family acquaintances, knew about it. From that time he could not stop himself writing about his dreams and self- love, sowing the seeds of future disaster.
His father disapproved of his staying indoors all day reading and writing. A boy should be fun-loving, explore the world, know lots of people, distinguish himself; he did not think much of his son being a writer. His father thought of himself as a good drinker. Actually, he liked to show off more than he liked drinking. At the time, a game known as Charging Through the Pass involved downing a cup of liquor with each person at a banquet, and anyone who could make a round of three or five tables was a hero. Once his father was carried home unconscious and left downstairs in what used to be Grandfather's chair. None of the men were at home, and his grandmother, mother, and the maid couldn't get his father upstairs to bed. He recalled that a rope was lowered from the window upstairs and somehow both the chair and his father were slowly hauled up. His father hung high, swaying in midair, drunk and with a smile on his face. This was his father's great achievement, but he couldn't tell whether it was fantasy or not. With a child, memory and imagination are hard to separate.
For him, life before he was ten was like a dream. His childhood always seemed to be a dream world, even when his family was on the run as refugees. The truck was careering along a muddy mountain road in the rain and, all day long, he held a basket of oranges, which he ate under the tarpaulin covering. He once asked his mother if this had happened, and she said at the time oranges were cheap, and if you gave the villagers some money, they loaded them onto the truck next to the people. His father was working for a state-run bank, so armed guards, escorting the transport of banknotes, accompanied the family as it retreated with the bank.
The old home, now frequently appearing in dreams, was not the foreign-style house with the round doorway and the flower garden in which his grandfather had lived, but the old house with a well, left by his maternal grandmother. This little old woman, also dead, was forever rummaging in a big suitcase. In the dream, he is looking down at the house, which doesn't have a roof, at rooms divided by wooden walls. No one is there except for his grandmother who is frantically rummaging in the suitcase. He remembered that in the house there was an old-style leather suitcase that had been given a coat of paint and that in it, hidden under the clothes, was a parcel containing his grandmother's deeds to houses and land. The properties had been used to pay off debts or sold a long time before the new government authorities would have confiscated them. When his grandmother and mother burned that parcel of yellow, disintegrating papers, they were in a panic, but he hadn't reported them because no one came to investigate. However, had he in fact been questioned, he probably would have reported them, because his mother and grandmother were colluding to destroy criminal evidence, even if they did dearly love him.
That dream was several decades later, after he had been in the West for some time, in a small inn in the city of Tours in Central France. He had just woken up but was still in a daze. Behind the gauze curtain, old louvered shutters with peeling paint half-blocked the gloomy gray sky between the leaves of a plane tree. In the dream he'd just had, he was in that old two-story house, standing on the upstairs balcony that hadn't collapsed, leaning on a rickety wooden railing and looking down. Beyond the gate was a pumpkin patch where he used to catch crickets in the heaps of tiles and rubble among the vines. He clearly remembered that behind the wooden partition in the dream there were many rooms where guests used to stay. The guests had all disappeared just like his grandmother, just like his past life. In that life, memory and dream intermingle and the images transcend time and space.
Since he was the eldest son and eldest grandson, everyone in the family-including his maternal grandmother-had great expectations of him. However, his frequent bouts of illness from early childhood were a worry, and they had his fortune told many times; the first time, he recalled, was in a temple, when his parents took him with them to Lushan to escape the heat. The Immortal Grotto was a famous attraction. Next to it was a big temple with a vegetarian hall as well as tea stalls catering to tourists. It was cool inside the temple and there were not many visitors. In those times, people were carried up the mountain in sedan chairs, and he sat on his mother's lap tightly clutching the handrail in front of him, but couldn't help looking down the deep crevasse at the side. Before leaving China, he revisited the place, which, of course, already could be reached by bus, but couldn't find the temple. Even the ruins had vanished without a trace. However, he clearly remembered that on the wall of the visitors' hall in the temple there was a long scroll painting of Zhu Yuanzhang with a pockmarked face. The temple, it was said, was founded in the Ming Dynasty and, before becoming emperor, Zhu Yuanzhang was said to have sought refuge there. Something as concrete and complex as this could not have emerged from a child's imagination. Moreover, a few years ago, among the treasures of the Palace Museum in Taipei, he saw the scroll painting of Zhu Yuanzhang with a pockmarked face. So this temple had actually existed, and the memory had not been imagined, and the old monk's prediction had, in fact, come true. The old monk had warned in a loud voice: 'This little one will suffer many disasters and hardships. It will be hard for him to survive!' The old monk even slapped him hard on the forehead. It gave him a fright but he didn't cry. He remembered this because he had always been spoiled and had never been slapped.
Many years later, he developed an interest in Chan Buddhism, and on rereading those Chan conundrums, he realized that the old monk had probably given him his first lesson in life.
He did have another sort of life, only afterward he simply forgot about it.
2
The curtain is partly open. Against the black shadow of the mountain, blocks of lit apartments loom. The sky above the mountain is gray, and the brilliant mass of lights from the night market shines onto the ledge of the window. The insides of the transparent post-modernist building opposite can be seen distinctly, and as the elevator slowly rises in its tubular frame to the level of your room you can even make out the figures of the people in it. With a long-range lens, from over there, it would certainly be possible to photograph the inside of your room, even how you make love with her could be photographed.
However, you do not have to hide, and there is nothing you must avoid doing. You are not a movie star or a television star, or an important politician, or a local Hong Kong magnate who's afraid of being exposed in the newspapers. You hold French travel documents as a political refugee and have been invited for this visit, your room has been booked and paid for by someone else. You presented your documents on checking into this big hotel, bought by the Mainland government, so your name has been entered into the computer at the reception desk in the lobby. On hearing your Beijing accent, the supervisor and the girl at the desk looked embarrassed but, in a few months, after Hong Kong is returned to China, they will also have to speak with a Beijing accent, and are probably taking lessons right now. It is their duty to keep tabs on what guests are doing, now that the proprietor is the government, so this episode of lovemaking in the nude that you have just indulged in will certainly have been videotaped. Also, for security reasons, in a big hotel, installing a few more video cameras would not be money wasted. Sitting on the bed, you have stopped sweating, feel cold, and want to turn off the buzzing air- conditioner.
'What are you thinking?' she asks.
'Nothing.'
'Then what are you looking at?'
'The elevator going up and down in the building opposite. You can see the people inside the elevator, there's a couple kissing.'
'I can't see them,' she sits up in the bed.
You're talking about using a long-range lens.
'Close the curtains.'
She is lying on her back, her white body completely bare except for the luxuriant clump of downy hair between her legs.
'They wanted to make a video but the hairs were too stark,' you tease.
'Who are you talking about? Here? Who's making videos?'
You say it's a machine, that it's automatic.
'Impossible, this isn't China.'
You say that the Mainland authorities have bought the hotel.
She sighs softly, sits up, and says: 'You've got a phobia.' She puts out her arm and runs her fingers through
