In a corner of the porch there's a faded nylon rope for hanging out laundry. I pull out my damp clothes from my backpack, smooth out all the wrinkles, and hang them up to dry. I take everything else out of the pack and lay it out on the bed, then sit down at the desk and fill in my diary for the last few days. I use a pen with a fine tip and write down in small letters everything that's happened to me. I don't know how long I'll remember all the details, so I better get them down as fast as I can. I search my memory. How I lost consciousness and came to in the woods behind a shrine. The darkness and my blood-soaked shirt. Phoning Sakura, spending the night at her place. How we talked, how she did that to me.
She'd said, I don't get it, you don't have to tell me that! Why don't you just go ahead and imagine what you want? You don't need my permission. How can I know what's in your head?
But she got it wrong. What I imagine is perhaps very important. For the entire world.
That afternoon I decide to go into the woods. Oshima said that going too far into the forest is dangerous. Always keep the cabin in sight, he warned me. But I'll probably be here for a few days, and I should know something about this massive wall of a forest that surrounds me. Better to know a little, I figure, than nothing at all. Empty-handed, I say good-bye to the sunny lot and step into the gloomy sea of trees.
There's a kind of rough path trod down through the forest, mostly following the lay of the land, but improved here and there with a few flat rocks laid down like stepping stones. Places prone to erosion have been neatly buttressed with wooden planks, so that even if the weeds grow over it you can still follow the path. Maybe Oshima's brother worked on the path little by little each time he stayed here. I follow it into the woods, uphill at first, then it goes down and skirts around a high boulder before climbing up again. Overall it's mostly uphill, but not a very tough climb. Tall trees line both sides, with dull-colored trunks, thick branches growing out every which way, dense leaves overhead. The ground is covered with undergrowth and ferns that have managed to soak up as much of the faint light as they can. In places where the sun doesn't reach, moss has silently covered the rocks.
Like someone excitedly relating a story only to find the words petering out, the path gets narrower the farther I go, the undergrowth taking over. Beyond a certain point it's hard to tell if it's really a path or something that just vaguely resembles one. Eventually it's completely swallowed up in a sea of ferns. Maybe the path does continue up ahead, but I decide to save that exploration for next time. I don't have on the right kind of clothes and haven't really prepared for that.
I come to a halt and turn around. Suddenly nothing looks familiar, there's nothing I can cling to. A tangle of tree trunks ominously blocks the view. It's dim, the air filled with a stagnant green, and not a bird to be heard.
I'm suddenly covered in goosebumps, but there's nothing to worry about, I tell myself. The path is right over there. As long as I don't lose sight of that I'll be able to return to the light. Eyes glued to the ground, I carefully retrace my steps and, after much longer than it took me to get here, finally arrive back in front of the cabin. The lot is filled with bright, early-summer sunlight, and the clear calls of birds echo as they search for food. Everything's exactly the same as I left it. Or at least I think it is. The chair I was sitting on is still on the porch. The book I was reading is facedown like I left it.
Now I know exactly how dangerous the forest can be. And I hope I never forget it. Just like Crow said, the world's filled with things I don't know about. All the plants and trees there, for instance. I'd never imagined that trees could be so weird and unearthly. I mean, the only plants I've ever really seen or touched till now are the city kind-neatly trimmed and cared-for bushes and trees. But the ones here-the ones living here-are totally different. They have a physical power, their breath grazing any humans who might chance by, their gaze zeroing in on the intruder like they've spotted their prey. Like they have some dark, prehistoric, magical powers. Like deep-sea creatures rule the ocean depths, in the forest trees reign supreme. If it wanted to, the forest could reject me-or swallow me up whole. A healthy amount of fear and respect might be a good idea.
I go back to the cabin, take my compass out of my backpack, and check that the needle's showing north. It might come in handy sometime, so I slip it in my pocket. I go sit on the porch, gaze at the woods, and listen to Cream and Duke Ellington on my Walkman, songs I recorded off a library's collection of CDs. I play 'Crossroads' a couple of times. Music helps me calm down, but I can't listen for very long. There's no electricity here and no way to recharge the batteries, so once my extra batteries are dead the music's over for good.
