which I don't mean a bloody stink, but that subtle smell you get from a butcher's case, where ready flesh is presented.

For a reason I could not define, into my mind's eye came the dead face of the man I had fished from the storm drain. Mottled gray skin. Eyes rolled back in a blind white gaze.

The fine hairs on the nape of my neck quivered as if the air had been charged by the advancing storm.

I switched off the flashlight and stood in absolute, monster's-gonna-get-you blackness.

Because the stairs were enclosed by concrete walls, the sharp turn at each landing provided an effective baffle to light. A sentry one floor above, or at most two, might have noticed the radiant bloom below, but no light could have transferred, angle after angle, to any higher floors.

After a minute, when I hadn't heard the rustle of clothing or the scrape of a shoe on concrete, when no scaly tongue had licked my face, I backed cautiously out of the stairwell, across the threshold. I retreated into the casino before switching on the flashlight.

A few minutes later, I located the south stairs. Here the door still hung from all its hinges, but it stood open like the first.

Shuttering the lens of the flash with my fingers, to reduce its reach, I ventured across the threshold.

This silence, like that in the north stairwell, had an expectant quality, as though I might not be the only listening presence. Here, too, after a moment, I detected that subtle and disturbing smell that had discouraged me from ascending at the other end of the building.

As before, into my mind came the dead face of the man who had Tasered me: eyes protuberant and white, mouth open wide and tongue swallowed.

On the basis of a bad feeling and a smell, real or imagined, I decided that the emergency stairs were under observation. I could not use them.

Yet my sixth sense told me that Danny lay imprisoned somewhere high above. He (the magnet) waited, and I (the magnetized), in some strange power's employ, was drawn upward with an insistence that I could not ignore.

TWENTY-SIX

OFF THE MAIN LOBBY, I LOCATED AN ALCOVE WITH TEN elevators, five on each side. Eight sets of doors were closed, though I'm sure I could have pried them open.

The last two sets of doors on the right were fully retracted. In the first of these openings, an empty cab waited, its floor a foot below the floor of the alcove. The second offered only a void.

Leaning into the shaft, I played the flashlight up and down, over guide rails and cables. The missing cab lay two floors below, in the sub-basement.

To the right, the wall featured a service ladder. It receded to the very top of the building.

After raiding my backpack for a spelunker's flashlight strap, I fitted the handle of the light in the tight collar, and secured the Velcro fastener around my right forearm. Like a telescopic sight on a shotgun barrel, the light surmounted my arm, the beam spearing across the back of my hand and out past my fingertips into the dark.

With both hands free, I was able to get a grip on a rung and swing off the alcove threshold. I mounted the ladder.

After ascending several rungs, I paused to savor the odors in the shaft. I didn't detect the scent that had warned me off both the north and the south stairs.

The shaft was resonant, however; it would amplify every sound. If the wrong set of doors stood open above, and if someone was near that alcove, he would hear me coming.

I needed to climb as silently as possible, which meant not so fast that I began to breathe hard with the exertion.

The flashlight seemed problematic. Holding the ladder with my right hand, I used my left to switch off the beam.

How unsettling: to climb into perfect darkness. In the most primitive foundations of the mind, at the level of race memory or even deeper, lay the expectation that any ascent should be toward light. Rising higher, higher into unrelenting blackness proved to be disorienting.

I estimated eighteen feet of height for the first story, twelve feet per story thereafter. I guessed there were twenty-four rungs in twelve feet.

By that measure, I had climbed two stories when a protracted rumble passed through the shaft. I thought Earthquake, and I froze on the ladder, held fast, expecting plummeting masonry and further destruction.

When the shaft did not shake, when the cables did not sing with vibrations, I realized that the rumble was a long peal of thunder. Although still distant, it sounded closer than it had been earlier.

Hand over hand, foot after foot, climbing again, I wondered how I would get Danny down from his high prison, assuming that I would be able to free him. If armed sentries had been posted on the stairs, we could not escape the hotel by either of those routes. Considering his deformities and his physical uncertainty, he could not descend on this ladder.

One thing at a time. First, find him. Second, free him.

Thinking too far ahead might paralyze me, especially if every strategy that I considered led inevitably to the need to kill one or all of our adversaries. The determination to kill did not come easily to me, not even when survival depended on it, not even when my target was unarguably evil.

You don't get James Bond with me. I'm even less bloodthirsty than Miss Moneypenny.

At what must have been the fifth floor, I encountered an open set of elevator doors, the first since I had entered the shaft on the lobby level. The gap revealed itself as a dark-gray rectangle in an otherwise pitch landscape.

The alcove beyond the retracted doors would open onto a fifth-floor hall. Along that corridor, the doors to some guest rooms would be standing open; others would have been broken down by firemen or would have burned away. The windows in those rooms, which had not been boarded over to keep out trespassers, as on the ground floor, admitted light to the public hall; and meager rays filtered from there into the alcove.

Intuition told me that I had not climbed high enough. The low voice of faraway thunder spoke again when I was between the seventh and eighth floors. Just past the ninth floor, I wondered how many bodachs had swarmed the hotel prior to the catastrophe.

A bodach is a mythical beast of the British Isles, a sly thing that comes down chimneys during the night to carry away naughty children.

In addition to the lingering dead, I occasionally see menacing spirits that I call bodachs. That's not what they are, but I need to call them something, and that name seems to fit.

A young English boy, the only person I have known who shared my gift, called them bodachs in my presence. Minutes after he had used that word, he was crushed to death by a runaway truck.

I never speak of the bodachs when they are near. I pretend not to see them, do not react to them either with curiosity or fear. I suspect that if they knew I see them, there would be a runaway truck for me.

These creatures are utterly black and without features, so thin they can slip through a crack in a door, or enter by a keyhole. They have no more substance than shadows.

They are soundless in movement, often slinking like cats, though cats as big as men. Sometimes they run semi-erect and seem to be half man, half dog.

I have written about them before, in my first manuscript. I will not spend many words on them here.

They are not human spirits, and they do not belong here. Their natural realm, I suspect, is a place of eternal darkness and much screaming.

Their presence always signifies an oncoming event with a high body count-like the shootings at the mall last August. A single murder, like that of Dr. Jessup, does not draw them forth from wherever they dwell. They thrill only to natural disasters and to human violence on an operatic scale.

In the hours before the quake and the fire, they surely swarmed the casino and the hotel by the hundreds, in frenzied anticipation of the impending misery, pain, and death, which is their favorite three-course meal.

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