information on him.
I sat before the array of holo-heads and started drawing lines between them. Familial lines between Adela and her parents. A boyfried-girlfriend line between Adela and Raj, and another between Ian and Liz. I connected both Raj and Yuri's heads to Hector Juarez, their boss at Lagarto Libre. More lines between dinner mates Ian, Horst, and cameraman Yuri.
I called up a miniholo of a barge and ran a line between it and cameraman Yuri. Another line from the barge to Ian, who hung out in a club where the floor show featured a lase-bladed axe that was a perfect fit as the head- chopping murder weapon. One more line connecting the barge to Horst, an offworlder with the money to buy gene eaters. I decided to stop there, my 3 — D diagram already looking like some incestuous family tree.
I stared at the diagram for long minutes, my mind scattering in every direction. I shrank the diagram down and tossed it to the side. I'd try to come back to it later.
I menued into barge murder number one. A moment later, I was in a small cabin with rusted walls. Three fold-down bunks hung from one wall, and on the opposite wall was a mold-covered nautical map. On the floor was a familiar looking block of wood, complete with a scooped-out hollow, bloodstains, and scorch marks on top. Other than the cabin itself, the scene looked identical to the thirteenth, the one I'd visited in person. There was even a collection of gene-eaten lizards on the floor. I knelt down over the holographic block of wood, dropping my chin into the hollow, imagining what it would feel like with that axe dropping down on the back of my neck. At least it would be quick… Not like Niki. The knot in my stomach constricted. I chided myself for thinking that thought. Niki wasn't dying. She was recovering nicely.
I jumped ahead a couple weeks to the second crime scene, which was altogether different. No block of wood this time. Instead, there was a table surrounded by thick ropes piled on the metallic floor. The table's surface was slick with gene-eaten blood. On the table sat a cockeyed metal bowl. I mimed picking it up, and the bowl's image moved along with my hands. I three-sixtied it, finding bloodstains on the rim only. When I looked at the bowl's underside, I could see the reason the bowl wouldn't lay flat. There were a half dozen eye rings welded on and they were lined up in two rows. Even stranger was the fact that the bowl's bottom was covered with wax drippings. What the hell was that about?
I pulled up Maggie's case notes to see if she'd come up with any theories. The cabin walls disappeared, replaced by walls of text. I skimmed through her notes, pulling out the most significant sentences and stacking them to the side, until I'd built a minitower of holo-texts:
“The bowl was of standard manufacture, except it had been modified with a series of rings welded onto the bottom.”
“The underside of the bowl was spattered with wax drippings that suggest the bowl was heated by candle.”
“Rope fibers on two of the eye rings prove that the rope was run through the rings to hold the bowl in place.”
“Only the bowl's rim was bloodstained, indicating that it was placed facedown onto the victim.”
“Lining the inside of the bowl was a brown-black substance identified as lizard excrement. The bowl's interior was also marked by a large number of short scratches likely caused by lizards that were at one time caged in the bowl.”
“Eleven gene-eaten lizards were recovered from the scene. An analysis of their stomach contents revealed what appears to be chemically consistent with human flesh. Positive identification through DNA was rendered impossible due to treatment with gene eaters.”
I tried to puzzle through the information, reach my own conclusions, but I gave up quickly and navigated into Maggie's summation with that same mild guilty feeling you get when you skip to the final page of a mystery. My eyes went straight for a sketch nested inside the text. One look at that sketch and there was no need to read what Maggie had written. The medieval pencil drawing said it all.
There was a woman chained faceup to a heavy wooden table. Strapped tight across her stomach was an overturned bowl. Standing alongside was a man with a candle in each hand, holding the flames close to the bowl, heating it up, driving the mice inside into a panicked insanity from which the only escape was to start eating.
