The Living Dead

stories I included instead were just as good.) For instance, I didn't reprint Joe R. Lansdale's 'On the Far Side of the Cadillac Desert with Dead Folks' or David J. Schow's 'Jerry's Kids Meet Wormboy' because they each have written other great zombie stories as well, and I figured if you've read one story by either of them, it would have been that one.

Fourth, I didn't want to use anything that felt like an excerpt of a larger work, so, for example, that meant omitting anything from Max Brooks's excellent zombie novel World War Z. (Although the novel is episodic, reading the episodes separately robs them of some of their power, I thought; instead, I'll just urge you to go buy it right now. Well, after you've bought this book.)

And finally, I wanted the anthology to include a wide range of zombie fiction, incorporating all types of zombies, from the Romero-style zombie to the techno-zombie and everything in between. So herein you will find the dead mysteriously returned to life hungering for human flesh, corpses reanimated by necromancers, corpses reanimated by technology and/or science, voodoo zombies, revenants, and other, less easily categorized zombies.

But getting back to the appeal of zombies . . . So what about it? Why do you enjoy zombie fiction? Well, whatever your reason for liking zombie stories, there are enough great zombie stories in the pages that follow to please even the most discerning zombie aficionado. So dive in and consume these stories as if they were the brains of the last human left on Earth. Bon appetit!

Some Zombie Contingency Plans

by Kelly LinkKelly Link is the author of many wonderful short stories, which have been collected in two volumes—Stranger Things Happen and Magic for Beginners—with a third, Pretty Monsters, due out shortly. Her short fiction has appeared in The Magazine of Fantasy & Science Fiction, Realms of Fantasy, Asimov's Science Fiction, Conjunctions, and in anthologies such as McSweeney's Mammoth Treasury of Thrilling Tales, The Dark, The Faery Reel, and Best American Short Stories. With her husband, Gavin J. Grant, Link runs Small Beer Press and edits the zine Lady Churchill's Rosebud Wristlet. Grant and Link also co-edit (with Ellen Datlow) The Year's Best Fantasy and Horror annual. Her fiction has earned her an NEA Literature Fellowship and won a variety of awards, including the Hugo, Nebula, World Fantasy, Stoker, Tiptree, and Locus awards.

'Some Zombie Contingency Plans' first appeared in Link's collection, Magic for Beginners (which, incidentally, also includes another great zombie story called 'The Hortlak'). As this story illustrates, a zombie contingency plan is an important thing to have, so before we progress any further in this anthology, you should have a look at this tale so that you can stop and consider a plan of your own. In fact, you may want to think about that now; although this book is a rather weighty tome it probably wouldn't make a very effective weapon against the living dead.

This is a story about being lost in the woods.

This guy Soap is at a party out in the suburbs. The thing you need to know about Soap is that he keeps a small framed oil painting in the trunk of his car. The painting is about the size of a paperback novel. Wherever Soap goes, this oil painting goes with him. But he leaves the painting in the trunk of his car, because you don't walk around a party carrying a painting. People will think you're weird.

Soap doesn't know anyone here. He's crashed the party, which is what he does now, when he feels lonely. On weekends, he just drives around the suburbs until he finds one of those summer twilight parties that are so big that they spill out onto the yard.

Kids are out on the lawn of a two-story house, lying on the damp grass and drinking beer out of plastic cups. Soap has brought along a six-pack. It's the least he can do. He walks through the house, past four black guys sitting all over a couch. They're watching a football game and there's some music on the stereo. The television is on mute. Over by the TV, a white girl is dancing by herself. When she gets too close to it, the guys on the couch start complaining.

Soap finds the kitchen. There's one of those big professional ovens and a lot of expensive-looking knives stuck to a magnetic strip on the wall. It's funny, Soap thinks, how expensive stuff always looks more dangerous, and also safer, both of these things at the same time. He pokes around in the fridge and finds some pre-sliced cheese and English muffins. He grabs three slices of cheese, the muffins, and puts the beer in the fridge. There's also a couple of steaks, and so he takes one out, heats up the broiler.

A girl wanders into the kitchen. She's black and her hair goes up and up and on top are these sturdy, springy curls like little waves. Toe to top of her architectural haircut, she's as tall as Soap. She has eyes the color of iceberg lettuce. There's a heart-shaped rhinestone under one green eye. The rhinestone winks at Soap like it knows him. She's gorgeous, but Soap knows better than to fool around with girls who aren't out of high school yet, maybe. 'What are you doing?' she says.

'Cooking a steak,' Soap says. 'Want one?'

'No,' she says. 'I already ate.'

She sits up on the counter beside the sink and swings her legs. She's wearing a bikini top, pink shorts, and no shoes. 'Who are you?' she says.

'Will,' Soap says, although Will isn't his name. Soap isn't his real name, either.

'I'm Carly,' she says. 'You want a beer?'

'There's beer in the fridge,' Will says, and Carly says, 'I know there is.'

Will opens and closes drawers and cabinet doors until he's found a plate, a fork and a knife, and garlic salt. He takes his steak out of the oven.

'You go to State?' Carly says. She pops off the beer top against the lip of the kitchen counter, and Will knows she's showing off.

'No,' Will says. He sits down at the kitchen table and cuts off a piece of steak. He's been lonely ever since he and his friend Mike got out of prison and Mike went out to Seattle. It's nice to sit in a kitchen and talk to a girl.

'So what do you do?' Carly says. She sits down at the table, across from him. She lifts her arms up and stretches until her back cracks. She's got nice tits.

'Telemarketing,' Will says, and Carly makes a face.

'That sucks,' she says.

'Yeah,' Will says. 'No, it isn't too bad. I like talking to people. I just got out of prison.' He takes another big bite of steak.

'No way,' Carly says. 'What did you do?'

Will chews. He swallows. 'I don't want to talk about it right now.'

'Okay,' Carly says.

'Do you like museums?' Will says. She looks like a girl who goes to museums.

Some drunk white kid wanders into the kitchen. He says hey to Will and then he lies down on the floor with his head under Carly's chair. 'Carly, Carly, Carly,' he says. 'I am so in love with you right now. You're the most beautiful girl in the world. And you don't even know my name. That's hurtful.'

'Museums are okay,' Carly says. 'I like concerts. Jazz. Improvisational comedy. I like stuff that isn't the same every time you look at it.'

'How about zombies?' Will says. No more steak. He mops up meat juice with one of the muffins. Maybe he could eat another one of those steaks. The kid with his head under Carly's chair says, 'Carly? Carly? Carly? I like it when you sit on my face, Carly.'