Mom slamming the laptop shut on the player’s fingers), the character would slip into an artificial intelligence (AI) mode and attempt to automatically transport itself back to an HZ. Trotting along like zombies, these were easy pickings for bandits and foemen. Nolan kept it that way to discourage players from simply logging out when their characters were embroiled.
Anyway, now that Richard was in control, it was safe for Fudd to leave the Chapterhouse, and so, as Richard prodded keys on his keyboard, the white-bearded warrior mage unlimbered himself from his meditative pose and headed for the exit of the HZ. The way out led through the tavern where Fudd had been taking his meals in Richard’s absence. The tavernkeeper had mail for him: remittances from his network of vassals, which went into Fudd’s purse. From there he exited to a sort of arming and mustering room, a transition zone between the HZ and the outside world. Fudd shrugged off an invitation from a trio of characters who had figured out that Fudd was decently powerful and who wanted him to join them on some kind of raiding party. For many who played these sorts of games, going on raids and quests in the company of one’s friends—or, in a pinch, with random strangers—was the whole point. Richard had always been more inclined to solo questing. Rather than explaining matters to them, he simply used a magic spell to render himself invisible. Rude, but effective. Angry “WTF?s” rolled up the chat interface as he slipped out the doorway.
Fudd was not going on a quest anyway. Richard didn’t have that kind of time. He just wanted to wander around the world a bit and see what was happening. He’d been doing this a lot recently. Something was changing; there was some kind of phase transition or something under way in the society of the game. Richard didn’t know much about phase transitions other than it was what happened when ice melted. Working at Corporation 9592, however, had brought him into contact with a sufficient number of nerds with advanced degrees that he now understood that “phase transition” was an enormously portentive phrase that those guys only threw around when they wanted the other nerds to sit up and take notice. Suddenly something happened; you couldn’t exactly make out why. Or maybe—an even more haunting thought—it had happened already and he was too dim-witted, too out of touch, to get it. Which was actually why Fudd existed. Richard had other characters in T’Rain that controlled huge networks of vassals and possessed godlike powers, but for that very reason they never had to participate in the same grunt-level questing and moneymaking on which the majority of customers spent most of their time. Fudd was powerful enough to move around the world without getting jumped and killed every ten minutes, but not so powerful that he didn’t have to work at it.
Invisible, Fudd jogged around the courtyard of the fortress, which was home to a bazaar or market comprising a number of separate stalls: an armorer, a swordsmith, a victualler, a moneychanger. He eavesdropped on the latter for a minute to make sure that nothing weird was happening with exchange rates. Nothing ever was. Richard’s plumbing was working just fine. Something in Devin’s department might be fucked, but Corporation 9592 was still making money.
The characters running the market stalls, and the customers browsing them, broke down into three racial groups: Anthrons, which were just plain old humans; K’Shetriae, which were rebranded elves; and Dwinn (originally D’uinn before the Apostropocalypse had forever altered T’Rain’s typography), which were rebranded dwarves. Three additional racial groups existed in the world, but they were not represented here, because those three other groups were associated with Evil, and this was a border fort just on the Good side of the border. K’Shetriae and Dwinn were generally Good. Anthrons could swing either way, though all the ones here (unless they were Evil spies) were Good.
He wasn’t seeing anything new here. He invoked a Hover spell. Fudd levitated into the air above the square court of the fortress, gazing down at the two dozen or so characters in the market.
A projectile passed beneath him, arcing down into the court from outside the wall. It landed harmlessly on the ground. Richard zoomed closer and moused over it. The thing was cobalt blue and had an ungainly shape. As he got closer he could see that it was an arrow, its warhead and fletching cartoonishly oversized, its shaft much too thick. They had to be modeled in this style if they were to be visible at all. Video screens, even modern high- resolution ones, could not depict a fast-moving arrow from a hundred feet away in any form that would be detectable to the human eye, and so a lot of the projectiles and other small pieces of bric-a-brac in the game—forks and spoons, gold pieces, rings, knives—were done in this big oafish style, like the foam weapons wielded by nerds in live-action role-playing games.
This arrow, however, was even fatter and stupider-looking than the norm, and when Richard zoomed in on it, he saw why: it had a scroll of yellow paper rolled around its shaft and tied with a red ribbon. The interface identified it as a TATAN MESSAGE ARROW.
He gained altitude and looked out to the north to discover a formation of Tatan horse archers cavorting, daring the fort’s garrison to make a sally, firing message arrows in high parabolic arcs. Probably Chinese teenagers, each running a dozen characters at a time; horse archers had bothaviors that made it easy to maneuver them in squadrons. Richard’s eye was offended by their color scheme. He did not have to consult Diane—Corporation 9592’s color tsarina, and the last of the Furious Muses—to know that he was looking at a case study in palette drift.
The horse archers loosed a final volley of arrows, then turned away; crossbow fire from the parapet of the fortress had already felled several of them. Richard turned his attention back to the courtyard, just to see if any of the characters down there had been struck by a message arrow. None had; but one of them had walked over to investigate an arrow that was lying on the ground. As Richard watched, he picked it up. Richard moused over him. The character’s name was Barfuin and he was a K’Shetriae warrior of modest accomplishments. Double-clicking to obtain a more detailed summary of Barfuin, Richard was rewarded with a grid of statistics and a head-and- shoulders portrait. He could not help but be struck by the similarity between Barfuin and the dreadfully low- resolution K’Shetriae icon that had come up on his GPS screen this morning, when he had been attempting to browse the points of interest of greater Nodaway. The most obvious fact was that they both had blue hair. Which was palette drift again. He slammed his laptop shut and pushed it out of the way, because a waitress was approaching with his eggs and bacon.
IF THERE WERE going to be K’Shetriae and Dwinn, and if Skeletor and Don Donald and their acolytes were going to clog the publishing industry’s distribution channels with works of fiction detailing their historical exploits going back thousands of years, then it was necessary for those two races to be distinct in what archaeologists would call their material cultures: their clothing, architecture, decorative arts, and so on. Accordingly, Corporation 9592 had hired artists and architects and musicians and costume designers to create those material cultures consistent with the “bible” of T’Rain as laid down by Skeletor and Don Donald. And this had worked fine in the sense that every new character came with that material culture built in—its clothing, its weapons, its HZs were all drawn from those stylebooks. But it was necessary to give players some freedom in styling their characters, because they liked to express themselves and to show some individuality. So there was an interface for that. Your K’Shetriae cloak could be made of fabric in one color, fringed with a second color, and lined with a third. But all three of those colors had to be selected from a palette, and Diane had chosen the palettes. So in the game’s early years, it had been easy to distinguish races and character types from a distance just by the colors that they wore.
Then someone had figured out that the palette system was hackable and had posted some third-party software giving players the ability to swap out Diane’s official palettes for ones that they made up to suit their own tastes. Corporation 9592 had been slow to react, and so this had become quite popular and widely used before they’d gotten around to having a meeting about it. By that time, something like a quarter of a million characters had been customized using unofficial palettes, and there was no way to repalettize them without deeply pissing off the owners. So Richard had decided that the company would just look the other way.
Which you almost
