he had to say with a kind of grave interest, then she went on. When she was about halfway to the waterfall, I realized that she was no longer following a random path from person to person. She was moving purposefully, with some definite goal in mind.
At almost the same instant, I saw Chris Davenport. He had obviously arrived late and was standing in the same gate we had all passed through earlier. He too was assessing the situation. Unerringly, Machiko was headed toward him.
She stopped for a moment and seemed to struggle with her sleeve, not the one holding the cane, but the other one, the one I had thought was lame. The arm dropped to her side, and for only the briefest moment, the sun caught the glint of metal.
With a flash of insight, I knew what I had seen, knew what was going to happen.
Machiko Kurobashi had the sword in her hand, and she intended to use it.
'My God, I groaned. 'She's going to kill him.
If Chris Davenport was somehow behind all this, then I couldn't quarrel with Machiko's intention. But I had to stop her, no matter what. If the sword became a legitimate murder weapon, it would never be able to accomplish Tadeo Kurobashi's dream. It would go back to the evidence room, not to Sotheby's. For Tadeo's sake, for Kimi's, and most of all for Machiko's, I had to stop her.
I leaped to my feet, sending the metal chair crashing into the brick wall behind me. I vaulted over the low wrought-iron fence that separated the upper level of the terrace from the lower walkways. Machiko Kurobashi was diagonally away from me across the park. She was still a good ten steps away from Davenport when I knocked over the chair, and she turned, pausing slightly, to see what had caused the disturbance.
Meanwhile, Davenport caught sight of her. He waved and moved eagerly in her direction, the phony metallic smile plastered on his chipmunk face.
With both of them moving, they were closing on one another far too rapidly for me to get there in time. I had to do something to stop her.
'Machiko, I shouted. 'Machiko Kusumi. Stop.
And she did. Long enough to turn and look at me. Long enough for me to reach her side and grasp her wrist.
'Don't, I said. 'Don't do this. You mustn't.
She tried to pull her wrist free from my hand. The sword, visible to me, was still concealed from Davenport behind a fold of the flowing kimono.
'I must, she whispered fiercely. 'I must kill him. Let me go. Tadeo do this for me. I do it for him.
Davenport must have been close enough by then to hear her. He stopped in confusion and looked around, searching for an escape route, edging back the way he had come.
But Machiko hadn't given up. With an incredibly strong jerk, she pulled her hand free of mine, brandishing the tanto in the air. I knocked it down. Down and away. If it hadn't been for the splints on my hand, I probably would have lost some fingers to the razor-sharp blade. The sword crashed to the ground and went spinning harmlessly across the bricks.
Machiko dropped to the ground too. For a moment I thought I had hurt her, but she knelt there sobbing hopelessly. I ducked down beside her to see if she was injured.
She wasn't. Machiko Kurobashi had set her heart on revenge, and I had thwarted her, stayed her hand. She crouched there, weeping brokenheartedly. As soon as I understood that, I jumped back up and looked around for Christopher Davenport.
He was gone. Disappeared completely, taking his metallic smile with him.
'Stay here, I ordered Machiko. 'You stay here. I'll go get him and bring him back.
Like most things, it was a hell of a lot easier said than done.
CHAPTER 21
I charged out of waterfall park just in time to see Davenport struggling with the lock on his car. A Nissan Pulsar with diagonal taillights. Barber pole striped taillights.
By then I had drawn my gun. 'Stop or I'll shoot, I yelled across the lot. It was an empty threat. The park behind the parking lot was full of people and the school band had launched into a spirited version of 'Louie Louie.
I didn't dare risk a shot, but Davenport didn't know that. He turned and looked at me, and then sprinted away down the aisle of cars with me running after him. He turned left up Washington and then ducked into the alley halfway between Occidental and First. I can run pretty damn fast in a pinch, and I was gaining on him as we came tearing down the alley toward Yesler and James.
I wasn't far behind him, but again there was a crowd of people in front of us, and I couldn't risk firing the. 38.
Falling in with a large group of pedestrians, Davenport crossed Yesler while I dodged through to a chorus of honking horns. I was still in the middle of James, when he, along with a crowd of fifty or so people, filed down a steep iron-railed stairway beside the Pioneer Building.
That was when I realized that the group of pedestrians was actually part of a tour, a walking guided tour that makes hourly visits through what's known as the Seattle Underground, an area of town that was cemented over shortly after the great fire of 1889. Third floors were arbitrarily declared ground floors and the streets and sidewalks were raised to that level. Bottle-bottom glass in iron grids was built into the sidewalks to provide light to the businesses that continued to prosper down below there for the next ten to twelve years.
In the mid-sixties, fueled by post-World's Fair euphoria, an enterprising Seattle entrepreneur had mucked out and shored up parts of the underground and had begun offering guided tours in the city's dusty, rubble-filled basement.
I had gone on the tour once myself, with my son's Cub Scout den, and I knew from that visit that the stairs beneath the Pioneer Building formed the entrance to the last portion of the tour. It ended there with a locked door leading into the Underground's museum and gift shop.
So Christopher Davenport had made a big mistake. He had allowed himself to be trapped in a box canyon, a dead end.
The tour's guide had gone on ahead into another dimly lighted room while the last straggler held open the metal screened gate to let me in. 'I got stuck in traffic, I said apologetically.
'No problem, he replied, and hurried off after his wife and kiddies.
I expected the place to be cool and quiet, but instead, just inside the door, a barred wooden gate led off to the left where three huge air-conditioning units threw off a tremendous amount of heat and noise.
'Come on in here so you can hear, the guide called from the next room. I did as I was told, edging into the room where a group of fifty or so people stood clumped around an old tin bathtub while the guide did a five-minute memorized talk. I worked my way through the crowd, looking for my quarry, but Davenport wasn't there.
When the guide wasn't looking, I sidled into the next room, where lighted displays showed various old-time store windows. My feet sounded hollow on the heavy wooden planks. This room was cool and damp and lined with cobwebs. Chris Davenport was nowhere in sight, and there were no side passages where he could have hidden. I tried the door to the museum, but it was securely locked.
I knew that once the guide had finished her talk, the audience would be free to wander around on their own for a few minutes before the door leading into the museum and gift shop was unlocked and the people were herded back upstairs.
There was no way for Davenport to get out ahead of time, and he was not mingling with the group. So he must have slipped away in that first room somewhere. Chances were, he was still there.
The guide was just finishing her talk as I came back through the middle room. She gave me a reproving glare, but I ignored her and went back to the entrance with its heat and noise, where muted sunlight filtered down the stairs and sifted in through the metal grating.
I could see now that there was a crawl space that led back up past the air-conditioning units. Davenport had to be there. It was the only place left where he could be hiding. Stepping quietly, I moved to one side of the wall
