bore a vague resemblance to Dudley Do-Right about the chin. John Dunne and Charley MacIsaac were both waiting for her. No popcorn, but Charley had a bag of Munchkins that he offered around. John took four and Faith politely declined.
Dunne got up and stood by the projector. 'There isn't any sound. They weren't recording.'
“It was to test for lighting,' Faith said, 'but they did say their lines.'
“Yeah, you can see that.' He flicked a switch and first there was a long black leader, then the Pingree dining room sprang onto the screen, only it wasn't the dining room at all. It was a room out of a dream, totally a creation of the imagination. There was no suggestion that the white fabric floating about the walls was held on by pins or that about twenty people were just out of the frame. A soft light suffused the interior, leaving the periphery in shadows. After lingering on the room as a whole, the camera moved in for a close-up of Hester/Sandra. She looked absolutely terrified. Her eyes were abnormally large and fixed straight ahead on Roger Chillingworth, whose back was to the camera. Slowly he turned, revealing a small table that held his bag and the cup into which he had poured his healing draft. Either Greg was no actor or the role specified that Chillingworth's face be devoid of expression. As Faith gazed transfixed once more by the film, she suspected the latter. The doctor's lack of expression as he encouraged Hester to drink was particularly menacing. Hester/Sandra seemed to shrink inside herself and, trembling, took the cup. Her husband reached out and traced the scarlet letter on her bosom. She flinched, then stood up with an almost defiant look, raising the cup to her lips. The scene ended abruptly and once more they were looking at a dark screen.
It had been horrible watching Sandra Wilson's last moments in what it now appeared was almost a snuff film. Faith felt ill.
There was no question. Without the distraction of sound, it was her face, her presence that dominated. As Faith had realized at the Marriott screening, the camera was enamored of Sandra. She was destined for stardom, and the same subjective camera had almost recorded her death.
Faith closed her eyes and thought. Nothing came. Nothing she could put in words. She had to see it again.
They ended up watching it three more times—and repetition did not lessen the impact—before Faith said, 'Enough.'
“Let's go to my office,' Dunne suggested, and the three left the room.
“You got any coffee?' Charley asked. It was the first time he'd spoken since offering the doughnuts.
“Sure—not so good as Mrs. Fairchild's, but it does the job.”
They settled into Dunne's cramped office, which was filled with file cabinets; a few chairs, not of the same period; and a battered wooden desk, conspicuous for the absence of any pictures, memorabilia, or personal items save a Gary Larson calendar. The coffee did indeed do the job, if the job was to unclog a drainpipe. Faith hastily put hers down after one exploratory swallow. Charley was made of sterner stuff and determinedly made his way through the cup.
“What did you see?'
“Something I didn't pick up on when I was actually in the room. There were so many people and so much going on that I didn't really focus on Sandra's face, just on the overall effect of the scene, which is both terrifying and very sensual.”
Charley and Dunne both nodded.
“When I saw it today, it seemed that she looked more frightened than I remembered. Her pupils were enormous—and when I was holding her, waiting for the ambulance to arrive, they were like pinpoints. Which must have been from the chloral. Also, in the film, you can see she was shaking all over. When the camera moved in for that tight close-up, I even thought I could see goose bumps on her arm. It seemed more than the part called for and I wonder if she was afraid for real—or it could have been something else'
“Like what?'
“Like drugs?'
“Same thing struck us. Nothing turned up in the autopsy, but she may have been experiencing some kind of withdrawal. Or, as you say, she could have been afraid of something.'
“Or someone,' Charley contributed, crumpling up his cup and making a shot into the wastebasket that Larry Bird would have admired.
“I'm wondering why she drank from the cup. From the look on her face, the most natural thing would have been to get the hell out of there. Unless it wasn't someone on the set upsetting her, but an incident that had happened before the scene.'
“Did you see her come in?' John said.
“No, I was there earlier, watching from the butler's pantry, and she was already in the room with Evelyn and Max. I remember thinking that she seemed to be trying to stay out of their way. She was in costume and stood by one of the front windows. It was a contrast to her usual spot—at Max's elbow, ready, willing, and able. The rest of the crew was bustling about putting up the fabric and doing whatever. Then Cappy Camson came in and asked Max if he had time to stretch his legs. Max told him to check back in an hour and Evelyn said in that case, she'd go for a walk, too.' As she recounted this, Faith debated whether to tell them her Maxwell Reed/Roger Chillingworth theory, but she decided now was not the time. She needed to work on it some more.
“You've been a help, Faith.' Dunne leaned back in his chair, taxing the frame to its limits with his own. 'I don't see how,' she replied.
“You confirmed my own initial impression. That the gIrl was afraid. This means that someone may have been threatening her, subtly or not so subtly. She may have stumbled onto something that someone wanted kept secret.'
“And from her reaction, the threat occurred close to the time she died. When I'd seen her before—when she was standing by the window, there wasn't much of any expression on her face. Maybe she was wiping the slate clean to prepare for her role.'
“Great. We're beginning to narrow things down. We've been able to piece together most of her last morning and we'll concentrate even more now on anyone she was seen in conversation with during the time immediately before the camera started rolling. Starting with the other stand-in. He would have been there the whole time and she might have mentioned something to him.'
“Let me know what you find out.'
“Maybe.' Dunne smiled. It always reminded Faith of a child's drawing, lopsided and raggedy. Not a pretty sight.
She was only slightly miffed. 'Well, I have to get to work, if you two gentlemen will excuse me.' She'd learnmore about Sandra Wilson's death on the set than by sticking around police headquarters not drinking their coffee and not consuming the cardboard sandwiches from the machines in the hall that would comprise lunch.
“Thank you' Dunne stood up and both he and Charley followed her out into the corridor. 'I mean it. And, Faith, keep in touch.”
Maybe he'd give her a badge someday, Faith thought as she started up the Honda and drove toward Aleford. A tin one.
While Faith did not assume a deerstalker and magnifying glass, she nevertheless felt vetted by Dunne and arrived at the set shortly before the morning break, ready to detect whatever might come her way. It didn't take long. Cornelia was one of the first to seek sustenance from the canteen truck, and during the few moments they were alone, she uncharacteristically told Faith how afraid she was.
“You've been pretty chummy with the police. What do they think? Is it some crazed serial killer going after PAs?' Her voice shook and, from the bags under her eyes, it was clear she hadn't been sleeping soundly.
“That seems very unlikely,' Faith reassured her, although the whole thing was extremely unlikely--a thought she kept to herself. 'I can't imagine you are in any danger.' Trying to make light of the situation and alleviate Corny's fears, she added, 'Just stay away from pewter cups.”
Cornelia stiffened. 'I've been watching what I eat and drink for quite a while,' she said pointedly, and Faith flushed. The black bean soup incident had been eclipsed by recent events to the point where Faith had almost forgotten it.
