Nelson DeMille
Plum Island
The first book in the John Corey series, 1997
AUTHOR'S NOTE
Concerning the United States Department of Agriculture Animal Disease Center at Plum Island, I took a small amount of literary license regarding the island and the work done there.
Three may keep a secret, if two of them are dead.
– Benjamin Franklin,
CHAPTER 1
Through my binoculars, I could see this nice forty-something-foot cabin cruiser anchored a few hundred yards offshore. There were two thirtyish couples aboard, having a merry old time, sunbathing, banging down brews and whatever. The women had on teensey-weensey little bottoms and no tops, and one of the guys was standing on the bow, and he slipped off his trunks and stood there a minute hanging hog, then jumped in the bay and swam around the boat. What a great country. I put down my binoculars and popped a Budweiser.
It was late summer, not meaning late August, but meaning September, before the autumnal equinox. Labor Day weekend had gone, and Indian summer was coming, whatever that is.
I, John Corey by name, convalescing cop by profession, was sitting on my uncle's back porch, deep in a wicker chair with shallow thoughts running through my mind. It occurred to me that the problem with doing nothing is not knowing when you're finished.
The porch is an old-fashioned wraparound, circling three sides of an 1890s Victorian farmhouse, all shingle and gingerbread, turrets, gables, the whole nine yards. From where I sat, I could see south across a sloping green lawn to the Great Peconic Bay. The sun was low on the western horizon, which was where it belonged at 6:45 p.m. I'm a city boy, but I was really getting into the country stuff, the sky and all that, and I finally found the Big Dipper a few weeks ago.
I was wearing a plain white T-shirt and cutoff jeans that used to fit before I lost too much weight. My bare feet were propped on the rail, and between my left and right big toes was framed the aforementioned cabin cruiser.
About this time of day you can start to hear crickets, locusts, and who knows what, but I'm not a big fan of nature noises so I had a portable tape player beside me on the end table with
Somewhere in the two seconds of silence between 'When a Man Loves a Woman' and 'Dancing in the Street,' I could hear or feel on the creaky old floorboards that someone was walking around the porch. Since I live alone and was expecting no one, I took the.38 in my right hand and rested it on my lap. So you don't think I'm a paranoid citizen, I should mention that I was convalescing, not from the mumps, but from three bullet wounds, two 9mm and one.44 caliber Magnum, not that the size of the holes matters. As with real estate, what matters with bullet holes is location, location, location. Obviously these holes were in the right locations because I was convalescing, not decomposing.
I looked to my right where the porch turned around the west side of the house. A man appeared around the corner, then stopped about fifteen feet from me, searching the long shadows cast by the setting sun. In fact, the man cast a long shadow himself which passed over me, so he didn't seem to see me. But with the sun at his back, it was also difficult for me to see his face or to guess his intentions. I said, 'Help you?'
He turned his head toward me. 'Oh… hey, John. Didn't see you there.'
'Have a seat, Chief.' I slipped my revolver Into my waistband under my T-shirt, then lowered the volume on 'Dancing in the Street.'
Sylvester Maxwell, aka Max, who is the law in these here parts, sauntered toward me and plopped his butt on the rail, facing me. He was wearing a blue blazer, white button-down shirt, tan cotton slacks, boating shoes, and no socks. I couldn't tell if he was on or off duty. I said, 'There're some soft drinks in that cooler.'
'Thanks.' He reached down and rescued a Budweiser from the ice. Max likes to call beer a soft drink.
He sipped awhile, contemplating a point in space about two feet from his nose. I directed my attention back toward the bay and listened to 'Too Many Fish in the Sea'-The Marvelettes. It was Monday, so the weekenders were gone, thank God, and it was as I said after Labor Day when most of the summer rentals terminate, and you could feel the solitude returning again. Max is a local boy and he doesn't get right down to business, so you just wait it out. He finally asked me, 'You own this place?'
'My uncle does. He wants me to buy it.'
'Don't buy anything. My philosophy is, if it flies, floats, or fucks, rent it.'
'Thank you.'
'You going to be staying here awhile?'
'Until the wind stops whistling through my chest.'
He smiled, but then got contemplative again. Max is a big man, about my age, which is to say mid-forties, wavy blond hair, ruddy skin, and blue eyes. Women seem to find him good-looking, which works for Chief Maxwell, who is single and hetero.
He said, 'So, how're you feeling?'
'Not bad.'
'Do you feel like some mental exercise?'
I didn't reply. I've known Max about ten years, but since I don't live around here, I only see him now and then. I should say at this point that I'm a New York City homicide detective, formerly working out of Manhattan North until I went down. That was on April twelfth. A homicide detective hadn't gone down in New York in about two decades so it made big news. The NYPD Public Information Office kept it going because it's contract time again, and with me being so personable, good-looking, and so forth, they milked it a little and the media cooperated, and round and round we go. Meanwhile, the two perps who plugged me are still out there. So, I spent a month in Columbia Presbyterian, then a few weeks in my Manhattan condo, then Uncle Harry suggested that his summer house was a fitting place for a hero. Why not? I arrived here in late May, right after Memorial Day.
Max said, 'I think you knew Torn and Judy Gordon.'
I looked at him. Our eyes met. I understood. I asked, 'Both of them?'
He nodded. 'Both.' After a moment of respectful silence, he said, 'I'd like you to take a look at the
