still I’m a little surprised by his reaction. Not a word, not a smile—just the trancelike gaze of someone trying to make out a tiny speck on the horizon. I stand there uncomfortably for a few minutes and finally ask what turns out to be the right question: “Could I see your collection?”

If you wander around Port Elizabeth for any length of time, a taxi driver will inevitably make you the offer: “Come meet the real harpooner! Shake his hand, see his museum!” A museum it’s not, but Ollivierre has filled the largest room of his house with bomb guns, scrimshaw, and paintings. The paintings are by a local artist and commemorate some of Ollivierre’s wilder exploits: Athneal Done Strike de Whale, reads one. As Ollivierre discusses his life, he slowly becomes more animated and finally suggests that I walk up to the hilltop behind his house to meet the rest of the crew.

A path cuts up the hill past another low wood and concrete house. Split PVC pipe drains the roof and empties into a big concrete cistern, which is almost dry. (Every drop of drinking water on Bequia must be caught during the rainy season.) At the top of the hill are some wind-bent bushes and a thatch and bamboo sunbreak that tilts south toward the sea. Four men sit beneath it, looking south across the channel. They gnaw on potatoes, pass around binoculars, suck on grass stems, watch the sky get lighter. In the distance is a chain of cays that used to be the rim of a huge volcano, and seven miles away is the island of Mustique. When the wind permits, the whalers sail over there to look out for humpbacks.

“Hello. Athneal sent me,” I offer a little awkwardly.

The men glance around. There’s been some bad press about whaling, even the threat of a tourist boycott, and everyone knows this is a delicate topic. An old man with binoculars motions me over. “We can tell whatever you want,” he says, “but we can’t do anything without Dan, de cop’m.”

After Ollivierre, Dan Hazell, who bears some distant relation to Arnold Hazell, is the senior member of the crew. He’s the captain, responsible for maneuvering the boat according to Ollivierre’s orders. A young man named Eustace Kydd says he’ll round up Dan and a couple of others and meet me at a bar in Paget Farm. Paget Farm is a settlement by the airport where the whalers live: ramshackle houses, dories pulled up on rocks, men drinking rum in the shade. Most of the men on the island make their living net fishing. I nod and walk back down the hill. Ollivierre is still in his yard, glassing the channel and talking to a young neighborhood man who has dropped by. They give me a glance and keep talking. The wind has dropped; the sun is thundering impossibly fast out of the equatorial sea.

Unfortunately for Ollivierre, the antiquity of his methods has not exempted him from controversy. First of all, he has been known to take mother-calf pairs, a practice banned by the IWC. In addition, Japan started giving St. Vincent and several neighboring islands tens of millions of dollars in economic aid after the imposition of an international moratorium on whaling in 1986. The aid was ostensibly to develop local fisheries, but American environmental groups charged that Japan was simply buying votes on the IWC. The suspicions were well founded: St. Vincent, Dominica, and Grenada have received substantial amounts of money from Japan, and all have voted in accordance with Japan’s whaling interests over and over again.

Things came to a head last year when the IWC introduced a proposal to create an enormous whale sanctuary around Antarctica. The sanctuary would offer shelter to whales as the worldwide moratorium was phased out in keeping with growing whale populations. The Massachusetts-based International Wildlife Coalition, headed by Dan Morast, threatened to organize a tourist boycott against any country that voiced opposition to the proposal, and in the end only Japan voted against it. St. Vincent, Dominica, and Grenada abstained from the vote, and the South Seas Sanctuary was passed.

But the controversy over Bequia is more emotional than a vote. Ollivierre has become the focal point for dozens of environmental lobbyists, for whom everything he does is drenched in symbolism. First there was Ollivierre’s flip-flop: In 1990 he announced his retirement, but a year later he was back at it, sitting on his hilltop, looking out for whales. It was a move that angered environmentalists who thought they’d seen the last of whaling on Bequia. The reaction was compounded by Ollivierre’s efforts to sell the island of Petit Nevis, the tiny whaling station that has belonged to his family for three generations; a Japanese businessman’s offer of five million dollars was an outrage. Of course, Ollivierre’s personal impact on the humpback population is negligible. Morast’s point seems to be more conceptual: that the land sale is just another form of bribery to encourage the St. Vincent representative on the IWC to vote for whaling.

