year-old high school kid… He’ll be disheveled-looking, he’ll have scruffy hair, generally poorly groomed.” He went on: a loner, kind of weird, no girlfriend, lots of bottled-up anger. He comes to the old lady’s house. He knows she’s alone. Maybe he’s done odd jobs for her in the past. Douglas continues:
I pause in my narrative and tell them there’s someone who meets this description out there. If they can find him, they’ve got their offender.
One detective looks at another. One of them starts to smile. “Are you a psychic, Douglas?”
“No,” I say, “but my job would be a lot easier if I were.”
“Because we had a psychic, Beverly Newton, in here a couple of weeks ago, and she said just about the same things.”
You might think that Douglas would bridle at that comparison. He is, after all, an agent of the Federal Bureau of Investigation, who studied with Teten, who studied with Brussel. He is an ace profiler, part of a team that restored the FBI’s reputation for crime-fighting, inspired countless movies, television shows, and bestselling thrillers, and brought the modern tools of psychology to bear on the savagery of the criminal mind – and some cop is calling him a psychic. But Douglas doesn’t object. Instead, he begins to muse on the ineffable origins of his insights, at which point the question arises of what exactly this mysterious art called profiling is, and whether it can be trusted. Douglas writes,
What I try to do with a case is to take in all the evidence I have to work with… and then put myself mentally and emotionally in the head of the offender. I try to think as he does. Exactly how this happens, I’m not sure, any more than the novelists such as Tom Harris who’ve consulted me over the years can say exactly how their characters come to life. If there’s a psychic component to this, I won’t run from it.
In the late 1970s, John Douglas and his FBI colleague Robert Ressler set out to interview the most notorious serial killers in the country. They started in California, since, as Douglas says, “California has always had more than its share of weird and spectacular crimes.” On weekends and days off, over the next months, they stopped by one federal prison after another, until they had interviewed thirty-six murderers.
Douglas and Ressler wanted to know whether there was a pattern that connected a killer’s life and personality with the nature of his crimes. They were looking for what psychologists would call a homology, an agreement between character and action, and after comparing what they learned from the killers with what they already knew about the characteristics of their murders, they became convinced that they’d found one.
Serial killers, they concluded, fall into one of two categories. Some crime scenes show evidence of logic and planning. The victim has been hunted and selected in order to fulfill a specific fantasy. The recruitment of the victim might involve a ruse or a con. The perpetrator maintains control throughout the offense. He takes his time with the victim, carefully enacting his fantasies. He is adaptable and mobile. He almost never leaves a weapon behind. He meticulously conceals the body. Douglas and Ressler, in their respective books, call that kind of crime organized.
In a disorganized crime, the victim isn’t chosen logically. She’s seemingly picked at random and “blitz-attacked,” not stalked and coerced. The killer might grab a steak knife from the kitchen and leave the knife behind. The crime is so sloppily executed that the victim often has a chance to fight back. The crime might take place in a high-risk environment. “Moreover, the disorganized killer has no idea of, or interest in, the personalities of his victims,” Ressler writes in Whoever Fights Monsters. “He does not want to know who they are, and many times takes steps to obliterate their personalities by quickly knocking them unconscious or covering their faces or otherwise disfiguring them.”
Each of these styles, the argument goes, corresponds to a personality type. The organized killer is intelligent and articulate. He feels superior to those around him. The disorganized killer is unattractive and has a poor self-image. He often has some kind of disability. He’s too strange and withdrawn to be married or have a girlfriend. If he doesn’t live alone, he lives with his parents. He has pornography stashed in his closet. If he drives at all, his car is a wreck.
“The crime scene is presumed to reflect the murderer’s behavior and personality in much the same way as furnishings reveal the homeowner’s character,” we’re told in a crime manual that Douglas and Ressler helped write. The more they learned, the more precise the associations became. If the victim was white, the killer would be white. If the victim was old, the killer would be sexually immature.
“In our research, we discovered that… frequently serial offenders had failed in their efforts to join police departments and had taken jobs in related fields, such as security guard or night watchman,” Douglas writes. Given that organized rapists were preoccupied with control, it made sense that they would be fascinated by the social institution that symbolizes control. Out of that insight came another prediction: “One of the things we began saying in some of our profiles was that the UNSUB” – the unknown subject – “would drive a policelike vehicle, say a Ford Crown Victoria or Chevrolet Caprice.”
On the surface, the FBI’s system seems extraordinarily useful. Consider a case study widely used in the profiling literature. The body of a twenty-six-year-old special-education teacher was found on the roof of her Bronx apartment building. She was apparently abducted just after she left her house for work, at six-thirty in the morning. She had been beaten beyond recognition and tied up with her stockings and belt. The killer had mutilated her sexual organs, chopped off her nipples, covered her body with bites, written obscenities across her abdomen, masturbated, and then defecated next to the body.
Let’s pretend that we’re an FBI profiler. First question: race. The victim is white, so let’s call the offender white. Let’s say he’s in his midtwenties to early thirties, which is when the thirty-six men in the FBI’s sample started killing. Is the crime organized or disorganized? Disorganized, clearly. It’s on a rooftop, in the Bronx, in broad daylight – high risk. So what is the killer doing in the building at six- thirty in the morning? He could be some kind of serviceman, or he could live in the neighborhood. Either way, he appears to be familiar with the building. He’s disorganized, though, so he’s not stable. If he is employed, it’s blue- collar work at best. He probably has a prior offense, having to do with violence or sex. His relationships with women will be either nonexistent or deeply troubled. And the mutilation and the defecation are so strange that he’s probably mentally ill or has some kind of substance-abuse problem. How does that sound? As it turns out, it’s spot-on. The killer was Carmine Calabro, age thirty, a single, unemployed, deeply troubled actor who, when he was not in a mental institution, lived with his widowed father on the fourth floor of the building where the murder took place.
But how useful is that profile really? The police already had Calabro on their list of suspects: if you’re looking for the person who killed and mutilated someone on the roof, you don’t really need a profiler to tell you to check out the disheveled, mentally ill guy living with his father on the fourth floor.
That’s why the FBI’s profilers have always tried to supplement the basic outlines of the organized/disorganized system with telling details – something that lets the police zero in on a suspect. In the early 1980s, Douglas gave a presentation to a roomful of police officers and FBI agents in Marin County about the Trailside Killer, who was murdering female hikers in the hills north of San Francisco. In Douglas’s view, the killer was a classic disorganized offender – a blitz attacker, white, early to midthirties, blue collar, probably with “a history of bed-wetting, fire-starting, and cruelty to animals.” Then he went
