Telegraph Avenue

Archy has cancer and is hiding it from you, his wife; that was what Aviva’s grave expression implied.

Gwen ripped a fistful of sanitary paper away from the sheet beneath her. “What’s wrong?” she said, and once again she felt herself caught up in a cyclone of metal and pavement.

“So he didn’t say anything.”

“What would he say? Is he sick?”

“Oh, God. No. No, he’s fine. He, too, is totally fine. For the moment.”

“For the next five minutes.”

“Call it four now.”

“Aviva, what is this?”

“Shit. Okay. You’re sitting down. That’s good.”

“Just a minute,” Gwen said. “Hold on. I feel like maybe I want to be standing up.”

“Gwen, no, I think you should—”

“Let me put a little weight on it, Aviva.”

Aviva fussed at the bandage, found it acceptable, then released the ankle to Gwen.

“Much better,” Gwen said. “Thank you so much. Now, what the heck?”

There was a soft knock on the examining room door. Aviva looked at her watch again.

“Aviva, what is this?”

The door swung open, and Gwen saw Julie walk in with the kid who had shoved her out of the path of the bus. The kid pushed back the hood of his sweatshirt. He was like a smaller, skinnier edition of Archy’s dad, a 45 to Luther’s LP. It took less than a second for her to formulate that first wild guess.

“Oh, dear Lord,” Gwen said.

The boys stared each in his own all-consuming way at his shoes, at Gwen’s ankle, at the floor.

“Titus,” Aviva said. “Meet Gwen.”

“Hey,” said the boy. He looked to be about the same age as Julie, fourteen, fifteen. Gwen undertook the biographical math, syllogized a couple of stray remarks separated by years, guessed at the rest.

“Your last name Joyner?”

The kid looked up sharply but got his playful Luther Stallings smile in place just before meeting her gaze. “Yes, ma’am.”

“Okay,” Gwen said. And then somebody turned over the record, and Archy’s Cheatin’ came back on, and the first track on side B was called “Jamila.” Gwen had never met Jamila Joyner, which, as always, made it so much easier for her to sketch the woman in her mind, with all her wicked contours. “Is she in town?”

The smile winked out like a drop of water on a hot range. “No, ma’am.”

“Uh, his mom passed away,” said Julie. “A long time ago.”

The throb of jealousy subsided, and Gwen’s heart, taking its first tentative steps since Aviva had unlocked the office door, went out to Titus, who suddenly looked closer to twelve than fifteen.

“Titus is staying with us,” Aviva said. “At the moment.”

“What? Since when?”

“Since Friday. Gwen, I’m sorry. I was respecting Archy’s wishes. God only knows why. He said he was going to tell you. He said he needed a little time to sort things out.”

So this, and not his grief over Mr. Jones, or his shame at being caught with the Queen of Sheba, or cancer, was the secret that Archy had been keeping from her, the hollow underlying his physical presence in the room, the delay in replying to her questions. Not that he had a son but that said fruit of his loins was going to be moving in with them. Then Gwen would be responsible for three babies instead of the two she had ordered.

“You should have just let that bus hit me,” Gwen said. “You should have ridden right on by.”

Gnat. In his ear, born with it. Hearing the current of his own blood, neural crackle, the omnipresent pulse of the worldwide electro-industrial power and information grid, the unheard music. His head a dish to pull down cosmic background radiation, sines and signals, diminished sevenths coming through the wires of time and space to vibrate secret membranes. Hearing something. His moods (unmedicated at the present) prone to act as filters on the input. Melodies on the up days, harmonic structures, polyrhythms, samples and snatches, phrases and hooks, discrete musical ideas. On the down days or in a mixed state, only that rhythmic humming, theorized by one of his many former psychiatrists to be—what else—a dim dull echo of his ma, deceased when Nat was not yet two. A lullaby in the darkness, a steady soothing pat on the diapered behind. Yeah, whatever. But always, inside, beneath, interlaced with the auditory hallucination du jour, that constant invariant tone, at once low and sharp, infuriating, precious, steady as a handrail. On the menu for this morning, a looping Maceo-style fill, a joyous stab of horn, today shaping up to be an up day, oh, fuck yes, bee-da- lee-dop ba-deeda-la-dee!

