'Marjorie? Why are you asking about her, and what do you mean, ‘hook up'?'
'Just that. She didn't advertise in the paper for people to come live with her, so how did you end up out on her farm?'
'She came to me.'
'When?'
'I don't remember exactly. I was pregnant with Amber at the time. I was about to be evicted because I couldn't afford my rent. I didn't know what to do or where to turn. I knew her slightly from working with her in the theaters. One day, out of the blue, she offered to help me.'
'Sort of like yesterday when she showed up with enough money to post your bond?'
Tanya looked at Fraymore long and hard before she nodded. 'Sort of like that, yes.'
'What did she say?'
'Yesterday?'
'No. Back then, when you first met her.'
'She said she was new to town, but that she was thinking of starting a co-op, an inexpensive place for young actors to live. She said she had heard I might need a place like that.'
'Did she ever tell you where or how she heard about you and your predicament?'
'No. We never discussed it, but someone must have mentioned it to her.'
'You and your daughter were her first tenants out at the farm?'
'Yes.'
'What about the other young people who lived there-the ones who came later? Did she go looking for them the same way?'
Tanya shook her head. 'Not really. I helped her find most of them. I posted notices on the bulletin boards at the Festival and at the grocery stores in town. Word gets around.'
I was in the room, but I wasn't sure why. Fraymore's manner made it clear he regarded me as nothing more than a piece of furniture. Nonetheless, I paid close attention. I could more or less see where he was going with this line of questioning. The fact that Tanya claimed Marjorie had actively recruited her could have been significant, especially since all the other roomers had turned up by sheer happenstance. But whether or not that was credible depended on whether or not you believed a single word Tanya Dunseth uttered. I, for one, didn't. Not by a long shot.
'Let me ask you this,' Gordon Fraymore continued. 'Did she ever ask about your past?'
The whole time we had been in the room-the whole time Tanya had been answering Fraymore's questions- her manner had been casual and composed. She had carried her part of the conversation as easily as if she had been fielding questions about the changing weather. Now there was a subtle change in her demeanor. She blinked and shifted her position on the bed. In an interrogation situation, that kind of body language shift sends out a clear signal of distress on the part of the suspect. It means the questions are circling in on something important.
'No, why?' Tanya asked, feigning carelessness, but even her stage-trained voice evinced a slight tremor.
'She never asked you about what you did before you came here? Never asked about your career in the movie business?'
'Nobody knew about that!' Tanya shot back at him. She sat up in bed and glared at Gordon Fraymore while cracks spread across the surface of Tanya Dunseth's smooth veneer. The striking change in her reminded me once more of her reaction when Daphne and Guy Lewis had walked into the Members' Lounge.
Gordon Fraymore nodded in my direction, acknowledging my presence in the room for the very first time.
'I believe you know Mr. Beaumont, here,' he said. 'Why don't you tell Miss Dunseth about your visit with Roger Tompkins in Walla Walla last night.'
Tanya's eyes panned from Fraymore's face to mine. She seemed to gather herself into a smaller package while her fingers dug into the bedclothes. 'I don't want to hear,' she said defiantly. 'Go away.'
I was on. Fraymore had turned the spotlight full on me-with no advance warning and with no cue cards to tell me what he wanted me to say.
Stalling, I cleared my throat. 'I'm afraid my visit with Mr. Tompkins was very upsetting to them both, to him and to his wife,' I said, 'especially since their daughter died back in…'
'Get out!' Tanya interrupted. 'Get out now! I don't have to talk to you without Mr. Ames here. He told me I didn't.'
'But, Tanya…' Fraymore began.
With no warning, Tanya grabbed her plastic water glass off the nightstand and fired it in the general direction of Gordon Fraymore's head. He ducked out of the way. The glass missed his head, but it sprayed him with water before bouncing off the wooden door directly behind him. At the sound, the uniformed guard burst into the room, only to dodge out of the way of the next missile-the water pitcher itself-which flew on out into the hall and was followed shortly thereafter by a tissue box and the emesis basin.
'Get out! Get out! Get out!' Tanya shouted.
The guard started to draw his weapon, but Fraymore stopped him with a quick shake of his head. 'It's okay,' he said. 'She's just a little upset.'
Upset? I couldn't believe my ears, but Fraymore herded both the guard and me out of the room before I had a chance to object. We were met in the hallway by an irate nurse.
'What in heaven's name is going on in there?' she demanded.
'It's nothing,' Fraymore said decisively. 'She'll be all right once we're gone.'
Nothing? I looked at him in astonishment. As far as I know, assaulting a police officer is a felony in every state of the union. Only when we were outside in the parking lot did he speak again.
'I wanted an impartial observer. What do you think?'
'I don't understand any of it.'
'What don't you understand?'
'If she wasn't involved in the murders, why is she still lying through her teeth about her parents?'
Fraymore stopped beside the Mercury. 'Makes you wonder, doesn't it?'
'What now?'
'You packing?' he asked casually.
Gordon Fraymore was talking guns, not suitcases. I nodded. 'Why do you ask?'
Without answering, he opened the trunk of the Montego and rummaged around in it, eventually hauling out a Kevlar vest, which he handed over to me.
'We're going to stop by that potluck supper and pay a call on Mrs. Connors. You'd best put this on.'
If I were anything other than a crazed homicide cop, I would have told him to put the damn thing away, that a good woman was waiting for me to take her out to dinner, and that it was his job, not mine, to pay a courtesy visit on Madam Marjorie Connors. Instead, I slipped out of my jacket and started unbuttoning my shirt.
'Lead the way,' I said.
We drove through last-minute, pre-theater traffic and reached the church at ten after eight. Several cars were just then in the process of leaving the parking lot. Only a few vehicles remained, including an aging Chevrolet Suburban, brown and tan, with its mirror held on by layers of duct tape. Sunshine, her long leash attached to the front bumper, lay on the pavement directly in front of the truck. She was sound asleep.
'Are you a betting man?' Fraymore asked.
'Not particularly.'
'Ten to one that thing's loaded with suitcases and boxes.'
'No bet,' I said.
And it's a good thing I didn't. When I hopped out of the car long enough to press my face against the darkened glass on one of the back panels, I saw that the back of the Suburban was packed to the gills. Among the suitcases and boxes was a fiberglass airline doggie crate. Both Marjorie and Sunshine were leaving town.
I returned to the Montego and leaned in the window. 'You called that shot,' I said.
Fraymore kept his eye on the entrance to what I knew to be the church social hall. He nodded. 'Looks like we got here just in time,' he said. 'Get in. We'll park and wait.'
By eight-fifteen traffic on the main drag had reduced appreciably as most playgoers settled into their seats. I was glad of that. For a cop, staging any kind of armed confrontation on a busy street is a terrifying proposition.
