any future prowlers himself.“
”I think Marko Bakic is more prowler than he could handle,“ I murmur.
”The guy stays over in Mobile most of the time,“ Logan says. ”That’s one good thing.“
”For his sake, I hope he’s been there all week.“
Logan slows the Crown Victoria, and I look left as we pass the road that leads into Ardenwood.
”I see it,“ says Kelly.
The front acreage of the property is ten feet higher than the back, but behind the dark mass of land, a hulking black skeleton rises from between oak and magnolia trees. I can just make out the Greek Revival facade: huge Corinthian columns and an immense white capital.
”Keep driving,“ I say. ”Kill your lights and park in the median.“
The median here is forty feet wide and shaded by oak and pecan trees. We’re at the edge of downtown proper, but to an urban dweller this would look like deep woods.
Logan parks, then sweeps our radios, the wire receiver, and the tape recorder into a black satchel. While Kelly grabs his weapons and gets out, I concentrate on walking without falling down. We cross the road, climb the berm we saw before, then hunker down under a large pecan tree. Logan passes out the radios.
”Now that we know where they are,“ he says, ”how do we play it?“
”I’ve got to move up to the house to cover Mia,“ Kelly says. ”You two stay here and monitor the receiver. I’ll have an earpiece in my walkie-talkie, but you don’t call me under any circumstance but one.“
”What’s that?“
”The girl needs saving. We’ll use two codes: ’Red‘ and ’Blue.‘ If I hear ’Blue,‘ I’ll try to extract Mia without harming Bakic. If you say ’Red,‘ I kill him.“
”Understood,“ I say.
”Got it,“ says Logan. ”Why hasn’t she switched on her transmitter?“
”She will,“ says Kelly. ”She’s got it down.“
He leans his sniper rifle against the pecan tree and shoulders his MP5. ”Either of you know anything about the interior layout of this place?“
”There are usually four rooms on the ground floor and four upstairs,“ I tell him. ”You should find a big central hall downstairs with a wide staircase, then another staircase somewhere else for the servants. I don’t know how much of the interior remained intact after the fire. Even if the stairs are still there, you might not be able to put any weight on them.“
”That’s better than nothing.“ Kelly gives us both a questioning look. ”The codes?“
”Blue for extraction,“ I answer.
”Red is dead,“ says Logan.
Kelly nods. ”Dead as a hammer, Chief.“ He gives me a grin, then turns and starts to walk away.
”Hey,“ I call after him.
He turns and looks back.
