framed photograph of the Kenyon family, showing Ted and Emily sitting at the table, beaming proudly with their children behind them, Alice’s arms wrapped around Ted’s neck, and Jake’s around his mother’s.
Ted brought the curry through, and saw Sheldon looking at the photograph.
‘That’s the last picture of us together,’ Ted said. ‘I didn’t donate it to the police for a press release because it would taint it. It would be the picture they splashed on the news when they talked about her. I wanted to remember the afternoon as it was, everyone happy. Alice died the weekend after.’
Sheldon felt a wave of sadness as he thought of his own family. It was still intact then, or at least he thought it was. As he thought more about it though, perhaps it wasn’t. He couldn’t remember a family photograph as happy as that, not since Hannah was a small girl, when all he had to do was be there.
Sheldon turned away from the photograph and thanked Ted for the food. As he sat down to eat it, he became ravenous and realised how much he had neglected himself. Ted watched him eat for a while and then said, ‘If we are sharing information, you tell me: what suspects did you have?’
Sheldon paused as he thought of it. ‘None, other than Billy. We knew who some of his friends were, because we had been up there enough times over party noise before Alice died, but everyone had an alibi that they could prove. And anyway, we believed them, because they all said the same thing, that Billy hadn’t invited them up for a few weeks. It was as if he had got himself new friends.’
‘And you couldn’t find out who they were?’
Sheldon shook his head. ‘There was blood at the scene, but we don’t know whose. Did you find anything out?’
Ted shook his head. ‘I thought people were embarrassed at first, about what had gone on up at Billy’s house, because his money loosened clothes and no one would tell me too much. Except that Billy had new friends, but no one knew who they were. Some people had gone up and Billy wouldn’t let them in, and on the drive were old vans, and there were Goth-type kids, all in black, different to Billy’s usual crowd. Billy’s old friends were from the estate, people with no money helping Billy to spend his.’
Sheldon stopped eating for a moment and said, ‘Do you have any suspicions?’
‘Drugs,’ Ted said. ‘People told me that there were always a lot of drugs at the house, but they thought Billy was running out of money. He used to buy cars just so they could race them on the field behind his house, but for the few months before Alice’s death all he had done was repair the old ones. And he was starting to buy dodgy vodka, and was selling the drugs, cocaine and cannabis mainly, not giving it away. That’s why people weren’t as bothered about missing out on the parties. Too many people had watched their boyfriends or girlfriends sleep with other people, just because the mood was right, but if they were going to have to pay for it, what’s the point, right? Billy thought he was Mister Popular, but he wasn’t. He was just the mug willing to spend his money.’
‘So why drugs?’
‘Because he must have been in debt to dealers if he was stocking up so much but running out of money. It would explain why he was so scared to say anything. I think he got a visit from someone big, and things got out of hand. Alice was a good girl, but she would speak her mind, and so I wonder whether she had said the wrong thing, tried to show that she couldn’t be bullied. But she wouldn’t know what those people were like, and so things just got nasty.’
Sheldon nodded as he ate his curry. ‘That makes a lot of sense. He was still taking drugs before he died, because we found a dealer list in his house, but his silence might have extended his credit line. We looked at the drugs angle, but there was no intelligence about where he was getting his drugs. Because of the quantities, we thought that he had gone higher up the chain, to the wholesaler, not the street dealer, and they are harder to track. We always know the street dealers, because your bottom-rung junkies will tell you anything to keep on your good side, just to make sure they always get bail, or so we won’t bust their door down. The higher up you go, the more it becomes about money, and so people stay quiet. No one knew where Billy was getting his drugs from.’
Ted sighed. ‘So we both came up with nothing except theories.’
Sheldon nodded. ‘It seems that way.’
Ted stayed silent as Sheldon finished his food, until the chirp of Sheldon’s phone disturbed the peace.
Sheldon reached into his pocket and saw that it was a number he didn’t recognise. He clicked the answer button.
‘Hello?’
‘DI Brown?’ It was a man’s voice.
‘Yes.’ There was no need to correct him.
‘I’m PC Ellis. I work in Southern Division. I saw the email that was sent round earlier, with the young woman’s photograph. Your number was on it.’
Sheldon looked at Ted, who was sitting up straight, watching him. ‘Go on.’
‘I know her,’ Ellis continued. ‘There is a care home here, New Pastures. It keeps most of us busy. I recognised the girl in the photograph, although it threw me, because she isn’t called Christina. It’s Lucy, Lucy Crane.’
‘Any form?’
‘Not much, but she was a constant misper, always turning up in the houses of the local pervs, her pockets filled with fags and stinking of booze. I don’t what happened to her because I got posted elsewhere, but it looks like her.’
‘How sure are you?’
‘Pretty sure.’
‘Thank you, PC Ellis,’ Sheldon said. ‘Keep this conversation to yourself for the moment.’
‘No problem, sir. Glad to help.’
When Sheldon clicked off, he got to his feet. Ted looked at him curiously, and then scrambled to follow him when Sheldon said, ‘I think we’ve got something.’
Charlie walked quickly away from the quarry, heading straight to Donia’s flat in the town centre where she had the Billy Privett file.
Marshall Avenue was one of the main roads out of Oulton, down a hill and lined by trees, an attempt to create some suburbia amongst the industrial units and workers’ cottages. Charlie didn’t look up as he went past dusty shop fronts and neglected pubs. He straightened his clothes so that people wouldn’t recall the dishevelled man in the suit, because the best chance he had was to blend into the background.
He kept on looking round as he walked, always ready for the shout of the police, wary in case it was a trap. He turned quickly onto Marshall Avenue and saw how it stretched downwards, grass verges bordering the road, the trees forming a canopy so that it was all in shadow. Number sixty-six was a double-fronted building in pale glazed bricks, with yellowing net curtains in every window. He had another quick look around, to check for dark uniforms hidden behind lampposts, but then realised that he must have watched too many films. He had no weapons, and was just some scruffy lawyer heading too quickly for his fortieth birthday. They could approach him at a saunter and he would have little chance of getting away.
He pushed at the door and it opened into a communal hallway. It was all shades of brown, with plywood- finish doors and a number 1 in fake marble pinned to the first one. The stairs were narrow and dark, but it was the only way forward.
There was a television playing in one of the flats, and as he climbed, the landings just got darker. The switch for the lights was a push-button timer that slowly released itself, but it didn’t give him enough time to get upstairs. By the time he got to the top floor, flat number six, he had to feel his way along, the number visible only in silhouette against the faint light that came through a glass door. There were small steps on the other side, and so he guessed that it was the loft flat.
Charlie knocked at the door, but there was no answer. All he could do was wait.
His phone rang. He checked the screen. It was Julie, his ex. When he pressed the answer, he let Julie speak first.
‘Charlie, it’s me. I’ve heard about Amelia. We need to talk to you about what happened.’
Charlie thought about whether to answer, but the urge to know what was being said was too strong. ‘What’s
