because they don’t know I speak English. They are probably from the East someplace, where people don’t know anything about Indians but what they see in the movies. I think how ashamed they’re going to be when they find out I know what they are saying.
I let them say another thing or two about the heat and the house; then I stand up and tell the fat man, in my very best schoolbook language, that our sod house is likely to be cooler than any one of the houses in town,
And I’m just about to go and tell them, how, if they’ll come on in, I’ll go get Papa from the scaffolds on the falls, when I see that they don’t look like they’d heard me talk at all. They aren’t even looking at me. The fat man is swinging back and forth, looking off down the ridge of lava to where the men are standing their places on the scaffolding in the falls, just plaidshirted shapes in the mist from this distance. Every so often you can see somebody shoot out an arm and take a step forward like a swordfighter, and then hold up his fifteen-foot forked spear for somebody on the scaffold above him to pull off the flopping salmon. The fat guy watches the men standing in their places in the fifty-foot veil of water, and bats his eyes and grunts every time one of them makes a lunge for a salmon.
The other two, John and the woman, are just standing. Not a one of the three acts like they heard a thing I said; in fact they’re all looking off from me like they’d as soon I wasn’t there at all.
And everything stops and hangs this way for a minute.
I get the funniest feeling that the sun is turned up brighter than before on the three of them. Everything else looks like it usually does — the chickens fussing around in the grass on top of the ‘dobe houses, the grasshoppers batting from bush to bush, the flies being stirred into black clouds around the fish racks by the little kids with sage flails, just like every other summer day. Except the sun, on these three strangers, is all of a sudden way the hell brighter than usual and I can see the…
The three are stock still while this goes on. Even the swing’s stopped, nailed out at a slant by the sun, with the fat man petrified in it like a rubber doll. Then Papa’s guinea hen wakes up in the juniper branches and sees we got strangers on the premises and goes to barking at them like a dog, and the spell breaks.
The fat man hollers and jumps out of the swing and sidles away through the dust, holding his hat up in front of the sun so’s he can see what’s up there in the juniper tree making such a racket. When he sees it’s nothing but a speckled chicken he spits on the ground and puts his hat on.
“I, myself, sincerely
“Could be. I still think we should make some effort to speak with the Chief—”
The old woman interrupts him by taking one ringing step forward. “No.” This is the first thing she’s said. “No,” she says again in a way that reminds me of the Big Nurse. She lifts her eyebrows and looks the place over. Her eyes spring up like the numbers in a cash register; she’s looking at Mamma’s dresses hung so careful on the line, and she’s nodding her head.
“No. We don’t talk with the Chief today. Not yet. I think that I agree with Brickenridge for once. Only for a different reason. You recall the record we have shows the wife is not Indian but white? White. A woman from town. Her name is Bromden. He took her name, not she his. Oh, yes, I think if we just leave now and go back into town, and, of course, spread the word with the townspeople about the government’s plans so they understand the advantages of having a hydroelectric dam and a lake instead of a cluster of shacks beside a falls,
She looks off to the men on the ancient, rickety, zigzagging scaffolding that has been growing and branching out among the rocks of the falls for hundreds of years.
“Whereas if we meet now with the husband and make some abrupt offer, we may run up against an un
I start to tell them he’s
The woman smiles and nods at both the men, a smile and a nod to each, and her eyes ring them up, and she begins to move stiffly back to their car, talking in a light, young voice.
“As my sociology professor used to emphasize, ‘There is generally one person in every situation you must never underestimate the power
And they get back in the car and drive away, with me standing there wondering if they ever even
I was kind of amazed that I’d remembered that. It was the first time in what seemed to me centuries that I’d been able to remember much about my childhood. It fascinated me to discover I could still do it. I lay in bed awake, remembering other happenings, and just about that time, while I was half in a kind of dream, I heard a sound under my bed like a mouse with a walnut. I leaned over the edge of the bed and saw the shine of metal biting off pieces of gum I knew by heart. The black boy named Geever had found where I’d been hiding my chewing gum; was scraping the pieces off into a sack with a long, lean pair of scissors open like jaws.
I jerked back up under the covers before he saw me looking. My heart was banging in my ears, scared he’d seen me. I wanted to tell him to get away, to mind his own business and leave my chewing gum alone, but I couldn’t even let on I heard. I lay still to see if he’d caught me bending over to peek under the bed at him, but he didn’t give any sign — all I heard was the zzzth-zzzth of his scissors and pieces falling into the sack, reminded me of hailstones the way they used to rattle on our tar-paper roof. He clacked his tongue and giggled to himself.
“Um-ummm. Lord Bawd amighty. Hee. I wonder how many times this muthuh chewed some o’ this stuff? Just as
McMurphy heard the black boy muttering to himself and woke and rolled up to one elbow to look at what he was up to at this hour down on his knees under my bed. He watched the black boy a minute, rubbing his eyes to be sure of what he was seeing, just like you see little kids rub their eyes; then he sat up completely.
“I will be a sonofabitch if he ain’t in here at eleven-thirty at night, fartin’ around in the dark with a pair of scissors and a paper sack.” The black boy jumped and swung his flashlight up in McMurphy’s eyes. “Now tell me, Sam: what the devil are you collectin’ that needs the cover of night?”
“Go back to sleep, McMurphy. It don’t concern nobody else.”
McMurphy let his lips spread in a slow grin, but he didn’t look away from the light. The black boy got uneasy after about half a minute of shining that light on McMurphy sitting there, on that glossy new-healed scar and those teeth and that tattooed panther on his shoulder, and took the light away. He bent back to his work, grunting and puffing like it was a mighty effort prying off dried gum.
“One of the duties of a night aide,” he explained between grunts, trying to sound friendly, “is to keep the bedside area cleaned up.”
“In the dead of night?”
“McMurphy, we got a thing posted called a Job Description, say cleanliness is a
“You might of done your twenty-four hours’ worth before we got in bed, don’t you think, instead of sittin’ out there watching TV till ten-thirty. Does Old Lady Ratched know you boys watch TV most of your shift? What do you reckon she’d do if she found out about that?”
The black boy got up and sat on the edge of my bed. He tapped the flashlight against his teeth, grinning and giggling. The light lit his face up like a black jack o’lantern.
“Well, let me tell you about this gum,” he said and leaned close to McMurphy like an old chum. “You see, for years I been wondering where Chief Bromden got his chewin’ gum — never havin’ any money for the canteen, never havin’ anybody give him a stick that I saw, never askin’ Public Relations — so I