the pattern included the flesh and blood of Chris, that was not all there was to it. The pattern was larger than Chris and myself, and related us in ways that neither of us understood completely and neither of us was in complete control of.
Now Chris’s body, which was a part of that larger pattern, was gone. But the larger pattern remained. A huge hole had been torn out of the center of it, and that was what caused all the heartache. The pattern was looking for something to attach to and couldn’t find anything. That’s probably why grieving people feel such attachment to cemetery headstones and any material property or representation of the deceased. The pattern is trying to hang on to its own existence by finding some new material thing to center itself upon.
Some time later it became clearer that these thoughts were something very close to statements found in many “primitive” cultures. If you take that part of the pattern that is not the flesh and bones of Chris and call it the “spirit” of Chris or the “ghost” of Chris, then you can say without further translation that the spirit or ghost of Chris is looking for a new body to enter. When we hear accounts of “primitives” talking this way, we dismiss them as superstition because we interpret ghost or spirit as some sort of material ectoplasm, when in fact they may not mean any such thing at all.
In any event, it was not many months later that my wife conceived, unexpectedly. After careful discussion we decided it was not something that should continue. I’m in my fifties. I didn’t want to go through any more child- raising experiences. I’d seen enough. So we came to our conclusion and made the necessary medical appointment.
Then something very strange happened. I’ll never forget it. As we went over the whole decision in detail one last time, there was a kind of dissociation, as though my wife started to recede while we sat there talking. We were looking at each other, talking normally, but it was like those photographs of a rocket just after launching where you see two stages start to separate from each other in space. You think you’re together and then suddenly you see that you’re not together anymore.
I said, “Wait. Stop. Something’s wrong.” What it was, was unknown, but it was intense and I didn’t want it to continue. It was a really frightening thing, which has since become clearer. It was the larger pattern of Chris, making itself known at last. We reversed our decision, and now realize what a catastrophe it would have been for us if we hadn’t.
So I guess you could say, in this primitive way of looking at things, that Chris got his airplane ticket after all. This time he’s little girl named Nell and our life is back in perspective again. The hole in the pattern is being mended. A thousand memories of Chris will always be at hand, of course, but not a destructive clinging to some material entity that can never be here again. We’re in Sweden now, the home of my mother’s ancestors, and I’m working on a second book which is a sequel to this one.
Nell teaches aspects of parenthood never understood before. If she cries or makes a mess or decides to be contrary (and these are relatively rare), it doesn’t bother. There is always Chris’s silence to compare it to. What is seen now so much more clearly is that although the names keep changing and the bodies keep changing, the larger pattern that holds us all together goes on and on. In terms of this larger pattern the lines at the end of this book still stand. We have won it. Things are better now. You can sort of tell these things.
ooolo99ikl;i.,pyknulmmmmmmmmmm 111
(This last line is by Nell. She reached around the corner of the machine and banged on the keys and then watched with the same gleam Chris used to have. If the editors preserve it, it will be her first published work.)
Robert M. Pirsig
Gothenburg, Sweden
1984
