congregationalists, amidst prayers, red faces, handkerchiefs, hands patting your shoulders, solemn faced comforters. I looked at him and did not recognize him.
We had met nine months before my birth, this stranger and I. He had never been cruel—stern, demanding, with contempt for everyone's shortcomings—but never cruel. He was also all that I had had of a mother. And brothers. And sisters. He had tolerated my three years at St. John's, possibly because of its name, never knowing how liberal and delightful a place it really was.
But I never knew him, and the man atop the catafalque demanded nothing now; I was free not to preach the Word: But now I wanted to, in a different way. I wanted to preach a word that I could never have voiced while he lived.
I did not return for my senior year in the fall. I had a small inheritance coming, and a bit of trouble getting control of it, since I was still under eighteen. But I managed.
It was Greenwich Village I finally settled upon.
Not telling any well-meaning parishioners my new address, I entered into a daily routine of writing poetry and teaching myself Japanese and Hindustani. I grew a fiery beard, drank espresso, and learned to play chess. I wanted to try a couple of the other paths to salvation.
After that, it was two years in India with the Old Peace Corps— which broke me of my Buddhism, and gave me my Pipes of Krishna lyrics and the Pulitzer they deserved.
Then back to the States for my degree, grad work in linguistics, and more prizes.
Then one day a ship went to Mars. The vessel settling in its New Mexico nest of fires contained a new language. —It was fantastic, exotic, and esthetically overpowering. After I had learned all there was to know about it, and written my book, I was famous in new circles:
'Go, Gallinger. Dip your bucket in the well, and bring us a drink of Mars, Go, learn another world—but remain aloof, rail at it gently like Auden—and hand us its soul in iambics.''
And I came to the land where the sun is a tarnished penny, where the wind is a whip, where two moons play at hot rod games, and a hell of sand gives you the incendiary itches whenever you look at it.
I rose from my twistings on the bunk and crossed the darkened cabin to a port.
The desert was a carpet of endless orange, bulging from the sweepings of centuries beneath it.
'I a stranger, unafraid— This is the land— I've got it made!'
I laughed.
I had the High Tongue by the tail already—or the roots, if you want your puns anatomical, as well as correct.
The High and Low Tongues were not so dissimilar as they had first seemed. I had enough of the one to get me through the murkier part of the other. I had the grammar and all the commoner irregular verbs down cold; the dictionary 1 was constructing grew by the day, like a tulip, and would bloom shortly. Every time I played the tapes the stem lengthened.
Now was the time to tax my ingenuity, to really drive the lessons home. I had purposely refrained from plunging into the major texts until I could do justice to them. I had been reading minor commentaries, bits of verse, fragments of history.
And one thing had impressed me strongly in all that I read.
They wrote about concrete things: rock, sand, water, winds; and the tenor couched within these elemental symbols was fiercely pessimistic. It reminded me of some Buddhist texts, but even more so, I realized from my recent recherches, it was like parts of the Old Testament. Specifically, it reminded me of the Book of Ecclesiastes.
That, then, would be it. The sentiment, as well as the vocabulary, was so similar that it would be a perfect exercise. Like putting Poe into French. I would never be a convert to the Way of Malann, but I would show them that an Earthman had once thought the same thoughts, felt similarly.
I switched on my desk lamp and sought King James amidst my books.
Vanity of vanities, saith the Preacher, vanity of vanities; all is vanity. What profit hath a man...
My progress seemed to startle M'Cwyie. She peered at me, like Sartre's Other, across the tabletop. I ran through a chapter in the Book of Locar. I didn't look up, but I could feel the tight net her eyes were working about my head, shoulders, and rapid hands. I turned another page.
Was she weighing the net, judging the size of the catch? And what for? The books said nothing of fishers on Mars. Especially of men. They said that some god named Malann had spat, or had done something disgusting (depending on the version you read), and that life had gotten underway as a disease in inorganic matter. They said that movement was its first law, its first law, and that the dance was the only legitimate reply to the inorganic ... the dance's quality its justification,—fication • •.
and love is a disease in organic matter—Inorganic matter?
I shook my head. I had almost been asleep.
'M'narra.'
I stood and stretched. Her eyes outlined me greedily now. So I met them, and they dropped.
'I grow tired. I want to rest awhile. I didn't sleep much last night.'
She nodded, Earth's shorthand for 'yes,' as she had learned from me.
'You wish to relax, and see the e implicitness of the doctrine of Locar in its fullness?''
'Pardon me?'
'You wish to see a Dance of Locar?'
'Oh,' Their damned circuits of form and periphrasis here ran worse than the Korean! 'Yes. Surely. Any time it's going to be done I'd be happy to watch.'
I continued, 'In the meantime, I've been meaning to ask you whether I might take some pictures—'
'Now is the time. Sit down. Rest. I will call the musicians.'
She bustled out through a door I had never been past.
Well, now, the dance was the highest art, according to Locar, not to mention Havelock Ellis, and I was about to see how their centuries-dead philosopher felt it should be conducted. I rubbed my eyes and snapped over, touching my toes a few times.
The blood began pounding in my head, and I sucked in a couple deep breaths. I bent again and there was a flurry of motion at the door.
To the trio who entered with M'Cwyie I must have looked as if I were searching for the marbles I had just lost, bent over like that.
I grinned weakly and straightened up, my face red from more than exertion. I hadn't expected them that quickly.
Suddenly I thought of Havelock Ellis again in his area of greatest popularity.
The little redheaded doll, wearing, sari-like, a diaphanous piece of the Martian sky, looked up in wonder—as a child at some colorful flag on a high pole.
'Hello,' I said, or its equivalent.
She bowed before replying. Evidently I had been promoted in status.
'I shall dance,' said the red wound in that pale, pale cameo, her face. Eyes, the color of dream and her dress, pulled away from mine.
She drifted to the center of the room.
Standing there, like a figure in an Etruscan frieze, she was either meditating or regarding the design on the floor.
Was the mosaic symbolic of something? I studied it. If it was, it eluded me; it would make an attractive bathroom floor or patio, but I couldn't see much in it beyond that.
The other two were paint-spattered sparrows like M'Cwyie, in their middle years.
One settled to the floor with a triple-stringed instrument faintly resembling a samisen.
The other held a simple woodblock and two drumsticks.
M'Cwyie disdained her stool and was seated upon the floor before I realized it. I followed suit.
The samisen player was still tuning it up, so I leaned toward M'Cwyie.
'What is the dancer's name?'
'Braxa,' she replied, without looking at me, and raised her left hand, slowly, which meant yes, and go ahead, and let it begin.