Also on the menu: fried chicken, Richmond-style. Biscuits. Beans and rice. And most assuredly, greens. Greens the secret weapon, the skeleton key to the soul of a man of Garnet Singletary’s age and provenance. Collards the thing to catch the conscience of the King of Bling.

But the kitchen, oy, the kitchen. Ba-deeda-la-dee-dop! A fucking disaster area. Nat recalled with a pang how his stepmother, Opal, a bookkeeper in the billing department of Thalhimer’s department store, would always stay on top of the disorder, cleaning up after herself in measured intervals, a logic in the steps of her preparations, scraping the trimmed-away ribs and veins of the collards into the garbage while the leaves came to a low simmer in their pot of fatback liquor; the bowl in which the beans had been put to soak the night before washed and sparkling in the wire dish rack as they boiled; the biscuits mixed—the recipe, passed down from the lifelong employer of Opal’s mother, a Mrs. Portman, calling for both yeast and baking soda—then left all night to rise under a damp towel in the refrigerator, nothing to be done but roll them out and cut them, put them in the oven ten minutes before you rang the dinner bell. Opal Starrett, aleha hasholem, rendered justice with her Scotch Brite pad to every pot, pan, and dish along the way, wiping down every surface to a laboratory shine, leaving herself to contend at the end only with the baking sheets, the big cast-iron skillet, and the blast radius of spat fat on the stovetop.

As with so many other things about her, Nat admired the orderly progression of his stepmother’s kitchen, but he could never hope to emulate it. He came wired, like Julius the First, to do everything all at once. Puffs of flour escaping from the requisite brown paper bag in which, with cracked black pepper, cayenne, and salt, he shook the pieces of chicken—legs and thighs, as today’s clientele required. A whole weather system, storm fronts of flour moving across the kitchen from west to east. A scatter of dried beans underfoot, their comrades steeped for an hour in boiling water in lieu of the overnight soak rendered impossible by his impulsive play for the King of Bling’s support. The lard—another secret weapon in the battle for the soul of Garnet Singletary—starting to mutter and pop in the skillet. It was Opal’s skillet, inherited along with her Panzer-plate baking sheets on which half the projected three dozen biscuits lay in domino-spot arrangements, and the big gray Magnalite pot that held Nat’s simmering collards, their trimmings piled on the counter alongside peeled onion wrappers, a cut-away strap of fatback rind, the arctic landscape of Nat’s uncompleted biscuit rolling. Better not to think about the rice, Christ, the rice, some of it duly sucked up into the belly of the dead-battery DustBuster that was lying abandoned on the floor in the middle of all the unsucked rest of it. All that rice, raining down when he yanked the bag from the pantry shelf, someone, likely Nat, having put it back with its wire tie very loosely twisted. Though it was kind of remarkable the way the sound of raining rice seemed to lay itself down so sweetly over the horn riff in his head, a shimmer of steel brushes on a hi- hat.

At 9:45 A.M. the first batch of chicken parts sank, to the sound of applause, into the pig fat. The fat set about its great work, coaxing that beautiful Maillard reaction out of the seasoned flour, the smell of golden brownness mingling with the warm, dense, bay-leafy, somehow bodily funk of the beans, and with the summertime sourness of the greens like the memory of white Keds stained at the toes with fresh-cut grass, Nat stepped through the time portal that opened within the ring of seasoned iron. Riding the kitchen time machine. Turning the pieces of chicken with a pair of tongs, his hum, which he did not even know he was emitting, like the steady press of massaging fingers at the back of his neck, he remembered Opal standing at the ancient Hotpoint on East Broad Street in high heels and a Marimekko apron patterned with big coral poppies, cursing out Julius the First, furious over some fresh