patting Caspar on the arm for him to calm down. 'It's nice here. Real clean too.'
'We're a tight community,' Caspar said. 'We operate a 'zero-tolerance policy' here.'
'Against who?'
'Everyone we don't know. They're discouraged from, you know, settling down here. It's OK for them to pass through, as long as they do it
Caspar allowed himself a small, knowing smirk that told Max that he enjoyed busting the heads of those luckless homeless folk who bedded down in his street for the night. It was probably the only thing that made him feel good anymore. A lot of ex-cops Max had known were like that. They missed the juice of being out on the street and took the kind of jobs where they could still just about get away with roughing people up?club security, corporate muscle, bodyguards. Caspar was probably reverting to the person he'd been before happiness had intruded into his life and blown him off course.
'We've been happy here,' Mathilde picked up. 'Claudette made it complete. I had her a few months after we moved in. We hadn't been planning on starting a family, and I even thought I was too old, but she came into our lives and lit up all sorts of places in us we didn't know were there.'
She stopped and looked at her husband. Max couldn't see her face but he knew from the way Caspar's look softened that she was about to dissolve in tears. He put his arm tenderly around his wife's shoulders and pulled her to him.
Max glanced away toward the pictures on the wall above them. They were good people. Mathilde, especially. She was the guts and brains of the pair, the one who kept her husband in check, the one who kept their show on the road. She'd been the disciplinarian in the family, which was why her daughter had preferred her father, who no doubt caved in at her first demand. He thought of Allain and Francesca Carver. They were a million miles apart, heading in opposite directions, no warmth or closeness between them, despite their grief. He'd known the loss of a child to wreck the strongest of marriages as easily as it pushed the most dysfunctional ones over the finish line. Claudette's disappearance, however, had united the Thodores, reaffirmed, in the darkest way, the thing that had brought them together.
He focused on a medium-sized photograph of Claudette on a swing, being pushed by her father, while the Doberman watched from a corner.
Mathilde blew her nose and sniffed.
'Business was good, even though the political climate wasn't,' she continued, her composure regained. 'One month we had two presidents and three coups. You could always tell whenever something was going down, because our business wasn't too far from the palace. Whoever was in power at the time would send his guys out to buy a load of extra gas for his getaway.
'The thing about this country is that all the gas comes from the U.S., so any time they want to bring down a president they threaten to stop the gas from coming in. Whenever there was a
'The gas never stopped coming in because they were
'We went out of business. A lot of our stuff came from the U.S. or Venezuela. Ships couldn't get through,' Caspar said. 'Claudette used to ask me why I wasn't going to work. I told her it was so I could watch her grow.'
'They burned our business down?just before the marines landed,' Mathilde said.
'Who?' Max asked.
'The military. They just wanted to make life as difficult for the invaders as possible. They set fire to a lot of amenities. I don't think it was personal?at least, not against us.'
Mathilde didn't know what to say. She looked away, found one of the pictures, and fixed on it, as if willing herself there, back in time to happiness.
Max stood up and walked away from the table. Behind them were a sofa, two armchairs, and a medium-sized television on a stand. The television had a layer of dust on it, as if it hadn't been watched in a while or simply didn't work. He noticed a shotgun parked near the window. He looked at the courtyard, taking in the swing and the kennel and the gate. Something wasn't right about it.
'What happened to your dog?' he asked, turning back to the table.
'He was killed,' Mathilde said, getting up and coming over to him. 'The people who took our daughter poisoned him.'
'You mean they came in
'Yes. Come with me.'
She led Max out of the open-plan area and into a short, dark corridor. She opened a door.
'Claudette's room,' she said.
The Thodores had resigned themselves to the fact that they weren't going to see their little girl again. The room was a shrine, preserved, probably, more or less the way they had last remembered it tidy. Pictures Claudette had drawn were on the walls?mostly family sketches?Dad (tall), Mom (not as tall), Claudette (minute), the dog (in between her and Mathilde), standing outside their house?drawn in crayon, as jerky stickpeople. Dad was always blue, Mom red, Claudette green, and the dog was black. Her drawings of the Rue des Ecuries home showed the human figures twice the size of the house. Other pictures were simply squares of painted single colors with Claudette's full name at the bottom, written in an adult hand.
Max looked briefly out of the window and back to the room. He took in the bed?low, blue spread and a white pillow, rag doll peeking out from over the throw. He noticed the throw was smooth everywhere but in the middle, where it had been sat on and crumpled. He imagined either parent coming in and playing with the doll, soaking up their daughter's memory and crying their eyes out. He'd put money on Caspar being the more frequent visitor.
'The day she disappeared?I went to wake her up. I came in the room and saw her bed was empty and her window was wide open. Then I looked out and saw Toto?our dog?lying on the ground, near the swing,' Mathilde said.
'Was anything broken in the house? Glass?'
'No.'
'What about the front door? Had it been forced?'
'No.'
'Did you notice anything about the lock? The keys don't often turn all the way after they've been picked.'
'It worked OK. Still does.'
'And it was just the three of you in here?'
'Yes.'
'Anyone else have the keys to this place?'
'No.'
'What about the previous owner?'
'We changed all the locks.'
'Who changed them?'
'Caspar did.'
'And you're sure you locked the front door that day?'
'Yes. Certain.'
'Is there a back way in?'
'No.'
'What about the windows?'
'Everything else was closed. Nothing was broken.'
'What about a basement?'
'Not here.'
'What's behind the house?'
'Empty lot. There was an art gallery, but it's closed down. The wall's fifteen feet high and covered with barbed wire.'
'Barbed wire?' Max mumbled to himself. He looked out of Claudette's window at the wall. There were spikes running along it but none of the coils of razor wire he'd seen around the neighboring houses.
'I refused to have it,' Mathilde said. 'I didn't want it to be the first thing my daughter saw when she woke up.'
'It wouldn't have made much difference,' Max said.
He went back outside and walked over to the gate. There were bushes to the right. They would have made a noise if the kidnappers had landed in them. The kidnappers therefore came over the left-hand side of the wall, where the drop was ten feet into clear ground. They probably used a ladder to get up from the street.
They had to have scoped the place out before they came in. That's how they knew where the dog kennel was and which side to go over.
Typical predator behavior.
Max turned around and looked back at the house. Something in