the street, bystanders; she was a moving target, but it was a straight shot. He could almost certainly take her down with a single, well-placed shot-all he had to do was steady himself before he took it. But that meant shooting an unarmed woman in the back. With so many people in the street there was nothing to say someone wouldn’t take a step or two the wrong way, distracted by something in a shop window or one of the newspaper headlines on the newsstand, and cross the bullet’s path. It was all too easy for someone to wind up getting hit by accident in a crowded street. The woman knew that; that was why she was running toward the thickest concentration of people. Like the old saying went, there was safety in numbers-it was just a different kind of safety.

Ronan had five seconds to take the shot if he was going to take it. After that she was going to disappear into the subway system, Lethe would lose his visual contact and Ronan would be left chasing shadows.

The crowd opened up to swallow the woman and she was gone. He cursed.

“Tell me you can see her!” he shouted into the earpiece.

t c3' face='Helvetica' color='black'›“Sorry boss.”

“Bollocks!” Frost cursed again. He pushed his way between the people, but it was impossible not to be slowed down by them. On one side of the station’s entrance flowers spilled into the street, on the other, newspapers. He ran inside and hurdled the ticket barrier. There was only one way she could have gone-down to the platform. Breathing hard Ronan took three and four steps at a time. He tried to see over the heads of the commuters, but one dark, long-haired woman looked very much like another dark, long-haired woman. She was cool. She wasn’t pushing her way through the press of people, she was going with it, which made her all the more difficult to spot.

The PA system announced the impending arrival of the next southbound train in its tinny voice. He felt the ground beneath his feet begin to tremble as the subway rumbled in to the station.

He couldn’t let her get onto it, not if he wanted to find out who the hell she was working for. He squeezed between a pin-striped suit and a mohair jacket. The air was thick with perfume, cigarette smoke and diesel fumes. A busker stood in the corner where the tunnel bent around to go beneath the tracks. His riff echoed off the yellow tiles. Ronan thought about shouting “Police!” again, but people were just as likely to close ranks to make sure he didn’t catch the woman as they were to let him through.

She had to be hurting. The adrenalin would only take away so much of the pain. A broken wrist was a broken wrist. When her body came down from it she’d be in agony. Every bump and jostle against another commuter had to be sending another lancing pain through every nerve and fiber in her body-unless she’s loaded up on methamphetamines, he thought. It made sense. She hadn’t so much as flinched when he shattered her wrist. The thought didn’t exactly fill him with confidence. He’d come up against meth-heads in combat before-it was like trying to take down the bloody Terminator.

Ronan pushed passed a couple of school girls in their jailbait uniforms of short, checkered skirts and too-tight blouses.

And then he saw her.

She was halfway down the platform, weaving her way toward the dark mouth of the tunnel at the far end. He pushed past another suit, his eyes firmly fixed on the woman’s back. The train’s headlights shone brightly, illuminating the entire platform. He felt the displaced wind hit his face as the train slowed to a stop. The doors came open. She made no attempt to board the train, she just walked on toward the end of the platform. She looked over her shoulder, and Ronan saw her face for the first time.

She didn’t ha that crazed look of someone stoned out of her mind. She looked-and he couldn’t believe he was thinking it-beautiful. Heart-stoppingly so. She had that half-cast of the Middle Eastern territories and very sharp, very precise features. It bought her a few precious seconds while he tried to reconcile the beating he’d taken with the delicate beauty of the woman before him. She saw him and started to run.

She reached the end of the platform as the train started to pull out. She didn’t slow down. She jumped down onto the tracks and ran into the all-enveloping darkness of the tunnel.

He pulled the Browning and dropped to one knee, braced to fire into the mouth of the tunnel. He squeezed off a shot. The report was deafening in the confines of the tunnel, amplified by the weird acoustics. There was no accompanying grunt from the darkness. He walked toward the end of the platform.

He could hear her stumbling footsteps as she ran blindly away from him. Those same acoustics that had turned his Browning into a roaring cannon carried the scuff and scrape of her feet on the chips of stone back to him with surprising clarity. Each sound seemed so close he ought to have been able to reach out his hand and touch her.

Ronan stared after her into the black hole.

The sign said four minutes until the next train was due.

The ground beneath his feet shivered as another train rolled into the neighboring platform, scaring a rat out of its hiding place. The sleek-bodied rodent scurried across his feet and disappeared between the cracks in the wall. Ronan watched it go and lashed out at the wall in frustration. He really didn’t want to go haring off into a subway tunnel in the middle of the morning rush hour. He could think of a dozen less painful ways to commit suicide.

Still holding the Browning, he dropped down off the platform. The tunnel was unlit, so twenty feet in it became a solid wall of black. He made sure he was in the middle of the rails and set off after her. Behind him a voice came over the PA system, telling them to get off the tracks. He ignored it.

Ronan followed the woman into the tunnel and prayed to whatever god looked after Irish idiots playing on railway lines that the next train was cancelled.

A dozen paces in the darkness became absolute. He stopped dead still, trying to hear her in front of him. He couldn’t. The darkness was filled with the sound of his own heavy breathing. “Don’t do this,” he called out, still not moving. He heard something then, a soft skittering in response to his voice: more ras. “There’s nowhere to run, and in a couple of minutes the next train’s going to make this tunnel pretty bloody uncomfortable for both of us. Come on, don’t make this any more difficult than it has to be.”

He waited. Nothing.

She wasn’t coming out. He tried to think. He was really beginning to wish he’d taken the shot when he’d had the chance. She was a professional, which meant, more likely than not, she wouldn’t be carrying anything that identified her or tied her in with whoever had hired her to give Fisher’s place a going over. But even professionals made mistakes. He’d taken her by surprise. She’d run before she could find whatever it was she’d gone there looking for-which meant it was still back there waiting to be found.

He chewed on his top lip, took a deep breath.

Ronan started to walk forward. He felt out each step carefully, scuffing his toe along the rough stones until he found the safety of the next wooden tie. One step at a time he edged his way deeper into the tunnel. He cast a quick glance over his shoulder to make sure the light wasn’t too far away for him to make it back when the skin along his forearms prickled. The air around him stirred ever so slightly.

And then he felt it: the telltale tremor of the train shivering through the tracks. A moment later light swept around the corner. He saw her caught in the train’s headlights. She was no more than twenty feet in front of him, looking around frantically until she saw whatever it was she was looking for, and started to run toward the oncoming train.

Ronan knew then he wasn’t going to need to take the shot. The train would do his dirty work for him-but there would be nothing left but blood and guts on the tracks for him to pick over, and only then if he managed to get out of the tunnel himself before the train sheered his body in two. He screamed at the woman. There were no words, just this raw explosion of sound from his mouth.

Inside his cabin, the driver leaned on the horn. In the tunnel the collision of sounds was deafening: the screech of the brakes, the shriek of steel sliding on iron as the wheels locked and slid, the blare of the horn as the driver hit it over and over again, the maddening bark of the loudspeaker ordering them off the tracks, and Ronan Frost’s screams as he watched the woman running hell for leather straight at the front of the train.

And then she disappeared.

Just like that.

One minute she was there, and the next she wasn’t.

But there was no bloody detonation of flesh. No impact. No spray of blood across the headlights. No body strewn in pieces across the tracks.

The sight kept him rooted to the spot a second too long.

He felt the next breath die in his throat.

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