The Living Dead

she remembered had receded like a long-ago dream barely recalled.

She passed the weakness in the fence and saw that it had not been breeched. Nothing had been breeched, just her psyche.

Her quick strides brought her around to the other side of the mound, then back into what she deemed the front yard. Not one of the not-quite-dead. Frustrated, she stepped outside of the glow of the yard light and glared up at the impassive moon. Suddenly she gave in to an impulse of a different sort: snapping her head further back, letting the glow of the other-worldly light freeze her face, she howled like an animal. Wailed over and over into the impending storm until the sounds turned to shrieking. She dropped the rifle. Out of her control, her body staggered around the yard, arms protecting her solar plexus, screaming, sobbing, blind with the impossibleness of despair. She only stopped when she slammed against the fence and crumpled to the ground, her back braced against the chain link, her body curled into a fetal position.

Out of her mind with grief, it took time to realize that something was different. She felt a burning at the back of her neck. The hotness moved along her flesh from side to side and at first she did not know what caused it. But then she did. Cold, so intense it felt hot, comforting, caressing her skin. Behind her, close, she heard breathing. Wet breathing. And while her mind warned her that she should be frightened, at the closeness, the touch, another part of her ached for more. She sat up, pressing her back against the fence. More fingers touched her, caressing her as a lover would, as Gary had. Their foul odor entered her nostrils as flowers. Lilacs. She reached back over her shoulder; flesh met flesh. And as the rain blew from every direction, for the first time in a long time her sorrow evaporated into the wind.

Bitter Grounds

by Neil GaimanNeil Gaiman is the best-selling author of American Gods, Coraline, and Anansi Boys, among many other novels. He's also the writer of the popular Sandman comic book series, and has done work in television and film. His television projects include the BBC miniseries Neverwhere, which he later adapted into a novel, and a script for Babylon 5; in the realm of film, he co-wrote the screenplays for the films MirrorMask and Beowulf, and wrote the English-language screenplay of Hayao Miyazaki's anime film Princess Mononoke. His novel Stardust was made into a film in 2007.

Gaiman has won most if not all of the major awards the SF, fantasy, and horror genres have to offer, including 3 Hugos, 2 Nebulas, the World Fantasy Award, 4 Bram Stoker Awards, and 11 Locus Awards.

'Bitter Grounds' originally appeared in the Caribbean fantasy anthology Mojo: Conjure Stories. On his blog, which can be found at journal.neilgaiman.com, Gaiman says that he suspects that the ideal reader of this story 'reads it once, goes 'hmph . . .' and then, a week or so later, with the story sort of itching in the back of her head, goes back to read it again, and finds that it's topographically reconfigured into a completely different story.'

1

'Come back early or never come'

In every way that counted, I was dead. Inside somewhere maybe I was screaming and weeping and howling like an animal, but that was another person deep inside, another person who had no access to the face and lips and mouth and head, so on the surface I just shrugged and smiled and kept moving. If I could have physically passed away, just let it all go, like that, without doing anything, stepped out of life as easily as walking through a door, I would have. But I was going to sleep at night and waking in the morning, disappointed to be there and resigned to existence.

Sometimes I telephoned her. I let the phone ring once, maybe even twice, before I hung up.

The me who was screaming was so far inside nobody knew he was even there at all. Even I forgot that he was there, until one day I got into the car—I had to go to the store, I had decided, to bring back some apples—and I went past the store that sold apples and I kept driving, and driving. I was going south, and west, because if I went north or east I would run out of world too soon.

A couple of hours down the highway my cell phone started to ring. I wound down the window and threw the cell phone out. I wondered who would find it, whether they would answer the phone and find themselves gifted with my life.

When I stopped for gas I took all the cash I could on every card I had. I did the same for the next couple of days, ATM by ATM, until the cards stopped working.

The first two nights I slept in the car.

I was halfway through Tennessee when I realized I needed a bath badly enough to pay for it. I checked into a motel, stretched out in the bath, and slept in it until the water got cold and woke me. I shaved with a motel courtesy kit plastic razor and a sachet of foam. Then I stumbled to the bed, and I slept.

Awoke at 4:00 a.m., and knew it was time to get back on the road.

I went down to the lobby.

There was a man standing at the front desk when I got there: silver-gray hair although I guessed he was still in his thirties, if only just, thin lips, good suit rumpled, saying, 'I ordered that cab an hour ago. One hour ago.' He tapped the desk with his wallet as he spoke, the beats emphasizing his words.

The night manager shrugged. 'I'll call again,' he said. 'But if they don't have the car, they can't send it.' He dialed a phone number, said, 'This is the Night's Out Inn front desk . . . . Yeah, I told him . . . . Yeah, I told him.'

'Hey,' I said. 'I'm not a cab, but I'm in no hurry. You need a ride somewhere?'

For a moment the man looked at me like I was crazy, and for a moment there was fear in his eyes. Then he looked at me like I'd been sent from Heaven. 'You know, by God, I do,' he said.

'You tell me where to go,' I said. 'I'll take you there. Like I said, I'm in no hurry.'

'Give me that phone,' said the silver-gray man to the night clerk. He took the handset and said, 'You can cancel your cab, because God just sent me a Good Samaritan. People come into your life for a reason. That's right. And I want you to think about that.'

He picked up his briefcase—like me he had no luggage—and together we went out to the parking lot.

We drove through the dark. He'd check a hand-drawn map on his lap, with a flashlight attached to his key ring; then he'd say, 'Left here,' or 'This way.'

'It's good of you,' he said.

'No problem. I have time.'

'I appreciate it. You know, this has that pristine urban-legend quality, driving down country roads with a mysterious Samaritan. A Phantom Hitchhiker story. After I get to my destination, I'll describe you to a friend, and they'll tell me you died ten years ago, and still go round giving people rides.'

'Be a good way to meet people.'

He chuckled. 'What do you do?'

'Guess you could say I'm between jobs,' I said. 'You?'

'I'm an anthropology professor.' Pause. 'I guess I should have introduced myself. Teach at a Christian college. People don't believe we teach anthropology at Christian colleges, but we do. Some of us.'

'I believe you.'

Another pause. 'My car broke down. I got a ride to the motel from the highway patrol, as they said there was