My stomach lurched as I let the sketch sink in. I didn't know where Maggie had found that sketch, but substitute lizards for mice, and the killer had imitated it to a T. I had to put my drink down, the very smell of it suddenly making me nauseous. Even as the full weight of the horror came down on me, I had to pause to appreciate the inspired leap Maggie had made from the limited evidence, from nothing more than some rope and a bloody bowl to this, this… abomination.
And there were still eleven more case files…
I cycled through Maggie's summations, which read like a how-to book of medieval torture. Burned at the stake. Sawn in half-vertically. Flayed alive, strip by strip, the floor littered with gelatinous gene-eaten people-jerky. I went through them one by one, each one more and more revolting. Death by impaling. Death by pendulum.
I turned it all off, the gory truth, the gruesome brutality. I just sat there with my agitated nerves and my disturbed thoughts. My mind kept imagining Horst, his creepy face in the glow of a lase-axe. Could I be wrong about him? No. The circumstantial evidence was piling up: Start with the fact that we knew the serial was an offworlder with the funds to buy gene eaters. Then think about how Horst went to the restaurant to meet Yuri and Ian-Yuri who filmed the murders, and Ian, who helped Yuri cover for his clumsiness by switching vids. Then there was the way Horst greeted me at the club. He practically welcomed me to the team, telling me Ian said I'd be useful. And don't forget the fact that he was willing to foot the bill to get the vid files decrypted. Why would he have done that if he wasn't running the show?
I thought about how Horst had toasted me with his smile full of charm. Who was this animal, this offworld monster who thought my home was his perverse playground? Who was this offworld coward of a serial killer who picked on nameless Lagartan victims rather than carrying out his sicko fantasies on his own kind?
I closed the case files and went back to the diagram I'd made and enlarged it, the interconnected holo-heads beginning to look like a molecule with heads for atoms. I called up thirteen blank holo-heads, the faceless victims of the most twisted shit I'd ever seen. Thirteen victims… no, fourteen when you included the unlucky Officer Ramos.
Fourteen. And those were just the ones we knew about. Who knew how many more crime scenes still hadn't been found on all those abandoned barges?
Looking at this molecule composed of human elements, I sought out the weak bonds. Bonds I could break, atoms I could co-opt.
There was Yuri. The guy always looked like he was going to wet himself. His type was easy to break. A little intimidation and he'd start singing.
And there was Liz, Ian's less than faithful girlfriend, whose pillow talk could tear the whole thing apart.
Another possibility was Adela's boyfriend, Raj. He was her alibi the night her parents were murdered, but he didn't back her up under questioning. If I assumed Maggie was right about Adela being innocent, then Raj was a liar. He said she went home early, but if she had gone home around midnight as he said, she would've been there when her parents got whipped at two AM. She would've called KOP that night, not the next morning. Or more likely still, she would've gotten fricasseed along with her parents. I hated to admit it, but the notion that Hector and Margarita Juarez were lase-whipped to death by their daughter was looking more tenuous by the minute, confession or no confession. God, how was I going to forgive myself if Adela turned out to be innocent? I'd made the poor girl cry.
Raj. The kid was a big piece of the puzzle. I could lean on him, see who put him up to stabbing his girlfriend in the back.
But bracing Raj was too risky. He'd seen me at Yuri's. I couldn't brace him without risking Ian finding out. I had to keep Ian thinking I was on his side. And if I continued that same reasoning, I couldn't brace Yuri or Liz, either. I had to take it slow. If I did this right, I could keep squeezing money out of Ian indefinitely, money I needed. And it wasn't just the money. It was the offworlder. The deeper I got into Ian's circle, the more I could learn about him. That warped bastard had to be stopped.
For now, Maggie and I had to keep working on the fringes, digging deep, but not so deep that we blew ourselves up by striking a gas line. Make no mistake, Ian would eventually find out I was screwing him. The trick was to string that finger-cracking, tube-pinching, 'roid-popping son of a boy-o bitch along for as long as I could, all the way until Maggie and I were ready to bring the whole operation down.
