hammer of mine's a wall — my work. Two; four; and two is six,' measuring on the pavement. 'Six foot inside that wall is Mrs. Sapsea.'
'Not really Mrs. Sapsea?'
'Say Mrs. Sapsea. Her wall's thicker, but say Mrs. Sapsea. Durdles taps, that wall represented by that hammer, and says, after good sounding: 'Something betwixt us!' Sure enough, some rubbish has been left in that same six-foot space by Durdles's men!'
Jasper opines that such accuracy 'is a gift.'
'I wouldn't have it at a gift,' returns Durdles, by no means receiving the observation in good part. 'I worked it out for myself. Durdles comes by his knowledge through grubbing deep for it, and having it up by the roots when it don't want to come. — Holloa you Deputy!'
'Widdy!' is Deputy's shrill response, standing off again.
'Catch that ha'penny. And don't let me see any more of you to- night, after we come to the Travellers' Twopenny.'
'Warning!' returns Deputy, having caught the halfpenny, and appearing by this mystic word to express his assent to the arrangement.
They have but to cross what was once the vineyard, belonging to what was once the Monastery, to come into the narrow back lane wherein stands the crazy wooden house of two low stories currently known as the Travellers' Twopenny:- a house all warped and distorted, like the morals of the travellers, with scant remains of a lattice-work porch over the door, and also of a rustic fence before its stamped-out garden; by reason of the travellers being so bound to the premises by a tender sentiment (or so fond of having a fire by the roadside in the course of the day), that they can never be persuaded or threatened into departure, without violently possessing themselves of some wooden forget-me-not, and bearing it off.
The semblance of an inn is attempted to be given to this wretched place by fragments of conventional red curtaining in the windows, which rags are made muddily transparent in the night-season by feeble lights of rush or cotton dip burning dully in the close air of the inside. As Durdles and Jasper come near, they are addressed by an inscribed paper lantern over the door, setting forth the purport of the house. They are also addressed by some half-dozen other hideous small boys — whether twopenny lodgers or followers or hangers-on of such, who knows! — who, as if attracted by some carrion-scent of Deputy in the air, start into the moonlight, as vultures might gather in the desert, and instantly fall to stoning him and one another.
'Stop, you young brutes,' cries Jasper angrily, 'and let us go by!'
This remonstrance being received with yells and flying stones, according to a custom of late years comfortably established among the police regulations of our English communities, where Christians are stoned on all sides, as if the days of Saint Stephen were revived, Durdles remarks of the young savages, with some point, that 'they haven't got an object,' and leads the way down the lane.
At the corner of the lane, Jasper, hotly enraged, checks his companion and looks back. All is silent. Next moment, a stone coming rattling at his hat, and a distant yell of 'Wake-Cock! Warning!' followed by a crow, as from some infernally-hatched Chanticleer, apprising him under whose victorious fire he stands, he turns the corner into safety, and takes Durdles home: Durdles stumbling among the litter of his stony yard as if he were going to turn head foremost into one of the unfinished tombs.
John Jasper returns by another way to his gatehouse, and entering softly with his key, finds his fire still burning. He takes from a locked press a peculiar-looking pipe, which he fills — but not with tobacco — and, having adjusted the contents of the bowl, very carefully, with a little instrument, ascends an inner staircase of only a few steps, leading to two rooms. One of these is his own sleeping chamber: the other is his nephew's. There is a light in each.
His nephew lies asleep, calm and untroubled. John Jasper stands looking down upon him, his unlighted pipe in his hand, for some time, with a fixed and deep attention. Then, hushing his footsteps, he passes to his own room, lights his pipe, and delivers himself to the Spectres it invokes at midnight.
Chapter 6
Philanthropy in Minor Canon Corner
The Reverend Septimus Crisparkle (Septimus, because six little brother Crisparkles before him went out, one by one, as they were born, like six weak little rushlights, as they were lighted), having broken the thin morning ice near Cloisterham Weir with his amiable head, much to the invigoration of his frame, was now assisting his circulation by boxing at a looking-glass with great science and prowess. A fresh and healthy portrait the looking- glass presented of the Reverend Septimus, feinting and dodging with the utmost artfulness, and hitting out from the shoulder with the utmost straightness, while his radiant features teemed with innocence, and soft-hearted benevolence beamed from his boxing- gloves.
It was scarcely breakfast-time yet, for Mrs. Crisparkle — mother, not wife of the Reverend Septimus — was only just down, and waiting for the urn. Indeed, the Reverend Septimus left off at this very moment to take the pretty old lady's entering face between his boxing-gloves and kiss it. Having done so with tenderness, the Reverend Septimus turned to again, countering with his left, and putting in his right, in a tremendous manner.
'I say, every morning of my life, that you'll do it at last, Sept,' remarked the old lady, looking on; 'and so you will.'
'Do what, Ma dear?'
'Break the pier-glass, or burst a blood-vessel.'
'Neither, please God, Ma dear. Here's wind, Ma. Look at this!' In a concluding round of great severity, the Reverend Septimus administered and escaped all sorts of punishment, and wound up by getting the old lady's cap into Chancery — such is the technical term used in scientific circles by the learned in the Noble Art — with a lightness of touch that hardly stirred the lightest lavender or cherry riband on it. Magnanimously releasing the defeated, just in time to get his gloves into a drawer and feign to be looking out of window in a contemplative state of mind when a servant entered, the Reverend Septimus then gave place to the urn and other preparations for breakfast. These completed, and the two alone again, it was pleasant to see (or would have been, if there had been any one to see it, which there never was), the old lady standing to say the Lord's Prayer aloud, and her son, Minor Canon nevertheless, standing with bent head to hear it, he being within five years of forty: much as he had stood to hear the same words from the same lips when he was within five months of four.
What is prettier than an old lady — except a young lady — when her eyes are bright, when her figure is trim and compact, when her face is cheerful and calm, when her dress is as the dress of a china shepherdess: so dainty in its colours, so individually assorted to herself, so neatly moulded on her? Nothing is prettier, thought the good Minor Canon frequently, when taking his seat at table opposite his long-widowed mother. Her thought at such times may be condensed into the two words that oftenest did duty together in all her conversations: 'My Sept!'
They were a good pair to sit breakfasting together in Minor Canon Corner, Cloisterham. For Minor Canon Corner was a quiet place in the shadow of the Cathedral, which the cawing of the rooks, the echoing footsteps of rare passers, the sound of the Cathedral bell, or the roll of the Cathedral organ, seemed to render more quiet than absolute silence. Swaggering fighting men had had their centuries of ramping and raving about Minor Canon Corner, and beaten serfs had had their centuries of drudging and dying there, and powerful monks had had their centuries of being sometimes useful and sometimes harmful there, and behold they were all gone out of Minor Canon Corner, and so much the better. Perhaps one of the highest uses of their ever having been there, was, that there might be left behind, that blessed air of tranquillity which pervaded Minor Canon Corner, and that serenely romantic state of the mind — productive for the most part of pity and forbearance — which is engendered by a sorrowful story that is all told, or a pathetic play that is played out.
Red-brick walls harmoniously toned down in colour by time, strong- rooted ivy, latticed windows, panelled rooms, big oaken beams in little places, and stone-walled gardens where annual fruit yet ripened upon monkish trees, were the principal surroundings of pretty old Mrs. Crisparkle and the Reverend Septimus as they sat at breakfast.
'And what, Ma dear,' inquired the Minor Canon, giving proof of a wholesome and vigorous appetite, 'does the letter say?'
