David sat quietly for a few seconds, absorbing the information. Was this all there was to it? Granddad was a Basque, but never admitted it?

Then David remembered the map, and the churches. And the inheritance. How did that fit in?

'Actually no, Jose. There is more.'

'More?'

Amy interrupted: 'Jose…The stuff in the papers. The bequest…The map. You didn't see it?'

'I never read the newspapers!' Jose said, his smile slightly fading. 'But what is this other mystery? Tell me! What else must you know?'

David gazed Amy's way, with a questioning expression: she shrugged, as if to say, go on, why not, we're here now.

So David began. He told the story of his grandfather, and the churches, and the bequest. As he did, he reached in his pocket and pulled out the map, marked with blue stars.

The atmosphere in the cottage was transformed.

Fermina was standing by the kitchen door, wrapped in a consternated silence. The old man was frowning as he stared at the map. Frowning very profoundly: almost tragically. He looked almost…bereaved.

Shocked by the effect of his story, David dropped the map on the table. It was as if the light in the room had dimmed; the only brightness came from the soft white pages of the map itself.

Jose leaned over and took the map in his hands. For a few minutes, he caressed the worn paper. Opening it, he examined the blue asterisks, muttering and mumbling. No one moved.

Then he looked up at David.

'Forget about this. Please, I beg you. Forget about this. You don't want to know any more about the churches. Keep your money. Get rid of this map. Go back to London. Por favor.'

David opened his mouth. No words emerged.

'Take it away,' said Jose, handing the map back. 'Get it out of my house. I know it is not your fault. But…get it out of my house. Never mention these matters again. Ever. That…that map…the churches…this is the key to hell. I beg you both to stop.'

David didn't know what to do; Jose's wife was wiping her hands on a cloth, still at the door to the kitchen. Wiping her hands over and over, full of nerves.

The tension was heightened by a noise. Jose Garovillo looked up; the scrunch of the gravel outside the house was distinctive.

A red car was pulling up.

Amy had a hand to her mouth.

'Oh no…'

Jose was gasping.

'But no! I told him not to come. I am sorry, I told him you were coming but I asked him to stay away. Barkatu. Barkatu. Fermina!'

The very tall man climbing out of the car was unmistakable: Miguel Garovillo. A second later he was pushing the farmhouse door and was inside the house, tall and wild and glaring — at Amy and David. And gazing at the map in David's hand. A little twitch in his eye was quite noticeable, likewise a slender scar above his lip.

'Papa!' said Miguel, his voice rich with contempt.

The son had his hand raised; for a ghastly moment it looked like he was actually going to clout Jose, to beat his own father. Jose flinched. Fermina cried out. Miguel's black eyes flashed around the room; David saw the dark shape of a holster, under the terrorist's leather jacket.

Fermina Garovillo was pushing her son away, but Miguel was shouting at his father, and at Amy and David, shouting in Basque, his words unintelligible — the only thing that was obvious was the ferocious anger. Jose shouted a few words in return — but weakly, unconvincingly.

And then Miguel shouted in English. At David. His deep angry voice vibrated in the air.

'Get the ffffffuck out of here. You want the whore? Then take her. You take all this shit out of here. Go now.'

David backed away. 'We're going…We're going…'

'First time I hit you. Next time I shoot you.'

Amy and David turned and ran into the yard and jumped in the car.

But Miguel followed them outside the house. He had taken out his gun, he was holding a black pistol in the air. Holding it — as if to show them. David got the strange jarring sense of something inhuman about him: a giant. A violent jentilak of the forest displaying his strength and anger. The gun was so very black. Glinting in the watery sunlight.

David urgently reversed. He spiralled the wheel — and at last they turned, revving in the mud, and then they rocked down the track, skidding out onto the road.

For half an hour David drove fast and hard, into the green grey foothills, just driving to get away.

When the panic and shock had subsided, David felt a rising anger, and a need to stop and think.

He pulled over. They were halted at the edge of a village, with a timberyard on their left. The distant Pyrenees seemed a lot less pretty now; the pinetops of the forest were laced with an insistent and smothering mist. A church, surrounded by circular gravestones, sat on a hill above them.

Everything was damp, everything around them was faintly, ripely, perceptibly rotting away in the damp.

David cursed.

'What. The. Fuck.'

Amy tilted her face, apologetically.

'I know. I'm sorry.'

'What?'

'Sorry…'

'It's not your fault.'

'But…' She shook her head. 'But it is. Maybe you should go home, David. Miguel is my problem.'

'No. No way. This is my problem too.'

'But I told you what he is like. Murderously jealous. He…really will…do something. He might even…'

'Kill me?'

She winced.

David felt the surge of a rebel spirit.

'Fuck him. I want to know the answers.' He started the car and negotiated the road slowly for a few minutes. 'I want to know it all. My grandfather wouldn't have sent me here — sent me into all this — unless he had a reason. I want to know why.'

'The map.'

'Exactly. The map. You heard what Jose said, saw how he reacted — there is something — something — '

He was searching for a way to describe the complexity of puzzles; his next words were interrupted.

'Don't stop.'

'What?'

'Drive on.'

'What?'

David felt the cold possibility constrict around his heart.

Amy confirmed.

'Miguel. In the car. Right behind.

9

Her eyes were locked on the mirror. David copied her gaze.

'Jesus.' He squinted. 'Are you sure? Is it the same one?'

'Numberplate. It's him.'

Вы читаете The Marks of Cain
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