Gun Machine

“History-fu,” Tallow said, slowly.

“You know what I mean. Although I question why history-fu stopped you dead and Injun ninja just blew by.”

Tallow took a deep breath. “All right,” he said, on the shaky exhale, “here’s the deal. My apartment building has three exits. Front, rear, and fire escape…”

The process took less than an hour, in the end. Bat got joyfully swept up in the execution of it and completed the work with a grinning hyperfocus that made Tallow wonder whether Scarly wasn’t the autistic one on the team after all. Bat was still vibrating with glee on the drive back to One PP.

“You enjoyed the crazy-man plan, then,” Tallow commented.

“Ha! That’s why I got into this line of work, man. That was the shit right there.”

“You became a cop because…you like building?”

Bat laughed again, wriggling in the passenger seat. “Nah. You want to know why I became a cop?”

“Sure.”

“Cop shows.”

“You’re kidding me,” said Tallow. He’d heard that line before and had never bought it. If you were dumb enough to think cop shows were like real police work, Tallow reasoned, then you’d never get into the force because you were required to manifest enough intelligence to dress yourself.

“Nope. The Tao of cop shows, man. All those cop shows I grew up with, especially those in the aughties, say the same thing. If you are smart enough, and your Science, with a capital S, is good enough, and if you refuse to give up and just keep using Science on the problem, it’ll crack and you can solve it. And the problem is always the same: the world has stopped making sense, and the cops have to use Science to force it to make sense. That’s the heart of every cop show. Give yourself to a cop show for an hour, and it’ll show you a breakdown in the ethical compact, and the process by which that breakdown occurred, and how it is fixed and made to never happen again. That’s why everyone loves them. They speak to our sense that everything’s fucked and then show you how to work to find out what really happened—simplify the world—and then deal with it. Because everybody knows that—listen, you ever cheated on a girlfriend?”

“Once,” Tallow said, for the hell of it, even though he hadn’t. Not least because the opportunity had never presented itself.

“Then you know. You break that part of the ethical compact, the basic rule that says You Don’t Do That, and it’s only hard once. When the sun doesn’t go out because you’ve been so evil…well, it’s easier the next time. And the next time. So everyone who watches a cop show knows that the bad guy ain’t going to do the bad thing just once. He has to be taken off the streets. That’s what I wanted to be. I loved the idea of being the guy who could take that guy off the streets using nothing but his brains and his hands. I’ll tell you a secret.” Bat smiled. “I don’t even tell people I’m a cop. I tell people I’m a CSU.”

“Same thing.”

“You know what? No offense, but I don’t want them to be the same thing. I’m a CSU. I solve things. I hunt and build and solve things with science. You know what a New York City cop does? Beats protesters. Rapes women.”

“Hey.”

“You can’t argue that, John. Remember that detective who raped that woman in the doorway of her apartment building in the Bronx? Remember what she said he said to her? ‘I’m not as bad as those other cops who raped that other girl.’ Remember how bad Occupy Wall Street got? Penning women up and then pepper-spraying them? Beating journalists with batons? Cracking the skull of a councilman? Dragging women out of wheelchairs? That’s what a New York City cop is. We’re not fucking heroes. So, yeah, I don’t tell people I’m a cop. I don’t like going out into the field. I like it on my floor of One PP, where we do science and just solve stuff without ever having to go outside and punch someone in the face for being in an inconvenient place and talking the shit that we so richly deserve—”

“You want to take a breath there, Bat?”

Bat didn’t even bother to fake a dutiful laugh. “You know why CSUs hate beat cops and detectives? Because you remind us of where we work.”

“Yeah,” said Tallow. “Hunting the Injun Ninja.”

That, Bat gave a little snorting laugh at, looking out of the window. “Hey,” he said. “Where are we?”

“Taking a little detour. I wanted to look at something.”

Bat peered around as if trying to track the random trajectories of a fly. “Is that Collect Pond Park over there? I thought it actually had a pond.”

“It’s been under construction for years,” Tallow said. “There was a little pond added recently, and then they drained it and now they’re re-excavating it or something.”

Collect Pond Park was a dismal flagstoned square, so gray that the stacked yellow-painted fencing from some construction phase or other actually brightened it.

“That,” said Tallow, “is Werpoes. A spring ran from Spring Street, through the stream that was dug out for the canal that Canal Street’s named for, into a pond that was eventually called the Collect Pond. By 1800 or so, the pond was just a poison pit, so they dug out the canal to drain it out. Then they filled it in, and then they stuck Canal Street on top of the canal. And all of that used to be Werpoes, the main Native American village in Lower Manhattan, on the shores of the pond. What’s left is, well, that. The pond basin, the remains of the dome houses of Werpoes, and any other sign that anyone was here before us are all well underground. Under that piece of park, and over there.”

Tallow pointed in the other direction, and Bat followed his finger.

“The Tombs,” Bat said.

“Yeah. The Manhattan Detention Complex is built over Werpoes and the Collect Pond. So’s the criminal court. The original Tombs complex was actually rotted out by the remains of the pond—the draining job was so bad that even when they in-filled the basin, the whole patch turned to marsh, and the damp crept up into the Tombs. So here’s what I’m wondering—”

“Why your brain started receiving an NPR program on massively uninteresting history?”

“I’m wondering why Jason Westover’s wife warned me not to go near Werpoes. Also, Bat, I’m going to remember that the next time you tell me my history-fu is much weak, because I did all the reading on this for that reason. The strong intimation was that our guy haunted Werpoes. But look around. The Tombs, the court, a park that a fat Chihuahua couldn’t hide in, office buildings…where’s a guy who stored his most prized possessions in a crumbling walk-up on Pearl Street going to live around here?”

“Lots of police too,” Bat commented.

“Including us,” said Tallow, pushing the car forward.

Scarly was in the office-cave she shared with Bat, lit by her computer monitor. “I made him,” she said, without looking up. Her expression was oddly blank, in a way that made Tallow’s stomach turn in some weird involuntary presage to fear.

Bat tumbled into the room, all flapping arms and nodding head. “You made him? You made who? Who’s been made?”

“Our guy,” she said flatly.

“I don’t believe it,” said Bat.

“Our guy became a customer of the NYPD right at the top of the introduction of DNA collection. His sheet’s in the database. I got a match. I made him.”

Bat looked over her shoulder at the screen and said something like “Shiiiiiiiiit.”

“John,” said Scarly, “you want to look at this.” It was spoken like a threat.

Tallow didn’t want to.

Tallow wanted to blow it off, tell them to get on with it, drive back into the 1st, get a coffee, and let the world go by. Not even watch the world go by. He remembered the days when the world was just a moving backdrop behind a stage occupied solely by himself, whatever comfortable chair he had found, and whatever thought or tune or paragraph it amused him to rotate in his head for the length of his shift. It seemed twenty years ago. He knew it was just last week, but he was unable to summon last week with any clarity. It seemed like an image of childhood summer—or, perhaps more apt, a photo of last week blurred and filtered and glazed by a digital application that