Would Hobart – and the two Tso Others to whom he had now allied himself – be able to track her by the smell of living flesh, living blood, in the darkness?
She didn’t know.
At least there were no rats here. Although the vampire Li, down in his cellar tomb, was – Jamie had assured her – utterly unable to move, still the antipathy that all animals had to those Undead predators seemed to persist. Even Simon’s cats back in London gave the vampire wide berth, at least – Lydia suspected – until he had fed.
But the thought of that tall, narrow house on its nameless side-street – the street that had by coincidence been left off every map of London since the late sixteenth century – brought a desperate tightness to Lydia’s throat, the sting of tears to her eyes. Every wall jammed with bookshelves, the carved graceful products of eighteenth- century cabinetmakers’ art or simple goods boxes stacked on top of them . . . A desk of inlaid ebony, and a strange old German calculating-engine that grinned with ivory keys.
She remembered how cold his hands were when they touched hers; the journey in his company from Paris to Constantinople, long nights playing picquet to the swaying of the train coach (‘. . . the representation in little of all human affairs,’ he described the game, while beating her at it, soundly and mercilessly.) She still had a handful of his sonnets, hidden in the back of a drawer at home, a fact that she had never told either Simon or Jamie.
She leaned her head back against the pillar behind her. Her knees ached from standing, but she did not dare slither down to sit. The tightness of the binding on her wrists was such that, despite flexing and turning her hands as well as she could, her fingers kept going numb.
Simon had never asked that, nor pretended that he wasn’t what he was.
Did that make him less deserving of being buried alive in a gas-choked mine?
The silence in the pavilion seemed deeper in the darkness. Then through that silence, dim and muffled, a voice lifted. Screaming. Words, Lydia thought, though the thickness of the intervening earth made it impossible to tell . . .
But it had never –
But even that, Lydia reflected, was unfair. She had been born wealthy, a rich man’s only child. God only knew where Mrs Tso had come from, or what had been done to her – other than crippling her feet to make her ‘more beautiful’ (and also more expensive on the market) – to turn her into a woman who would think of doing that. Who would use her son, and then her nephews, as pawns, so that she herself would never be that helpless again.
Deep below her, the vampire Li screamed in the dark.
TWENTY-NINE
A shot cracked the night.
In this part of the Tatar City gunplay could have nothing to do with the situation in the Tso compound tonight. Since the Emperor’s fall, Peking had become a violent place, the gangs that controlled the brothels and
But the shot filled her with panic.
Deep beneath the pavilion, Li had fallen silent.
For a thousandth time, Lydia pulled and twisted at the silken rope around her wrists, trying to at least get her fingernails on the knots.
Nothing.
Then, so softly she wasn’t sure if the sound was actually in the ground beneath her or inside her head, Lydia heard Li crooning, a horrible mixture of words and throat sounds.
Something – some
Yet there had really been only a few.
Fists crashed on the shutters, a yard from her head. Lydia fought not to scream. Two of them – even in her terror she identified the sounds at the windows. Two of them, pounding on the wood with the violence of machinery. Hobart’s face swam into her mind, distorted, fanged. The bloody mouth and sprouting teeth of the samurai Ito, the horrible thick claws of the things chained in the cellar . . .
More crashing, on the shutters of the main room this time, the pitchy darkness seeming to shake with the noise—
Gunshots again, right outside the pavilion. The things hammering at the front windows stopped, but the crashing at the windows beside her, in front of her, kept on, unheeding, and through the hammer blows she heard a man scream. Three more gunshots, with the speed of someone shooting wild in panic, and then the rending crash of wooden shutters tearing, and moonlight streamed into the room.
Two of them, black slumped silhouettes. One crossed the room to the door as if it didn’t see her, but the other came straight for her, eyes flashing yellow like a cat’s. After the blackness the dim blue moonlight seemed bright, and Lydia brought up one foot and kicked it in the stomach with all her strength as it reached for her.
It staggered back, bayed at her, a yawping animal sound, then drove in again. She kicked again and felt her skirt tear where it grabbed her, kicked a third time, and a fourth – it didn’t seem to have any other strategy than to keep coming, keep grabbing, as if it knew that she’d tire long before it did. It leaned its weight on her, swung its arms, and her kick turned into a desperate shove, holding it away.
It howled.
Then it turned from her and followed its companion out the door and into the main room.