stage makeup. As soon as she looked at me, her smile disappeared. An air of implacable seriousness settled over her fine features.
'I knew you stopped by today,' she said. 'I couldn't tell if Kelly was happy to see you or not.'
So much for standing around exchanging inconsequential pleasantries. Tanya Dunseth believed in going for the gut.
'That's funny,' I returned with a short laugh. 'Neither could I.'
She regarded me gravely. 'Will you be staying for the wedding?'
'I don't know.'
'Well, my daughter, Amber, is going to be both flower girl and ring bearer. It'll be a fairly non-traditional ceremony.'
'I'm sure,' I said.
'Did you meet Jeremy? He's really crazy about Kelly. They're both very lucky.'
Almost unconsciously, I found myself glancing at Tanya's left hand, where there was no wedding ring and no visible indication of one, either. I didn't know I was being so painfully obvious until she called me on it.
'Don't bother looking for a ring,' she said curtly. 'I was married once, but not now. It didn't work out. That's why I know they're lucky.'
More people crowded into the room, laughing and talking. The newcomers came straight from the Elizabethan still wearing their warm coats and jackets, some of them carrying blankets. As they edged toward the bar, Monica held up her hand for attention.
'I know it's crowded in here,' she said, 'so don't get too comfortable.' In a room too packed for any semblance of comfort, her announcement was greeted with general laughter.
'We'll be here only a few minutes longer, just enough to give the cast time to change out of their costumes and put away props. I'm so glad you were all able to be here tonight, and I'm looking forward to giving you a behind-the-scenes look at your arts contributions in action.'
She continued with a canned speech, reeling off numbers about goals set and achieved. While she droned on, the outside door opened again. This time only two people came in-Guy and Daphne Lewis, Guy wearing his red down jacket and Daphne in one of those lush Icelandic wool sweaters. Faced with the jam of people inside the room, they paused in the doorway.
Monica finally shut up, and the din of conversation returned to normal just as Guy caught sight of me and waved. He leaned down and whispered something in Daphne's ear, motioning with his head in Tanya's and my direction.
Daphne smiled while her eyes strayed across the room, searching the sea of faces. Just as her eyes seemed to settle on me, the smile fled her face, only to be replaced by a petulant scowl, like that of someone remembering some unpleasantness. Beside me, I heard Tanya Dunseth's sharp intake of breath.
Concerned, I glanced toward her in time to see her mouth drop open. A tremor like an electrical charge seemed to shoot through her body. She stared toward the couple in the doorway in what seemed like stricken amazement, while the cider from her glass spilled, unnoticed, into her lap.
And that was it. Nothing more. The incident happened so quickly that I didn't even question it until much later. Daphne and Guy started what turned out to be a slow progress across the room, nodding, chatting, and schmoozing as they came. Meanwhile, Tanya grabbed up her sweater, abandoned her empty glass, and melted into the crowd. At first I thought she was going for a refill, but she never returned to the window seat. I didn't see her again for the remainder of the night.
Eventually, Guy and Daphne fought their way through the crush of people. He approached with a broad grin on his face and with Daphne safely in tow. 'I didn't mean to chase away your pretty friend,' he apologized. 'I wanted you to meet my wife. Daphne, this is the man I was telling you about, J.P. Beaumont.'
Daphne's scowl had disappeared. She looked me up and down in a frankly assessing manner that exuded sex appeal. She tossed her blond mane, then extended a perfectly manicured and much bejeweled hand. 'Why, Mr. Beaumont, I'm so pleased to meet you. I understand you're the one who donated that perfectly wonderful Bentley so Guy here could buy it for me.'
The last thing I wanted to talk about right then was the stupid Bentley, but before I had an opportunity to hem and haw very much, Alex showed up at my elbow.
'Why, Guy, Daphne!' Alex said easily, casually insinuating herself between Daphne Lewis and me. 'What a pleasant surprise to see you. I didn't know you'd be down here this weekend.'
Daphne smiled. 'We didn't either, did we, Guy? Monica invited us. So nice of her, don't you think? We were just talking about the Bentley Guy picked up at the Rep auction. You know all about that, of course. I certainly hope folks at Belltown Terrace aren't grieving too much over losing it.'
'They're pretty well recovered.' I smiled back.
I could have counted on one hand the number of condo residents who actually missed that damn Bentley. Almost everyone in the building had been stranded somewhere or other due to the machine's infernal 'intermittent ignition problem,' which none of our so-called handpicked mechanics had been able to fix.
'So you're able to get along without it?'
'We're managing,' I said. 'I understand from your husband that it's running perfectly.'
Daphne Lewis nodded, then frowned. 'I didn't know you and Guy actually knew each other. He never mentioned you to me.'
'Come now, Daphne,' Alex teased. 'All men need a few little secrets now and then. Otherwise they start feeling insecure.'
Someone else showed up, shook Guy's hand, and effectively moved him out of the conversation. I felt as though I owed the women some kind of explanation about how Guy and I knew each other, but I didn't want to bring up the meeting. Anonymous twelve-step programs don't work that way.
'We ran into one another in the courtyard during the Green Show,' I stammered, trying to sound casual. 'We both thought it was strange, running into someone we knew this far from home.'
'It's not unusual at all,' Alex said. 'You'd be surprised at the number of people who come down from Seattle every year.'
Just then Monica Davenport raised her hand again. This time, instead of a long-winded speech, she settled for a mercifully brief announcement, saying it was time to head back across the street.
The two large theaters in Ashland, the Elizabethan and the Bowmer, share a common courtyard and also a common backstage area. The catered party was being held backstage. While Alex busied herself politicking, I wandered off by myself through a maze of dressing rooms and folded scenery.
It interested me to see the props laid out on tables. During a performance, when stagehands are working backstage in the dark with cues coming hard and fast, I'm sure every second counts. Each item needed onstage must be in its assigned place in order to be readily available at the exact moment it's needed. To facilitate that, an outline of each prop was painted on table surfaces in orange, low-in-the-dark paint.
On one table, I recognized several of the props from the evening's performance of Romeo and Juliet. One outline was empty, indicating that something was missing-something roughly the shape of a knife. Glancing around, I suspected it was the old-fashioned kitchen knife Juliet had called her 'happy dagger' just before using it to do herself in.
I noticed the knife was missing from its appointed place, but I didn't worry about it. What the stagehands did with their props was none of my concern. I was an uninvited guest who had been allowed to crash the party.
For a time, I cruised the buffet table. Since I knew only a total of three or four people from the entire gathering, there wasn't much else to do but eat and/or drink. Luckily, my earlier urge for MacNaughton's had passed, and I was safe on the other side of it. For that moment, anyway, I no longer wanted a drink, but watching strangers waste themselves at the hosted bar wasn't exactly my idea of a good time. Alexis was too busy mingling to pay any attention to me. Finally, bored and overheated, I stepped outside.
The outside courtyard was blessedly cool and quiet. I stood there breathing in the still night air and looking up at the dark but starlit canopy of sky overhead. I was so far lost in thought that I almost missed the first warning sounds of squealing brakes and skidding tires. What did penetrate was a heavy sickening thud, followed by the grinding crunch of metal on metal and the tinkling shatter of glass.
If you've ever heard an automobile smash into flesh, it's a sound that welds itself to your memory no matter how much you want to forget. Years of training drill cops to respond automatically when faced with such an
