“I might do that,” I say quietly. “If you were a gentleman.”
His eyes narrow.
“But since you’re an amoral, hypocritical, heartless bastard, I won’t. Tomorrow you’re going to be indicted for capital murder in the death of Del Payton.”
I turn away from him and walk toward the door.
“Goodbye,” I say, touching Livy’s hand. “Don’t think twice about Presley. You did the world a favor. I’ll tell it just the way your dad wants it.” I squeeze her hand, then pause and kiss her lightly on the cheek.
She says nothing at first, but as I move away she says, “Penn, I can’t let you take that file.”
“What?” Leo says, his voice instantly alive with suspicion. “What file?”
“I showed him your safe. I was angry. Penn, please give me the envelope. I can’t help you destroy my father. Not like that. Not after all that’s happened.”
I reach for the doorknob, wondering how far she’ll go to stop me.
“She won’t shoot you, Cage. But I will.”
I don’t know if he’d shoot me in the back or not. But I have a daughter waiting for me at home. And I will not bet our future on the honor of Leonidas Marston.
Turning to face him, I untuck my shirt, slip the Hoover file out of my pants, and toss it toward him. There’s a flutter of papers as the letters scatter across the desk and floor. I start to leave, but then I bend down and lift the fallen wine bottle from the Bokara. It survived the impact with Presley’s skull, though most of the wine has spilled out. Glancing back at Livy, I invert the bottle and pour the remaining wine onto the desk, splashing the red fluid across Hoover’s personal missives to Leo.
“Pretend it’s our lost bottle,” I tell her. “You two were made for each other.”
I reach for the brass knob, open the door, and walk out into the hall. The last thing I hear is Leo’s voice floating after me:
“See you in court.”
CHAPTER 39
An hour before jury selection in the slander trial of Penn Cage, the police blocked motor-vehicle access to the streets surrounding the Natchez courthouse. The television vans had already been let through, at least eight, despite the fact that only crews from CNN and the black-owned Jackson station would be allowed inside the courtroom.
Judge Franklin’s decision to allow cameras in her court was a landmark in Mississippi jurisprudence, and she had carefully defended it in her pretrial order. Besides stating that Marston v. Cage was a civil case and that both parties to the suit had agreed to have the proceedings televised, Franklin observed that community interest in the Payton murder-which was the central issue of the trial-was at such a pitch that the “window into the court” provided by the news camera could go a long way toward fostering the perception of fair and impartial justice.
The police roadblocks did nothing to limit the crowds outside the courthouse. Caitlin’s newspaper account of the deaths of Ike Ransom and Ray Presley had electrified the city. Black families laid out blankets beneath the oak trees on the north lawn, and endured without complaint the desultory showers that had fallen since dawn. The whites stood mostly on the south lawn, huddled under umbrellas with Calvinist stoicism. The division was not solely racial; there was intermingling at the edges of each crowd, but for the most part a natural segregation had occurred. Police officers milled through the throngs, watching for verbal altercations that could all too easily spark violence under the circumstances.
None of this concerned me as I entered the courthouse flanked by two sheriff’s deputies. All I could think about was Dwight Stone. Except for the strange call Caitlin had received yesterday, saying that Stone’s dead FBI partner would be at the trial, I’d heard nothing. This morning Caitlin picked up a story off the AP wire saying that four unidentified men had been found dead in the mountains near Crested Butte, Colorado. This buttressed my hope that Stone had at least survived our encounter by the river, but many hours had passed since then. I tried calling his daughter several times but had no luck. Dwight Stone seemed to have vanished from the face of the earth.
In a city with over six hundred antebellum buildings, more than sixty of which are mansions, one might expect the courtrooms to be marvels of architectural splendor, spacious and high-ceilinged, paneled with oak and smelling faintly of lemon oil. In fact, while the original Natchez courthouse was built in 1818, and has been expanded several times since, its second-floor courtrooms are small compared to those in Houston, and surprisingly functional in character.
The circuit court has seven rows of benches for spectators, with another six in an upstairs balcony at the rear, several of which have been co-opted today by the cameras of CNN and WLBT. Viewed from the rear door, the jury box stands against the right wall, with the door to the jury room in the far right corner. The witness box stands to the right of the judge’s bench and, awkwardly, a little behind it, attached to the rear wall. The judge’s bench is set on a dais at the center, with desks for the court reporter and circuit clerk extending forward into the room at right angles to the bench. The reporter sits on the right, the clerk and his deputy on the left. Beyond the clerk’s desk on the left is a large, open space for the presentation of exhibits. The lawyer’s tables stand just beyond the bar, not far separated from the clerk’s and reporter’s desks, with the podium beside the table on the right. The only touches of Southern atmosphere are the white capitals of the Doric columns visible through the windows behind the judge’s bench, and the intertwining oak branches beyond them, which give an unexpected airiness to the otherwise close room. And then there is the clock on the wall. Symbolically enough, it has no hands, and I am reminded of Carson McCullers’s dark and poignant novel. She would feel right at home in the midst of the strange and tragic case that has brought us here today.
Walking up the aisle toward my table to begin the voir dire phase of the trial, I receive one of the greatest shocks of my life. Seated at the plaintiff’s table alongside Leo Marston and Blake Sims is Livy Marston Sutter. She doesn’t look up at me, but any fleeting hope that she might be here for moral support is quickly banished by her appearance. From her pulled-back hair to her tailored navy suit and Prada shoes, she is every inch a lawyer. Every movement precise, every glance measured, Livy radiates a self-assurance that draws the eyes of everyone in sight of her, producing in both men and women a desire for her attention and approval.
Blake Sims looks dowdy beside her. He wears the traditional uniform of the Ole Miss lawyer: blue blazer, white pinpoint button-down, striped tie, dress khakis, and cordovan wing tips. His face is pink and fleshy, the face of a student council president, with sandy blond hair and blue eyes. The more I think about Sims, the more obvious it becomes why Leo wants Livy here.
Leo himself sits facing the bench with imperious detachment. He is a head taller than Blake Sims, and his close-cropped silver hair and chiseled features give him the look of a wise but austere judge, which he was. Four decades spent roaming the corridors of power have served him well. His tailored English suit was made for the television cameras, and no one looking at him this morning would suspect that he executed a man last night.
Moving toward my table, I scan the faces of the spectators who have managed to get into the packed courtroom. This morning I arranged with the bailiff that my parents be allowed in, with Sam Jacobs escorting them, and also Althea and Georgia Payton, with Del Jr. All are seated in the second row on the right, behind my table. The first row was roped off for city officials, who have turned out in force. Mayor Warren and District Attorney Mackey shoot me glares whenever I look their way. Beyond them are many faces from my youth and, peppered among these, the characters who have populated my life for the past two weeks. Ex-police chief Willie Pinder. Reverend Nightingale. Some of the neighbors who helped search for Annie on the day of the fire. Charles Evers. What sobers me is my awareness of those who aren’t here. Ruby. Ike. Ray Presley. Dwight Stone.
I shake hands with my father over the bar, then take my seat. As I begin reviewing the notes I made last night about questioning potential jurors, someone touches my shoulder. It’s Caitlin Masters. For the first time since the cocktail party, she has abandoned her informal uniform of jeans and button-downs for a dress. A blue sleeveless one that emphasizes her lithe body. The effect is so profound that I simply stare at her.
“I do own dresses,” she says, obviously pleased by my reaction.
“You look very nice. Any word from Stone?”
She bites her lip and shakes her head, then pats her pocket. “He has the number of the paper. They’ll call me the second he or his daughter calls in.”
