Juliet, Naked

There was something about the journey to Gooleness that reminded Tucker uncomfortably of The Old Curiosity Shop. He didn’t think he was crawling through the English countryside to die, although English trains surely didn’t move much faster than Little Nell and her dad, and they’d had to walk to wherever the hell they were going. (The train had stopped three times already, and a man kept apologizing to them all through the loudspeaker, in a blank, unapologetic voice.) But he definitely wasn’t at his best, and he was heading north, and he was leaving a whole lot of shit behind. He certainly felt more like a sick young girl from the nineteenth century than he’d ever felt before. Maybe he was coming down with something—a sickness of the soul, or one of those other existential bugs that was going around.

Tucker liked to think that he was reasonably honest with himself; it was only other people he lied to. And he’d ended up lying to people about Grace her whole life, pretty much. He’d lied to her quite a lot, too. The good news was that these lies were not constant, that there were long periods of time when he didn’t have to bullshit anybody; the bad news was that this was because Grace was way off his radar most of the time. He’d seen her two or three times since she was born (one of these times was when she made a disastrous trip out to stay with him and Cat and Jackson back in Pennsylvania, a visit that Jackson remembered with unfathomable fondness), and thought about her as little as possible, although this turned out to be much more than he was comfortable with. And here he was, on a train a long way from home with someone he hardly knew, lying about Grace again.

The lies weren’t so surprising, really. He couldn’t have a third-person existence—“Tucker Crowe, semilegendary recluse, creator of the greatest, most romantic breakup album ever recorded”—and tell the truth about his eldest daughter. And as he didn’t really have a first-person existence anymore, hadn’t had since that night in Minneapolis, it had been necessary to get rid of her. He’d gone into therapy when he’d given up drinking, but he’d lied to his therapist, too; or rather, he’d never helped guide his therapist toward Grace’s importance, and the therapist had never done the math. (Nobody ever did the math. Not Cat, not Natalie, not Lizzie… ) It had always seemed to Tucker that talking about Grace meant giving up Juliet, and he wasn’t prepared to do that. When he turned fifty, he began to think about what he’d done, like people do at that age, and Juliet was pretty much it. He didn’t like it, but other people did, and that was just about enough: surely a man could sacrifice a kid or two to preserve his artistic reputation, especially when there wasn’t much else to him? And it wasn’t like Grace had suffered, really. Oh, sure, she was probably fucked up about fathers, and men generally. And somebody, her mother or her stepfather, had had to shell out for her therapy sessions, just as Cat had paid for his. But she was a beautiful, smart girl, as far as he could tell, and she’d live, and she already had a boyfriend and a career path, although he couldn’t recall what the hell it was. It didn’t seem like she was paying such a big price for her old man’s vanity. That wouldn’t be how they saw it on Maury Povich’s show, if Grace ever forced him to go on the show to confront his inadequacies. But the world was more complicated than that. It wasn’t just good guys and bad guys, great dads and evil dads. And thank God for that.

Annie was frowning.

“What’s up?”

“I was just trying to work something out.”

“Can I help?”

“I would hope so. When was Grace born?”

Fuck, Tucker thought. Someone is doing the math. He felt nauseous and relieved, all at the same time.

“Later,” said Tucker.

“Later than who or what?”

“I think I might be ahead of you.”

“Really? I’d be surprised. Seeing as I don’t know why I want you to tell me how old Grace is.”

“You’re a smart woman, Annie. You’ll get there. And I don’t want to talk about it until later.”

He cocked his head toward Jackson, whose head was deep in a comic book.

“Ah.”

And when she looked at him, he could see that she was halfway there already.

* * *

When they arrived in Gooleness, it was already dark. They dragged their bags out to the taxi stand at the front of the station, where one malodorous taxi was waiting. The driver was leaning against his car, smoking, and when Annie told him her address he threw his cigarette down on the ground and swore. Annie shrugged at Tucker helplessly. They had to put their own luggage in the trunk, or rather, Annie and Jackson had to do it. They wouldn’t let Tucker lift anything.

They passed overlit kebab shops, and Indian restaurants offering all-you-can-eat specials for three pounds, and bars with one-word names—“Lucky’s,” “Blondie’s,” even one called “Boozers.”

“It looks better in the light,” Annie explained apologetically.

Tucker was finding his bearings now. If he translated some of the ethnic foods into Americans’ favorites and swapped a few of the bookies for casinos, he’d be at one of the trashier resorts in New Jersey. Every now and again, one of Jackson’s school friends got dragged off to a seaside town like this, either because the kid’s parents had misre membered a vacation from their youth, or because they had failed to spot the romanticism and poetic license in Bruce Springsteen’s early albums. They always came back appalled by the vulgarity, the malevolence and the drunkenness.

“Do you like fish and chips, Jackson? Shall we get some for supper?”

Jackson looked at his father: did he like fish and chips? Tucker nodded.

“There’s a good chippy down the road from us. From me. You’ll be okay if you just eat the fish, Tucker. Don’t touch the batter. Or the chips.”

“Sounds great,” said Tucker. “We might never leave.”

“We will, Dad, won’t we? Because I need to see Mom.”

“Just a joke, kiddo. You’ll see Mom.”

“I hate your jokes.”

Tucker was still distracted by the conversation they’d had on the train. He didn’t have a clue how he was going to talk to Annie; he didn’t know whether he was capable of it. If it were up to him, he’d write it all down, hand her a piece of paper and walk away. That was pretty much how he’d got to know her in the first place, now that he came to think about it, except he’d written everything down on cyberpaper.

“Have you got a computer at home?”

“Yes.”

“Can I write you an e-mail?”

He tried to imagine that he was at his computer in the upstairs spare bedroom and he’d never met Annie, and she was thousands of miles away; he didn’t want to think about having to talk to her in half an hour’s time. He told her how he’d found out he had a first daughter, and how, even then, he hadn’t rushed to see her, because of his embarrassment and cowardice, how he’d only seen her three or four times in her life. He’d told her how he didn’t even like Julie Beatty much, so he had to stop singing songs about how he’d been crushed by the weight of his sorrow and desire and blah, blah, and when he’d stopped singing those songs he couldn’t find any others.

He’d never put it all together like this before; even his ex-wives didn’t know as much as Annie would. They’d never done the math either, not that he’d helped them—he’d lied about Grace’s age more than once. And when he stared at the sum total of his crimes on the screen, it seemed to him that they didn’t amount to a whole lot. He hadn’t killed anyone. He looked again: there must be something missing. Nope. He’d done twenty years for crimes he hadn’t committed.

He called down the stairs to Annie.

“You want me to print it out? Or you going to read it on the screen?”

“I’ll read it on the screen. Do you want to put the kettle on?”

“Is that easy?”

“I think you’ll manage.”

They passed each other on the stairs.

“You can’t throw us out on the streets tonight.”

“Ah. So now I see why you wanted to wait until Jackson was asleep. You were playing on my good nature.”

He smiled, despite the churning in his stomach, went to the kitchen, found the electric kettle, pressed its