city. But still no luck.
What are you searching for? Hoshino sang again in a listless voice: Haven't you found it yet? / We've gone everywhere in town. / My butt's aching, so can't we go home?
After he finished, he said, 'We keep this up much longer, I'll turn into a regular singer-songwriter,' Hoshino said.
'What would that be?' Nakata asked.
'Never mind. Just a harmless joke.'
Calling it a day, they left the city, got on the highway, and headed back to the apartment. Lost in thought, Hoshino failed to turn left when he should. He tried to get back on the highway, but the road curved off at a strange angle into a maze of one-way streets and he was soon totally lost. Before he realized it they were in a residential area they'd never seen before, an old-looking, elegant neighborhood with high walls surrounding the homes. The road was strangely quiet, with not a soul in sight.
'I don't think we're too far from our apartment, but I have no idea where we are,' Hoshino admitted. He parked the car in an empty lot, cut the engine, set the parking brake, and spread out his map. He checked the name of the neighborhood and street number on a nearby lightpole and looked for it on the map. Maybe his eyes were too tired, but he couldn't find it.
'Mr. Hoshino?' Nakata asked.
'Yeah?'
'I'm sorry to bother you, but what does it say on that sign over there on that gate?'
Hoshino looked up from his map and glanced where Nakata was pointing, down a high wall with an old- fashioned gate, and next to it a large wooden sign. The black gate was shut tight. 'Komura Memorial Library,' Hoshino read. 'Huh, a library in this deserted part of town? Doesn't even look like a library. More like an old mansion.'
'Ko-mu-ra-Me-mori-al-Li-bra-ry?'
'You got it. Must be made to commemorate somebody named Komura. Who this Komura guy is, though, I have no idea.'
'Mr. Hoshino?'
'Yup?'
'That's it.'
'What do you mean-that?'
'The place Nakata's been searching for.'
Hoshino looked up from his map again and gazed into Nakata's eyes. He frowned, looked at the sign, and slowly read it again. He patted a Marlboro out of the box, put it between his lips, and lit it with his plastic lighter. He slowly inhaled, then blew smoke out the open window. 'Are you sure?'
'Yes, this is it.'
'Chance is a scary thing, isn't it?' Hoshino said.
'It certainly is,' Nakata agreed.
Chapter 39
My second day on the mountain passes by leisurely, seamlessly. The only thing that distinguishes one day from the next is the weather. If the weather was the same I couldn't tell one day from another. Yesterday, today, tomorrow-they'd all blur into one. Like an anchorless ship, time floats aimlessly across the broad sea.
I do the math and come up with today as Tuesday. The day Miss Saeki gives a tour of the library, provided there are any people who want to take it. Just like the very first day I came to the place… Spike heels clicking on the stairs, she walks up to the second floor, the sound reverberating through the stillness. Her glistening stockings, bright white blouse, tiny pearl earrings, her Mont Blanc pen on top of her desk. Her calm smile, tinged with the long shadow of resignation. All these details seem so far away now-and no longer real.
Sitting on the sofa in the cabin, the odor of the faded fabric all around me, memories of our lovemaking rise up in my head. Miss Saeki slowly removing her clothes, getting into bed. My cock, not surprisingly, is rock hard as these thoughts filter through my mind, but the tip's not red or sore anymore and doesn't sting.
Tiring of these sexual fantasies, I wander outside and go into my usual exercise routine. I hang on to the porch railing and go through an ab workout. Then I do some quick squats, followed by hard stretching. By this time I'm covered in sweat, so I wet my towel in the stream and wipe myself off. The cold water helps calm my nerves. I sit down on the porch and listen to Radiohead on my Walkman. Since I ran away I've been listening to the same music over and over-Radiohead's Kid A, Prince's Very Best of. Sometimes Coltrane's My Favorite Things.
At two p.m.-just when the library tour is starting-I head out into the forest. I follow the same path, walk for a while, and arrive at the clearing. I sit down on the grass, lean back against a tree trunk, and gaze up at the round opening of sky through the branches. The edges of white summer clouds are visible. Up to this point, I'm safe. I can find my way back to the cabin. A maze for beginners-if this were a video game I've easily cleared Level 1. If I go any farther, though, I'll enter a more elaborate, more challenging labyrinth. The path gets narrower and I'll get swallowed up by the sea of ferns.
I ignore this and forge on ahead.
I want to see how deep this forest really is. I know it's dangerous, but I want to see-and feel-what kind of danger lies ahead, how dangerous it really is. I have to. Something's shoving me forward.
I cautiously go down a kind of path. The trees tower higher and higher, the air growing denser by the minute. Up above, the mass of branches nearly blots out the sky. All signs of summer have vanished, and it's like seasons never existed. Soon I no longer know if what I'm following is a path or not. It looks like a path, is shaped like one- but then again it doesn't, and isn't. In the middle of all this stuffy, overgrown greenery all definitions start to get a bit fuzzy around the edges. What makes sense, and what doesn't, it's all mixed up. Above me, a crow gives out a piercing caw that sounds like a warning, it's so jarring. I stop and cautiously survey my surroundings. Without the proper equipment it's too dangerous to go any farther. I have to turn around.
Which isn't easy. Like Napoleon's army on the retreat, going back is more difficult than going forward, I discover. The path back is misleading, the dense vegetation forming a dark wall in front of me. My own breathing sounds loud in my ears, like a wind blowing at the edge of the world. A huge black butterfly about the size of my palm appears from the shade of the trees and flutters into my line of sight, its shape reminding me of that bloodstain on my T-shirt. It flies slowly across an open space, then disappears among the trees again, and once it vanishes everything suddenly seems even more oppressive, the air chillier. I'm seized by panic-not knowing how to get out of here. The crow squawks out shrilly again-the same bird as before, sending the same message. I stand still and look up, but can't see it. A breeze, a real one, blows up from time to time, ominously rustling the dark leaves at my feet. I sense shadows racing past behind me, but when I spin around they've hidden themselves.
Somehow I'm able to make it back to my safety zone-the little round clearing in the forest. I plop down on the grass and take a deep breath. I look up at the patch of real sky above me a couple of times, just to convince myself I've made it back to the world I came from. Signs of summer-so precious now-surround me. Sunlight envelopes me like a film, warming me up. But the fear I felt clings to me like a clump of unmelted snow in the corner of a garden. My heart beats irregularly from time to time, and my skin still has a slightly creepy feeling.
That night I lie there in the darkness, breathing quietly with my eyes wide open, hoping to catch a figure appearing in the dark. Praying for it to appear, and not knowing if prayers have any effect. Concentrating for all I'm worth, wanting badly for it to happen. Hoping that wanting it so badly will make my wish come true.
But my wish doesn't come true, my desires are shot down. Like the night before, Miss Saeki doesn't show up. Not the real Miss Saeki, not an illusion, not her as a fifteen-year-old girl. The darkness remains just that-darkness. Right before I fall asleep I have a massive erection, harder than any I've ever had, but I don't jack off. I've made up my mind to hold the memory of making love with Miss Saeki untouched, at least for now. Hands clenched tight, I fall asleep, hoping to dream of her.
Instead, I dream of Sakura.
