Tooth And Nail

The security system, she realized, must include a way to prevent the migration of airborne microbes and toxins in the event of an emergency.

After several minutes, Petrova shuts off the HVAC system with a primitive cry of triumph. Instantly, the air- conditioning stops breathing ice over her skin. Soon, the air will get stale, but at least she won’t be freezing anymore.

This small act of control gives her a sense of optimism and fuels her courage.

“I am very sorry, Sandy,” she says to the screen, then flips the image.

To get out of here, she must either escape or be rescued.

Don’t look behind you

Marsha Fuentes lies twitching and wincing on the floor in one of the aisles in the auditorium. Lucas is in the elevator lobby, blinking and sniffing the air. Saunders is in Laboratory West, pacing back and forth. Stringer Jackson is still standing at the mirror, rocking back and forth, his ruined eye weeping mucus. Drool dribbles from his lips.

He has turned.

Down in the lobby, the beautiful blonde appears to be arguing with some of the men in her mob. She holds a pistol in her hand, which she taps against her leg as she talks. The people down there have figured out that when the Institute went into lockdown, not only was the lab sealed, so was the entire building. They are upset about it.

Behind the woman, Petrova can see a group of people lying on the floor in the corner. Lyssa victims. Some of the mob are sick and getting sicker. But none of them appear to be going Mad Dog. At least, not yet. She reminds herself that with standard airborne Lyssa, the odds are very low.

The woman is now waving the pistol over her head and pointing at the sick people. The men walk away sheepishly.

Reluctantly, Petrova tears her eyes from the screen. If she is going to be rescued, she has to act fast. She gathers up the fire extinguisher, which she intends to use as a missile, and her golf club. The box cutter she puts in her pocket as a weapon of last resort. She takes a deep breath in front of the door, hesitating.

It is either this, or get back under the desk.

She takes off her shoes to make less noise while she walks, opens the door and gingerly steps outside.

The hallway is empty, except for the bodies, and dead silent. She hurries past Sandy Cohen, who lies like a marionette with her strings cut, her limbs at odd angles and her grinning head facing the wrong way. Further down, she scurries past Baird’s body, lying on its side like a downed bull. Footsteps echo down distant hallways.

Turning the corner, she creeps up to the bathroom where Sims still lies on the floor, his stiff body propping open the door. Stringer Jackson is inside.

Now for the hard part.

She darts by the open door, willing herself not to be noticed.

Immediately, Jackson begins snarling.

“Oh damn,” she says, breaking into a run.

Behind her, the door is flung open, slamming against the wall with a loud bang, and Jackson spills out of the bathroom snorting and growling, stumbling over Sims’ body.

Petrova looks over her shoulder, slowing down, and sees Jackson recover and begin loping towards her, his eye leaking yellowish-green sludge, bellowing a nasal ka ka ka sound through slavering jaws.

As a scientist, she knows all sorts of facts about the human body. For example, she knows that human jaws, clamping down to bite, can exert more than four thousand pounds per square inch.

Moments later, she comes to a sliding halt in front of her office. Slipping in, she slams the door, locks it and puts her weight against it, praying for it to hold.

But Jackson does not try to break the door down. Instead, he begins growling and pacing. She can hear him sniff at the air, sensing that she is there. She is trapped again, and this time, she has no access to the security system.

Petrova puts down the golf club and fire extinguisher and sits at her desk. The act is so familiar to her that for a moment, she feels like everything is back to normal. Her PC’s screensaver displays a screen-sized image of her, Christopher and Alexander looking up at the camera, grinning. Christopher took the photo himself, holding the camera at arm’s length over their heads. Alexander, held in Petrova’s arms, is reaching up towards the lens. The photo was snapped with a digital camera near the end of a perfect day in Central Park. The image holds her, transfixed, for several moments.

Jackson shoulders the door during his pacing, startling her.

Time to get to work. She picks up the phone, which blares a loud rat-tat-tat signal. Same with the handset to her fax. A wave of sweat breaks out on her forehead and armpits. Her first dead end.

She opens her hard drive and tests her connection to the email server, which appears to be working, giving her a connection to the outside world.

Smiling now, she opens the secure FTP site the CDC set up for them to share their work. It is also operational. She grabs everything she can find related to her discoveries, doing a broad data sweep, and dumps it all onto the server.

While it is uploading, she writes an email to her contacts at the CDC and USAMRIID, cc’ing as many people in the virology community that she can think of, summarizing her findings and stating that she has a pure sample of the Mad Dog strain. She tells them that she and her colleagues are close to producing a formula for a vaccine but a mob has entered the building’s lobby, locking them in, and they require rescue. Then she clicks send.

It is a simple plan, but she believes it will work. By now, the world outside must know that the Mad Dog strain is the real threat. The Centers for Disease Control will want a pure sample. She has a sample, as long as the power does not fail for good and spoil it. In particular, they will want a vaccine, which is why she lied and said they were close to producing one.

So now all she has to do is wait for the government to come and rescue her. A simple plan.

Unless her contacts are all dead.

Unless there is no CDC or USAMRIID anymore.

Unless somebody else has already done the research she is offering.

Her stomach growls. Petrova opens a drawer in her desk and pulls out her purse. Rooting around inside, she produces a box of orange-flavored Tic Tacs, pours what is left into her palm, and rapidly devours them. She does the same with a pack of gum, gnawing the flavor out of it and then swallowing it whole.

There are no emails from Christopher in her in-box.

She tries the Guardian website, but there are no stories. The website is up and running, but no stories have been posted since yesterday. What could this mean?

Other news sites carry stories of riots, some with video showing Mad Dogs chasing down screaming people, dragging them to the ground and mauling them. The stories are few in number and poorly written. Other sites, such as YouTube, have either crashed or been shut down. The social networking sites are flooded with frantic pleas for help.

She cannot give up hope that her family is alive, but after several minutes, she stops her search for hard news as she is getting nowhere and only wasting time at this point. She wants to return to the Security Command Center as soon as possible, as that is where she left the flashlights. She can live without food, even water, for days, but the idea of being trapped here without light is horrifying.

If things are as bad outside as she thinks they are, the power will eventually go out.

She just has to somehow incapacitate or get past Jackson. And, if it is not too much trouble, stop by the employee lounge long enough to pick up some food out of the machine that Hardy broke open, so she does not starve to death.

She listens for a moment. Jackson has stopped pacing. The corridor is quiet.

Petrova slowly rises from her chair and tip-toes to the door. Still nothing. She gets down on the floor and tries to look under the door. Slowly rising to her feet, she gingerly places her ear against the wood to listen.

From inches away, she can hear a sudden loud, guttural snarling.