What the Night Knows (with bonus novella Darkness Under the Sun)

“He’s never asked me. Maybe someone else.”

From a compartment in his ID wallet, John extracted a business card and slid it across the table. “Office number’s on the front. I wrote my home and cell numbers on the back. Call me if anything happens.”

“Like what?”

“Anything unusual. Anything that makes you think of me. Hell, I don’t know.”

Tucking the card in his shirt pocket, Hanes said, “How long you been married?”

“It’ll be fifteen years this December. Why?”

“The whole time we’ve been sitting here, you’ve been turning the ring on your finger, like reassuring yourself it’s there. Like you wouldn’t know what to do without it.”

“Not the whole time,” John said, because he had only a moment earlier become aware of playing with the wedding band.

“Pretty much the whole time,” the orderly insisted.

“Maybe you should be the detective.”

As they rose to their feet, John felt as if he wore an iron yoke. Coleman had a burden, too. John flattered himself to think he carried his weight with a grace that matched that of the orderly.

4

THE ENGINE OBEYED THE KEY AND TURNED OVER SMOOTHLY, but then a hard thump shuddered the Ford. Startled, John Calvino glanced at the rearview mirror to see what had collided with the back bumper. No vehicle occupied the driveway behind him.

Still under the hospital portico, leaving the engine idling, he got out and went to the back of the car. In the cold air, clouds of white exhaust plumed from the tailpipe, but he could see clearly that everything was as it should be.

He stepped to the passenger side, which likewise revealed no damage, and got down on one knee to peer beneath the car. Nothing sagged from the undercarriage, nothing leaked.

The knock had been too loud and too forceful to have been of no importance.

He raised the hood, but the engine compartment revealed no obvious problem.

Perhaps his wife, Nicolette, had stowed something in the trunk, and it had fallen over. He leaned in through the open driver’s door, switched off the engine, and plucked the keys from the ignition. When he unlocked the trunk, he found it empty.

Behind the wheel, he started the engine again. The thump and shudder were not repeated. All seemed well.

He drove away, under the dripping limbs of the purple beeches, off the grounds of the state hospital, and more than a mile along the county road before he found a section of the shoulder wide enough to allow him to park well clear of the pavement. He left the engine running but switched off the windshield wipers.

The car seat had power controls. He put it back as far as it would go from the steering wheel.

He had stopped in a rural area, flat fields to the left of the highway, a rising meadow to the right. On the slope were a few oak trees, almost black against the tall pale grass. Nearer, between the shoulder of the road and the meadow, stood a ramshackle split-rail fence, waiting for wood rot and weather to bring it down.

A skirling wind shattered rain against the car windows on every side. Beyond the streaming glass, the country scene melted into the amorphous shapes of a dreamscape.

As a detective, John was a cabinetmaker. He started with a theory just as a cabinetmaker started with scale drawings. He built his case with facts as real as wood and nails.

A police investigation, like crafting fine cabinetry, required dimensional imagination and much thought. After interviews, John’s habit was to find a quiet place where he could be alone to think about what he’d learned while it remained fresh in his mind, and to determine if any new clues dovetailed with old ones.

His laptop computer rested on the passenger seat. He opened it on the console.

Days ago, he had downloaded and saved the 911 call that Billy had placed on that bloody night. John replayed it now:

“You better come. They’re all dead.”

“Who is dead, sir?”

“My mother, father, grandmother. My sister.”

“Who is this?”

“Billy Lucas. I’m fourteen.”

“What’s your address there?”

“You know it already. It came up on your screen when I called.”

“Have you checked them for signs of life?”

“Yes, I checked them very closely for signs of life.”

“Have you had any first-aid training?”

“Trust me, they’re dead. I killed them. I killed them hard.”

“You killed them? Son, if this is a prank—”

“This isn’t a prank. The prank is over. I pranked them all. I pranked them good. Come see how I pranked them. It’s a beautiful thing. Good-bye now. I’ll be waiting for you on the front porch.”

Along the county road came two vehicles behind headlights. Seen through the smeared and misted windows, through the deluge, they had little detail and resembled bathyscaphes motoring through an oceanic trench.

As John watched the traffic pass, the puddled blacktop blazing in their beams, bright reflections coruscating along his streaming windows, the afternoon was further distorted and made strange. He was plagued by confusion, disconcerted to find himself—a man of reason—wandering in a fog of superstition.

He felt adrift in space and time, memory as valid as the moment.

Twenty years earlier and half a continent from here, four people had been murdered in their home. The Valdane family.

They had lived less than a third of a mile from the house in which John Calvino was raised. He knew them all. He went to school with Darcy Valdane and nursed a secret crush on her. He’d been fourteen at the time.

Elizabeth Valdane, the mother, was stabbed with a butcher knife. Like Sandra Lucas, Billy’s mother, Elizabeth had been found dead in her kitchen. Both women were wheelchair-bound.

Elizabeth’s husband, Anthony Valdane, was brutally bludgeoned with a hammer. The killer left the claw end of the implement embedded in the victim’s shattered skull—as Billy, too, had left the hammer in his father’s head.

Anthony had been attacked while sitting at the workbench in his garage; Robert Lucas had been clubbed to death in his study. As the hammer arced down, Anthony was building a birdhouse; Robert was writing a check to the electric company. Birds went homeless, bills went unpaid.

Victoria, Elizabeth Valdane’s sister, a widow who lived with them, had been punched in the face and strangled with a red silk scarf. Ann Lucas, Billy’s grandmother, a recent widow, was punched and subsequently strangled with such ferocity that the scarf—red this time, too—cut deep into her throat. The women’s relationships to their families were not identical, but eerily similar.

Fifteen-year-old Darcy Valdane endured rape before being stabbed to death with the same butcher knife used on her mother. Twenty years later, Celine Lucas, sixteen, was raped—and then butchered with the same blade used on her mother.

Darcy had suffered nine knife wounds. Celine, too, was stabbed nine times.

Then I stabbed her precisely nine times.…

Why did you say “precisely”?

Because, Johnny, I didn’t stab her eight times, and I didn’t stab her ten. Precisely nine.

In both cases, the order of the murders was the same: mother, father, widowed aunt/grandmother, and finally the daughter.

John Calvino’s laptop directory contained a document titled “Then-Now,” which he had composed over the past few days, listing the similarities between the Valdane-family and the Lucas-family murders. He didn’t need to bring it to the screen, for he had committed it to memory.