Without thinking, I grab onto the pole tightly with both hands, take a few steps backward, and then throw my body forward as I lift my legs. The world is a blur as I whip around the pole; I’ve pulled my knees up almost to my chest and allow centrifugal force to swing me back around again.
The fucker is so close that for a fraction of a second I can see thin lines of blood outlining the contours of his teeth and smell the salty, metallic scent of the gore that covers him… But then I’m kicking out with my feet and there’s a jolt that travels up my legs and jars my hips; the stiletto heel of my right boot has plunged deep into the freak’s eye and thick, dark blood oozes out of the socket.
For what seems to be an eternity, I’m suspended there between that son of a bitch and the pole, a bridge of barely covered flesh connecting the two. He’s twitchin’ like my nephew Sonny having a seizure, but his hands hang limply at his sides. I flex my legs and, using the pole for leverage, kick forward again.
It feels like I’ve just sank my heel into thick mud but this seems to do the trick. Junkie-cannibal boy goes entirely limp.
Only he’s not a junkie. He’s not a cannibal, either. Not really.
I’ve seen enough movies to know exactly what he is… or, rather, what he was. But I just can’t seem to bring myself to think the actual word because, despite everything that’s just happened, just thinking about it makes me feel like a foolish little schoolgirl.
The weight of his body snaps the heel off my boot and he and I both fall to the stage at the same time. I can hear Bambi crying and Chester is shouting something about how you shouldn’t get a fuckin’ busy signal when you dial 911.
I kick boots off and think about Wilson. About Bambi. If the things I’ve seen in the movies are accurate, it’s gonna get a lot worse in here. And soon.
Kitty and Towanda have burst through the curtain of the dressing room and they’re heading toward the door, their bouncing boobs heaving with panicked breaths.
Jimmy Z has shimmied down from the riser and he’s making time toward the exit as well. Without him to cue up the next song, the Jaybird is strangely silent with only the sounds of suffering to fill the void.
He and the girls all get the door at the same time. Just as they’re about to push their way through, it bursts open and this chick with skin that looks like crispy bacon throws herself at Kitty.
Wilson’s fingers have started to wiggle but that’s all I see because I’m heading toward the back of the club as fast as my legs can carry me. No way I’m stickin’ around for this bloodbath. Consider it my resignation.
I bust into Hollister’s office and am getting ready to throw open the door that leads into the smoking area behind the club when I stop. Hanging above her desk, she’s got this homemade plaque with the words
I remove the weapon from its cradle and run the tip of my thumb lightly along the blade. Sharp. I knew it would be.
The grip feels almost like sandpaper but not quite as rough. Which is good. I imagine blood would make it hard to hang onto something that wasn’t textured.
I throw open the door and sunlight floods into the office. For a few minutes everything is washed out in a blinding glare of light that rams needles of pain into my eyes. I blink rapidly and shade my face with my forearm until the bluish flash-bursts of light stop exploding in my field of vision like fireworks.
I step into the alley. Barefoot and wearing this ridiculous cowgirl stripper outfit, I take a deep breath. The air smells of smoke and gasoline; screams echo off the buildings and mock those who try in vain to scramble for safety; sirens wail like banshees and I feel an explosion rumble the concrete beneath my feet.
At the head of the alley, this thing steps into view. It’s missing one arm and pieces of broken glass jut out of its face, glimmering in the sunlight like fairy dust.
It sees me and breaks into a run.
I hoist my weapon to shoulder level and stare directly at the thing’s head. It takes a lot of upper body strength and tone to work the pole; I’m pretty sure I can cleave the skull and dig the blade into its brain in one try.
It’s halfway through the alley now and I adjust the brim of my hat to help keep the sun out of my eyes. The weight of the machete feels reassuring in my hand and I take a long, slow breath.
You wanna tango, mother fucker?
Let’s do it.
I’m Rikki Wildride… and if there’s one thing I can do, it’s dance.
Night of the Living Furries
Three weeks earlier everything had changed. The day before
The change began in hospitals and at the scenes of accidents. Murder-suicides, wrinkled old men and women who’d closed their eyes the night before and slipped into that fabled better place as clocks ticked toward Armageddon: these were the foot soldiers of the apocalypse, the harbingers of a new era where Death no longer held sway in his skeletal palace.
In times to come, there would be many theories. Speculation would run as rampant as the packs of dogs who, without masters, prowled city streets in search of carrion. Some claimed it was some sort of cosmic radiation that had erupted from the sun; others said it was a virus, bio-engineered in terrorist labs and set loose upon the world before its fathers had a true understanding of the jihad they were unleashing. And, of course, there were those who saw the blight as Divine retribution: it was a pestilence that made the ten plagues of Egypt look like a mere practice round, the punishment of an angry God upon the wicked masses.
In truth, however, no one really knew for sure. The only thing that was for certain was that the dead were not staying that way. They were rising up and were utterly stripped of whatever tiny spark had previously made them human. No expression, no sound passing through lungs that no longer billowed with air, no apparent sense of right and wrong, or even the most rudimentary of critical thinking skills. They were creatures of instinct, slaves to the twin masters of consequence and reaction. They heard a sound and they pursued it; they saw movement and they were drawn to it like ants to a picnic.
And, in those initial days, they were fast. They had run and leaped and pounced, had swarmed through the cities and towns of the Earth like a wave of destruction. The sick, the very young, the old, and crippled: these were the first to be cut from the fold, to be taken down like gazelle on the dusty plains of Africa. Bitten and clawed, their flesh was rendered from bone and organs blossomed from stomachs like the contents of a twice-baked potato. And they, too, rose. They too walked and hunted and added to the legion of corpses that had been turned loose upon the land.
Eventually, the muscles and connective tissues would fall prey to the forces of entropy. These swift predators would find themselves moving a little more slowly, would stumble and stagger as they stalked those still alive; but, by then, their strength no longer lay in blitzkrieg attacks that caused the sidewalks to glisten with blood in the afternoon sun. By the time the stench of rot surrounded them like a putrid aura, their greatest ally had become their sheer numbers. They would close in around their victims, slowly tightening the circle until it was no longer possible to burst through their ranks like someone whose name had been called in a macabre game of Red Rover. Isolate, engulf, and overcome was the new strategy and, as a result, the refugees of a ruined world found themselves