Mortal Fear

“Have you had sex with her on-line?” she asks, not looking at me.

I sigh angrily. “The woman is dead, Drewe.”

“Jesus,” she says, and dumps the peas into a pot. “I should be on Hard Copy. ‘My Husband Fucks Famous Females Electronically.’ ”

I surrender. Drewe is even angrier about EROS than I thought.

“Do they know who did it?” she asks in a deadpan voice.

“No.” I flip the chicken breasts. “But I think I might.”

CHAPTER 2

Drewe and I watch Hard Copy with a mixture of fascination and disgust. Dramatic camera angles, sexual innuendo, and spooky black-and-white video of Karin Wheat’s New Orleans mansion (complete with artificially generated fog) give the broadcast a Victorian, Jack-the-Ripper feel. Drewe does not comment as the segment runs, and I find myself rehashing my dinner-table interrogation.

I answered her incisive questions between bites of chicken and dirty rice, taking care not to set her off by revealing more than necessary. She wanted to know why I would even notice six women terminating service among five thousand subscribers. I focused on the technical side of it, explaining that these six women had been active users who suddenly disappeared from the forums yet continued paying their EROS fees, which are expensive by anyone’s standard. I mentioned nothing about blind-draft accounts or my close relationships with some of the women.

Thankfully Drewe focused on Miles Turner and his successful attempt to prevent me from initiating an internal investigation by EROS itself. She too has known Miles since our childhood. He based his objections to an investigation on the issue of privacy-“client confidentiality” in his words-and his argument holds water. The female CEO of EROS is serious enough about privacy to insure the secrecy of each subscriber’s identity to one million dollars. This unique step in the world of on-line services went a long way to ensure the exponential growth of her small and costly corner of the digital world. I can only guess what kind of explosion my decision to involve the police will cause at EROS headquarters in New York.

When Hard Copy cuts to commercial, Drewe commandeers the kitchen table and telephone to remotely dictate the past few days’ accumulation of medical charts. For some reason, patient charts are the one duty my super-organized spouse cannot or will not deal with in a timely manner. The color-coded stacks she brings home from her office are often covered with threatening Post-it notes penned by the hospital records administrator, warning in Draconian tones that Drewe’s staff privileges are about to be revoked.

As her monotonic dictation voice drifts through the house, I retreat to my office and pick up one of the five guitars hanging on the wall above the twin bed I crash on when I’m in manic trading mode. I choose a Martin D- 28S, with a classical-width neck but steel strings. I slip through some chord changes without thought, letting my mind and fingers run where they will. The music would surprise a casual listener. I am a good guitar player. Not quite a natural, but smooth enough to make a living at it. This is my old job.

I am a failed musician.

The memories of that career still sting. I pick up the instrument more often now, but three years ago I did not touch a guitar or sing for twelve straight months. Even now, I never play my own songs. I just do what I’m doing now, letting whatever part of my brain that controls this function have free rein, and set my mood on automatic pilot.

Sometimes I surprise myself.

Like now. I have somehow wound a soft jazz thing full of arpeggios and chord extensions into the intro of “Still Crazy After All These Years.” I realize I love the sneaky seventh at the end of that line: “I met my o-old lover on the street last night”-whang. What the hell, I think, singing on through the song and ending up quite unintentionally with potential murder. “Now I sit by my window and I watch the cars. And I fear I’ll do some damage one fine day. But I would not be convicted by a jury of my peers….” As I finish to a nonexistent ovation, I realize Drewe is standing inside the door of my office. It’s her first time in six weeks.

“Sounds good,” she says. “Really good.”

“It feels good.”

“Thinking about an old lover?”

“No. A jury of my peers. Where do you think they all went?”

She smiles ruefully. “They grew up, got married, and had kids.”

Like most men, I have blindly blundered back into our running argument. Having a baby. I suppose a lot of couples our age are in the midst of this debate. Up north and out west anyway. Down South most couples still tend to have their kids in their twenties.

Not us.

Our careers are partly to blame. Itinerant musicians and exhausted medical students are rarely in an ideal position to start a family, even if they are married, which Drewe and I weren’t until I gave up music. But that’s not all of it. For the past three years-our total married life-we have led a fairly settled existence, and our combined incomes are almost embarrassingly large. My parents are dead, but Drewe’s recently crossed the line from gentle jibes to outright questioning of my reproductive capabilities.

If only my sperm count were the problem. Like a lot of people, I have my secrets. Some are small, born in moments when I could have been painfully frank but chose not to be. Others are more serious and invariably involve women other than my wife.

Don’t jump to conclusions. From the moment Drewe and I took our marriage vows, I have not touched another woman’s naked flesh. But somehow that is small comfort. For the secret that haunts me now is more dangerous than adultery, more shameful. If I were Catholic, I suppose I would call it a mortal sin.

No, I’m not gay.

But I am afraid.

When the telephone finally rings, Drewe and I have been asleep for hours. I spring awake in a sitting position like one of my Scottish ancestors groping for his sword but find a cordless phone in my hand instead.

“Hello?”

“Mr. Cole?”

I blink, trying to clear my eyes and brain simultaneously. “Um… what?”

“This is Detective Michael Mayeux. NOPD. We spoke this afternoon?”

Drewe’s sleeping body blocks my line of sight to the clock radio. “What time is it?”

“Three-twenty in the morning. Sorry, but I just got around to checking those names you gave me. Those six women?”

“Sure.” I sense a strange gravity in Mayeux’s voice.

“Harper?” Drewe sits up in bed and points at the window. “There’s someone outside. Look.”

Prickly flesh rises on my shoulders as I realize that our curtains are being backlit by what must be car headlights. We never have visitors at this hour. We rarely have visitors at all.

“Stay here,” I tell her. “I’ll get a gun.”

“Please don’t do that, Mr. Cole.” Mayeux’s voice startles me. “If you’ll look out your window, I think you’ll see a patrol car.”

“Cairo County doesn’t have a police department,” I say, moving warily toward the window.

“Part of your farm is in Yazoo County,” Mayeux replies. “That should be Sheriff Buckner from Yazoo City. Know him?”

“I know who he is.” Parting the curtains slightly, I see a white Chevrolet Caprice cruiser sitting in the gravel drive before our house. “What the hell is he doing in my driveway at three in the morning?”

“Calm down, Mr. Cole. Sheriff Buckner is there to ensure your safety.”

Right.“Why don’t I believe that, Detective?”

He is silent too long. I signal Drewe not to speak. “What the hell is going on, Mayeux?”

“Those women you told me about. They’re all dead.”