“Mr. Barrington?”
“Yes?”
The man handed him a sealed envelope. “You’ve been served,” he said, then walked out.
Joan was behind her desk. “I tried to warn you,” she said, “but you wouldn’t look at me.”
Stone ripped open the envelope and read the subpoena. “Alienation of affection?” he said incredulously. “What is this, Victorian England?”
“You’ve been named a corespondent in a divorce, haven’t you?” Joan said, sounding amused. “It
“Oh, shut up,” Stone said and went into his office. He tossed his coat across the room, sat down and called Tatiana.
“Hello?”
“Good morning,” he said.
“Oh, it’s so nice to hear your voice.”
“And yours, as well. Your divorce has taken a turn,” he said. “I’ve been named corespondent. The assertion is that I have alienated your affection.”
“I’m so sorry, Stone, but you’re guilty, after the fact.”
“I’m so glad you said, ‘after the fact.’ Now what you should do is call your attorney and ask him to name Darlene Harris a corespondent. That’s who Henry was with the other night at Elaine’s, and he should see that she is served today. She lives at 682 Park Avenue.”
“And how is it that you know her exact address?” Tatiana asked, with mock suspicion.
“I looked it up before I called you,” he lied. “Serving her will even the score until you get his financial records, then it will be game, set and match. And, by the way, you shouldn’t be surprised if this turns up in some gossip column or other. They have people at the courts who tip them off about these things.”
“Oh, no,” she said.
“The price of freedom, my dear.”
“Well, then, I’ll shut up and pay it. What kind of clothes will I need in Connecticut this weekend?”
“Country stuff like tweeds for the daytime and, I don’t know, maybe an LBD for the dinner party. It’s black tie.”
“Is black tie the norm up there?”
“No. It’s very odd. I sense some sort of special occasion, but I don’t know what it is. You’ll enjoy seeing the house, though; it’s very beautiful.”
“That’s not all I’m going to enjoy,” she said, then hung up.
57
Late that night, as Stone was returning home from dinner, the phone rang.
“Hello?”
“Stone, it’s Barton Cabot.”
“Good evening, Barton.”
“I’m sorry to call you so late, but something has come up.”
“What’s wrong?”
“Nothing. Quite the contrary.”
“Okay, what’s right?”
“I’ve just had a call from Peter Cavanaugh, the director of the Metropolitan Museum of Art.”
“Oh?”
“Yes. He wants to see Mildred’s collection tomorrow morning at eleven, and he’s bringing along his chief curator of American furniture.”
“That’s great.”
“Greater than you know. This means two things: One, he’s moving fast in order to get in ahead of the other museums, and two, he’s already got the money, or most of it, promised by some benefactor or benefactors.”
“That’s great.”
“Yes, it is. Now, here’s what I want you to do: First of all, I want you to be at Mildred’s house tomorrow morning at ten-thirty.”
“All right, I can do that if I leave early enough.”
“And on the way, I want you to call… What’s Mildred’s lawyer’s name?”
“Creighton Adams.”
“I want you to call him and have him tell the guards on the property to let us in the house at ten-thirty.”
“I can do that, and I’m sure he won’t have any objections. Why do you want me there?”
“Because Peter is bringing his witness, and I want one, too, so that I can hold him to account for anything he says tomorrow. Also, I would not be surprised if, after he has satisfied himself about the quality of the collection, he will have something for me to sign, and if so, I want you there to read it.”
“All right.”
“I’ll see you tomorrow morning at ten-thirty, and don’t be late.”
“I’ll be there,” Stone said. “But Barton, there’s something you’d better be prepared for.”
“What’s that?”
“I noticed that you included a photograph of your remaining mahogany secretary in your prospectus, but it’s not listed in the inventory we prepared and that you and Mildred signed.”
“Don’t be concerned about that. If it comes up, just follow my lead.”
“I do have a very important concern, Barton.”
“What’s that?”
“You’ve told me that you don’t know whether the stolen secretary is the original or the copy. I am not going to be a party to defrauding the Metropolitan Museum, so you must do nothing to put me in that position. If you do, I’ll have to do whatever is necessary to protect myself.”
“I understand, and you need not be concerned. If I sell the Met the secretary, it will be the original, I assure you. By the time this is over, you will understand fully.”
“Thank you, Barton. I’ll see you at ten-thirty tomorrow morning.”
“Good-bye.” Barton hung up.
Stone was up early the following morning and on the road by eight-thirty. On the way he called Creighton Adams and arranged for them to be let into the house.
He arrived in Bristol five minutes early and found Barton already in the house. He gave the guard his name and walked in.
Barton was pacing around the living room with the housekeeper, making minute adjustments to the positions of things in the room while she was putting coffee and cups on the sideboard. When he was finished there, he visited both the library and the dining room, then went upstairs to the bedrooms while Stone had coffee.
Barton came down looking happy, and the housekeeper returned to her work. “We’re ready,” he said, then he was immediately on his feet, looking out the window. “They’re here early.”
The housekeeper answered the door and brought the two men into the living room, accompanied by a photographer and his assistant, who was laden with equipment.
Barton introduced Stone, and Cavanaugh introduced Julian Whately, his curator of American furniture. The two men were craning and turning their heads like a pair of exotic birds as they took in the room’s contents; they were clearly excited.
“Would you like some coffee?” Barton asked.
“Perhaps later,” Cavanaugh said. “Let’s get started.”
“Stone and I will sit quietly while you and Julian examine the pieces,” Barton said. “When you’re done here, I’ll take you through the other rooms.”
Armed with their copy of Barton’s prospectus, the two men began their tour of the living room, piece by piece,