I work out a bit before dinner. Push-ups, sit-ups, squats, handstands, different kinds of stretching exercises-a routine that keeps you in shape without any machines or equipment. Kind of boring, I'll admit, but you get a decent workout. A trainer at the gym taught me the routine. 'Prisoners in solitary confinement like this best,' he explained, calling it the 'world's loneliest workout routine.' I focus on what I'm doing and go through a couple of sets, my shirt getting sweaty in the process.
After a simple dinner I go out on the porch and gaze up at the stars twinkling above, the random scattering of millions of stars. Even in a planetarium you wouldn't find this many. Some of them look really big and distinct, like if you reached your hand out intently you could touch them. The whole thing is breathtaking.
Not just beautiful, though-the stars are like the trees in the forest, alive and breathing. And they're watching me. What I've done up till now, what I'm going to do-they know it all. Nothing gets past their watchful eyes. As I sit there under the shining night sky, again a violent fear takes hold of me. My heart's pounding a mile a minute, and I can barely breathe. All these millions of stars looking down on me, and I've never given them more than a passing thought before. Not just stars-how many other things haven't I noticed in the world, things I know nothing about? I suddenly feel helpless, completely powerless. And I know I'll never outrun that awful feeling.
Back inside the cabin, I carefully arrange some firewood in the stove, ball up a few sheets of an old newspaper, light it, and make sure the wood catches fire. In grade school I was sent to camp, and learned how to build a fire. I hated camp, but at least one good thing came out of it, I suppose. I open the damper to let the smoke out. It doesn't go well at first, but when a piece of kindling catches the fire spreads to the other sticks. I shut the door on the stove and scrape a chair over in front of it, set a lamp nearby, and pick up where I'd left off in the book. Once the fire's built up a bit I set a kettle of water on top to boil, and after a while the kettle burbles pleasantly.
Back to Eichmann. Of course his project didn't always go according to plan. Conditions at various sites slowed things down. When this happened he acted like a human being-at least a little. He got angry, is what I'm saying. He grew incensed at these uncertain elements that threw his elegant solution into disarray. Trains ran late. Bureaucratic red tape held things up. People in charge were replaced, and relations with their successors didn't go well. After the collapse of the Russian front, concentration camp guards were sent there to fight. There were heavy snowfalls. Power outages. Not enough poison gas to go around. Rail lines were bombed. Eichmann hated the war itself-that element of uncertainty that screwed up his plans.
At his trial he described all this, no emotion showing on his face. His recall was amazing. His life was entirely made up of these details.
At ten I put the book down, brush my teeth, and wash my face. The fire bathes the room in an orange glow, and the pleasant warmth calms my tension and fear. I snuggle into my sleeping bag dressed only in a T-shirt and boxers. Compared to last night I'm able to shut my eyes easily. Thoughts of Sakura cross my mind.
'I was thinking how nice it'd be if I was your real sister,' she'd said.
None of that tonight. I've got to get some sleep. A log topples over in the stove, an owl hoots outside. And I topple down into an indistinct dream.
The next day's the same. Birds wake me up a little after six. I boil some water, make a cup of tea, and have breakfast. Read on the porch, listen to music, go fill up the water pail at the stream. And I walk down the path into the woods, this time carrying my compass, glancing at it every once in a while to get a general idea of where the cabin is. I found a hatchet in the shed and use it to chop simple hatch marks on trees. I clear out some of the underbrush to make the path easier to follow.
Just like yesterday the forest is dark and deep, the towering trees forming a thick wall on both sides. Something of the forest is hiding there, in the darkness between the trees, like some 3-D painting of an animal, watching my every move. But the fear that made me shudder isn't there anymore. I've made my own rules, and by following them I won't get lost. At least I hope not.
I come to the place where I stopped yesterday and forge on, stepping into the sea of ferns. After a while the path reemerges, and again I'm surrounded by a wall of trees, on whose trunks I hack out some markings as I go. Somewhere in the branches above me a huge bird flaps its wings, but looking up I can't spot it. My mouth is dry.
