Largely to take his mind off food, he called, “Are you here, Mucor? Can you hear me?”
There was no reply.
“I know it was you, you see. You’ve been following me, as you said you would last night. I recognized your face in Teasel’s father’s face this morning. Was it you that drank her blood? This afternoon I saw your face again, in poor Orpine’s.”
He waited but there was no whisper at his ear, no voice except his own echoing from the bare shiprock walls.
“Say something!”
A gravid silence filled the deserted manteion.
“That woman screaming in this house last night while I was outside in the floater—it was too apposite for mere chance. The devil was there because I was, and you’re that devil, Mucor. I don’t understand how you do the things you do, but I know it’s you that do them.”
He had packed the glass lamps in rags. As he unwrapped one, he caught sight of what might almost have been Mucor’s death’s-head grin. Carrying a lamp in each hand, he limped to the stage to look more closely at the painted canvas—it was presumably what Chenille had called a drop—behind it.
The scene was a crude mockery of Campion’s celebrated painting of Pas enthroned. As depicted here, Pas had two erections as well as two heads; he nursed one in each hand. Before him, worshipful humanity engaged in every perversion that Silk had ever heard of, and several that were entirely new to him. In the original painting, two of Pas’s taluses, mighty machines of a peculiarly lovely butter yellow, were still at work upon the whorl, planting a sacred goldenshower in back of Pas’s throne. Here the taluses were furnished with obscene war rams, while Pas’s blossom-freighted holy tree had been replaced by a gigantic phallus. Overhead the vast, dim faces of the spiritual Pas leered and slavered.
After carefully setting the blue lamps on the edge of the stage, Silk extracted Hyacinth’s azoth from beneath his tunic. He wanted to slash the hateful thing before him to ribbons, but to do so would certainly destroy whatever might remain of the Window behind it. He pressed the demon, and with one surgical stroke slit the top of the painted canvas from side to side. The detestable painting vanished with a thump, in a cloud of dust.
Blood came in while he was setting up his triptych in front of the blank, dark face of the Window. Votive lamps burned again before that abandoned Window now, their bright flames stabbing upward from the blue glass as straight as swords; thuribles lifted slender pale columns of sweet smoke from the four corners of the stage.
“What did you do that for?” Blood demanded.
Silk glanced up. “Do what?”
“Destroy the scenery.” Blood mounted the three steps at one side of the stage. “Don’t you know what that stuff costs?”
“No,” Silk told him. “And I don’t care. You’re going to make a profit of thirteen thousand cards on my manteion. You can use a fraction of it to replace what I’ve destroyed, if you choose. I don’t advise it.”
Blood kicked the pile of canvas. “None of the others did anything like this.”
“Nor were their exorcisms effective. Mine will be—or so I have reason to believe.” With the triptych centered between the lamps to his satisfaction, Silk turned to face Blood. “You are afflicted by devils, or one devil at least. I won’t bother to explain just who that devil is now, but do you know how a place or a person—any person—falls into the power of devils?”
“Pah! I don’t believe in them, Patera. No more than I do in your gods.”
“Are you serious?” Silk bent to retrieve the walking stick Blood had given him. “You said something of the sort yesterday morning, but you have a fine effigy of Scylla in front of your villa. I saw it.”
“It was there when I acquired the property. But if it hadn’t been, I might have put up something like that anyway, I admit. I’m a loyal son of Viron, Patera, and I like to show it.” Blood stooped to examine the triptych. “Where’s Pas?”
Silk pointed.
“That whirlwind? I thought he was an old man with two heads.”
“Any representation of a god is ultimately a lie,” Silk explained. “It may be a convenient lie, and it may even be a reverent one; but it’s ultimately false. Great Pas might choose to appear as your old man, or as the spiraling storm which is his eldest representation. Neither image would be more nearly true than the other, or more true than any other—merely more appropriate.”
Blood straightened up. “You were going to tell me about devils.”
“But I won’t, not at present at least. It would take some time, and you wouldn’t believe me in any case. You’ve saved me a decidedly unwelcome walk, however. I want you to assemble every living person in this house in this theater. Yourself, Musk if he’s come back, Crane, Orchid, Chenille, the bald man, all the young women, and anyone else who may be present. By the time you get them in here, I will have completed my preparations.”
Blood mopped his sweating face with a handkerchief. “I don’t take orders from you, Patera.”
“Then I will tell you this much about devils.” Silk freed his imagination and felt it soar. “They are here, and one person has died already. Once they have tasted blood, they grow fond of it. I might add that it is by no means unusual to find them acting upon merely verbal resemblances, notions that you or I might consider only puns. It’s apt to occur to them that if ordinary blood is good, the blood of Blood should be much better. You’d be wise to keep that in mind.”
The women arrived by twos and threes, curious and more or less willingly driven by Musk and the muscular bald man, whose name seemed to be Bass; soon they were joined by Loach and Moorgrass from Silk’s own manteion, both frightened and very glad to see him. Eventually Crane and a dry-eyed, grim Orchid took seats in the last row. Silk waited for Blood, Bass, and Musk to join them before he began.
“Let me describe—”