And contrary to Morast’s view, Ollivierre would love to retire. His joints ache; his vision is clouded; he’s an old man. Harpooning is dangerous, and apprentices are hard to come by. Several years ago he trained his nephew Anson Ollivierre to harpoon, but Anson branched out on his own before even bloodying his hands. Now he’s building his own whaleboat, and Ollivierre fears Anson will get his whole crew killed. So this year Ollivierre tried again, taking on Arnold Hazell. Hazell’s great-grandfather crewed for Ollivierre’s great-grandfather, and now, a hundred years later, the relationship continues. Since there are no whales to practice on, Hazell just hangs out at Ollivierre’s house, listens to the old stories, soaks up the lore.

When Hazell has killed his first whale, Ollivierre will retire. And the antiwhaling community will have a new face upon which to hang its villain’s mask.

A short time after meeting with Ollivierre and his crew, I drive down to Paget Farm to see about going out on the whaleboat. On the way I pass a new fish market, paid for by the Japanese government as part of a six-million-dollar aid package. According to the Japanese, it’s a no-strings-attached token of their affection for the Bequia fishermen. Past the market I turn onto a narrow cement road that grinds up a desperately steep hillside. At one end of the road is the sky; at the other end is the sea. The appointed bar is a one-story cement building halfway up the hill. I park, chock the wheels, and wander inside. It’s as clean and simple inside as out: a rough wooden counter, a half dozen chairs, no tables, a big fan. The walls are a turquoise color that fills the room with cool coral reef light. A Save the Whales poster hangs in tatters on one wall, and a monumental woman opens soft drinks behind the counter. Five men are ranged at the far end of the room. They are dressed in T-shirts and baggy pants, and one has a knife in his hand. Captain Dan, too shy to speak, just looks out the window into the midday heat. Arnold Hazell greets me with a smile and makes his pitch.

“In Bequia we don’t have much opportunity like you in the States,” he begins. “We grew up on the sea an live from the sea. Even if we don’t cotch a whale for the next ten years, it will be good just to be whalin. Just to keep the heritage up. Japanese an Norwegians—they killin whales by the thousands, an those people could afford to do something else. They have oil; they have big industry; they have a better reason to stop.” He pauses. “You know, we can put the boat out, we can talk to you, you can take snaps, but it a whole day’s work for us. We need something back.”

Luckily, I’ve been told about this ahead of time. It’s a tourist economy—the sunshine, the water, the beaches, it’s all for sale—and the whalers see no reason why they should be any different. A young man in dreadlocks steps in quietly and leans against the bar. He listens with vague amusement; he’s heard this all before.

“A few years ago a French crew come here,” says Eustace. “They come to make a film. They offer us thousands of dollars: they prepared to pay that. But we say no because we know they makin so much more on the film. Why should we work an they make all the money?”

After this statement, negotiations proceed slowly. Some careful wording, a few ambiguous phrases, and finally an agreement is reached: We’ll meet at Friendship Bay tomorrow before dawn. “And,” says Captain Dan, his eyes never wavering from the horizon, “you’ll see the Why Ask fly.”

In the distant past, most of the Caribbean islands were inhabited by the peace-loving Arawak people. Very little is known about them, because most were killed, and the rest were driven from the islands by the Caribs, whose name comes from the Arawak word for “cannibal.” Unfortunately for the Caribs, Columbus discovered their bloody little paradise within years of their ascendancy, and two hundred years later most of them were gone as well. Bequia—dry, tiny, and poor—was one of their last hideouts, and when the French finally settled here, they found people of mixed Carib-African ancestry hiding in the hills. The Africans, as it turned out, had swum ashore from a wrecked slave ship, the Palmira, in 1675.

France ceded Bequia to Britain in 1763, and inevitably the Black Caribs, as they were called, were put to work on the local sugar and cotton plantations. Only free labor could coax a profit from such poor soil, and when the British abolished slavery in 1838, Bequia’s economy fell apart. The local elite fled, and islanders reverted to farming and fishing—and eventually whaling—to survive.

The first Bequian to kill a whale was Bill Wallace, a white landowner’s son who went to sea at age fifteen and

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